forty centuries of ink-第17部分

按键盘上方向键 ← 或 → 可快速上下翻页，按键盘上的 Enter 键可回到本书目录页，按键盘上方向键 ↑ 可回到本页顶部！
————未阅读完？加入书签已便下次继续阅读！



as　the　more　suitable　substance　for　a　book　of　value。〃



The　curious　contract　belonging　to　the　fourteenth

century　which　follows；　is　a　literal　copy　of　the　original。

It　does　not　seem　to　specify　whether　the　book　is　to　be

made　of　vellum　or　paper。　In　other　respects　the　minute

details　no　doubt　prevented　any　misunderstanding　between

the　contracting　parties。



〃August　26th；　1346There　appeared　Robert

Brekeling；　scribe；　and　swore　that　he　would　observe

the　contract　made　between　him　and　Sir　John　Forber；

viz。；　that　the　said　Robert　would　write　one　Psalter

with　the　Kalender　for　the　work　of　the　said　Sir

John　for　5　s。　and　6　d。；　and　in　the　same　Psalter；　in

the　same　character；　a　Placebo　and　a　Dirige；　with　a

Hymnal　and　Collectary；　for　4　s。　and　3　d。　And

the　said　Robert　will　illuminate　（'luminabet'）　all

the　Psalms　with　great　gilded　letters　laid　in　with

colours；　and　all　the　large　letters　of　the　Hymnal

and　Collectary　will　he　illuminate　with　gold　and

vermillion；　except　the　great　letters　of　double　feasts；

which　shall　be　as　the　large　gilt　letters　are　in　the　Psalter。

And　all　the　letters　at　the　commencement　of　the

verses　shall　be　illuminated　with　good　azure　and　vermillion；

and　all　the　letters　at　the　beginning　of　the

Nocturns　shall　be　great　uncial　（unciales）　letters；　containing

V。　lines；　but　the　Beatus　Vir　and　Dixit　Dominus

shall　contain　VI。　or　VII。　lines；　and　for　the

aforesaid　illumination　and　for　colours　he　＇John＇

will　give　5　s。　6　d。；　and　for　gold　he　will　give　18　d。；

and　2　s。　for　a　cloak　and　fur　trimming。　Item　one

robeone　coverlet；　one　sheet；　and　one　pillow。〃







CHAPTER　IX。



END　OF　MEDIAEVAL　INK。



THE　SECRETAS　PRECEDE　ALCHEMY　AND　CHEMISTRYEFFORT

TO　IMPROVE　GALL　INKSVARIATIONS　IN　INK

COLORSTHE　USE　OF　RED　INK　IN　THE　NINTH　AND

TENTH　CENTURIESCOLOR　COMPARISONS　BETWEEN　INK

WRITINGS　OF　ITALY；　GERMANY；　FRANCE；　ENGLAND　AND

SPAINHOW　TO　DETERMINE　THE　ANTIQUITY　OF

MSS。PRACTICES　WHICH　OBTAINED　IN　MONASTIC　LIBRARIES

OF　VARIOUS　COUNTRIES…KINDS　OF　INK　EMPLOYED

IN　LITURGICAL　WRITINGSTHE　PUBLIC　SCRIBES

AND　THEIR　EMPLOYMENTSEFFORTS　TO　COUNTERFEIT

OLD　SCRIPT　IN　EARLY　PRINTED　BOOKSWHEN　THEY

WERE　ABANDONED。



IT　is　well　known　that　alchemy　preceded　chemistry

and　hence　the　Secreta　came　first。　When　the　formula

for　making　a　real　〃gall〃　ink　had　ceased　to　be　a　secret；

chemistry　was　then　but　little　understood。　It　is　not　a

matter　for　wonder；　therefore；　to　learn　that　〃gall〃　ink

of　the　first　half　of　the　twelfth　century　was　low　in

grade　and　poor　in　quality。　It　was　a　muddy　fluid

easily　precipitated　and　it　deteriorated　quickly。　A

century　or　more　of　experimenting　was　needed　to

modify　or　overcome　defects；　as　well　as　to　gain

information　about　the　chemical　value　of　the　different

tannins；　the　relative　proportions　of　each　constituent

and　the　correct　methods　in　its　admixture。



There　is　no　written　account　of　this　ink　being　manufactured

as　an　industry　until　over　three　hundred　years

later。　Hence；　as　it　appears　so　frequently　of　varying

degrees　of　color　on　documents　of　the　intervening

centuries；　we　are　compelled　to　assume　that　it　was

compounded　by　individuals　who　had　neither　chemical

knowledge；　nor　who　had　made　a　study　or　a　business

of　ink…making。　Notwithstanding　which；　its　progress

seems　to　have　been　comparatively　rapid　and　like　the

same　ink　of　the　present　day　was　to　be　obtained　of　any

quality　or　kind；　whether　unadulterated　or　containing

some　added　color。



Intense　black　or　a　black　tinged　with　red…brown

characterizes　the　color　of　the　inks　found　on　the　very

earliest　MSS。　Their　lasting　color　phenomena；　due　to

the　employment　of　lampblack　and　kindred　substances

even　after　a　lapse　of　so　many　ages；　is　at　this　late　day

of　no　particular　moment　as　they　but　prove　the　virtues

of　the　different　types　of　〃Indian〃　inks。



A　different　set　of　facts　are　evident　in　the　inks　of

mediaeval　times　which　are　found　to　greatly　vary　according

to　their　ages　and　locality。　But　few　black

inks　of　the　ninth　and　tenth　centuries　remain　to　us。

In　the　MSS。　of　those　centuries　a　red　ink　was　the　prevailing

one　even　to　the　extent　of　entire　volumes　being

written　with　it。　In　Italy　and　many　other　portions　of

Southern　Europe　specimens　now　extant；　when　compared

with　those　belonging　to　Germany　and　other

more　northern　countries；　are　seen　to　be　blacker　and

this　is　also　true　when　those　of　France　and　England

are　compared；　the　blacker　inks　belonging　to　France。

With　the　gradual　disappearance　of　the　so…called

〃Dark　Ages；〃　the　ink　found　on　Spanish　written　MSS。

of　the　fourteenth　and　fifteenth　centuries；　are　notedly

of　intense　blackness　while　those　of　some　of　the　other

countries　appear　of　a　rather　faded　gray　color；　and　in

the　sixteenth　century；　this　gray　color　effect　prevailed

all　over　the　Christian　world。



To　revert　again　to　the　ink　phenomena　of　the　fourteenth

and　fifteenth　centuries　which　are　of　Italian

origin。　In　no　section　of　that　country　or　of　Europe

during　those　centuries　do　ink　creations　possess；　in　so

marked　a　degree；　the　variety　of　color　qualities　that

are　seen　on　those　of　the　city　of　Florence。　Indeed　it

may　be　truly　said　that　during　those　periods　more　ink

written　MSS。　were　produced　in　that　place　than　all　the

rest　of　Europe。　These　productions　of　MSS。　were　not

confined　to　simple　ink　writings。　The　heads　of　religious

orders　and　rulers　of　the　country　liked　to　have

artists　near　them　to　illuminate　their　missals　and　sacred

books；　besides　the　decorating　of　walls　in　their　churches

and　palaces。



Through　this　art　of　illuminating　and　the　painting　of

miniatures　in　MSS。　books；　〃oil〃　painting　took　root　and

the　day　for　mere　symbols　and　hieroglyphics　was　over。



In　that　city　of　scholars　and　wealth　it　was　a　fashion

and　later　the　custom　to　acquire　Greek；　Latin　and

Oriental　MSS。　and　copy　them　for　circulation　and　sale。

The　prices　offered　were　sufficient　to　stimulate　the

search　and　zeal　for　them。　We　learn　that　in　the　year

1400　〃on　the　square　of　the　Duoma　a　spacciatore

was　established　whose　business　was　to　sell　manuscripts

often　full　of　mistakes　and　blunders。〃　Nicholas　V；

before　he　became　Pope；　was　nicknamed　〃Tommaso　the

Copyist。〃　He　is　said　to　have　presented　to　the　Vatican

library　as　a　gift　five　thousand　volumes　of　his　own

creation。



The　information　of　these　increasing　demands　for　ancient

documents　of　any　kind　spread　over　Europe　and

portions　of　Asia；　bringing　into　Florence　a　great

quantity　of　them；　as　well　as　many　scholars　and　copyists。

Shiploads　of　the　works　of　the　Byzantine　historians

arrived　from　the　Golden　Horn；　and　the　city

became　a　vast　manufactory　for　duplicating　or　forging

ancient　MSS。　Parchment　and　vellum　were　too　costly

to　employ　very　much；　so　most　of　them　were　of　paper。

Vespaciano；　one　of　the　many　engaged　in　this　business

and　who　lived　in　1464；　found　it　necessary　in　order　to

reduce　the　cost　of　production；　to　become　a　paper　merchant。

In　writing　to　a　friend　he　says：



〃I　engaged　forty…five　copyists　and　in　twenty…

two　months　had　completed　two　hundred　volumes；

which　included　some　Greek　and　Latin　as　well　as

many　Oriental　writings。〃



The　reading　and　judging　of　manuscripts　are　now

known　as　the　science　of　diplomatics。　To　determine

their　antiquity　or　genuineness　requires　the　nicest　distinctions

and　care；　irrespective　of　alleged　dates　（whether

exhibited　by　Roman　numbers　or　the　Arabic　one　which

we　continue　to　employ；　and　which　first　made　their

appearance　near　the　commencement　of　the　twelfth

century）。　The　inks　as　already　mentioned　and　used

on　them；　as　we　shall　see；　serve　fully　as　much　in　estimating

authenticity　or　genuineness　as　does　combined

together；the　style　of　the　writing；　the　miniatures；

vignettes　and　arabesques　（if　any）；　the　colors；　covers；

materials；　ornamentation　and　the　character　of　their

contents。



With　the　re…establishment　of　learning　in　the　fifteenth

century　and　the　creation　of　alleged　stable　governments；

who　may　perhaps　have　realized　the　necessity

for　an　ink　of　enduring　good　commercial　and　record

qualities；　so…called　〃gall〃　inks　were　chosen　as　best

possessing　them；　and　were　made　and　employed　with

varying　results　even　more　than　the　ancient　〃Indian〃

inks。



Mediaeval　practices　in　relation　to　ink　and　other

writing　materials　as　well　as　the　monastic　libraries　of

which　England；　France；　Germany　and　Italy　possessed

many　during　the　thirteenth；　fourteenth；　and　more

particularly　the　fifteenth　centuries；　were　governed　by

established　rules。



The　libraries　of　such　institutions　were　placed　by　the

abbot　under　the　sole　charge　of　the　〃armarian；〃　an

officer　who　was　made　responsible　for　the　preservation

of　the　volumes　under　his　care；　be　was　expected　frequently

to　examine　them；　lest　damp　or　insects　should

injure　them；　he　was　to　cover　them　with　wooden

covers　to　preserve　them　and　carefully　to　mend　and

restore　any　damage　which　time　or　accident　might

cause；　he　was　to　make　a　note　of　any　book　borrowed

from　the　library；　with　the　name　of　the　borrower；

but　this　last　rule　applied　only　to　the　less　valuable

portion　of　it；　as　the　〃great　and　precious　books〃

could　only　be　lent　by　the　permission　of　the　abbot

himself。　It　was　also　the　duty　of　the　armarian

to　have　all　the　books　in　his　charge　marked　with　their

correct　titles；　and　to　keep　a　perfect　list　of　the　whole。

Some　of　these　catalogues　are　still　in　existence　and　are

curious　and　interesting　in　their　exemplification　of　the

kinds　of　ink　employed　and　as　indicative　of　the　state

of　literature　in　the　Middle　Ages；　besides　presenting

the　names　of　many　authors　whose　works　have　never

reached　us。　It　was　also　the　duty　of　the　armarian；

under　the　orders　of　his　superior；　to　provide　the　transcribers

of　manuscripts　with　the　writings　which　they

were　to　copy；　as　well　as　all　the　materials　necessary

for　their　labors；　to　make　bargains　as　to　payment；　and

to　superintend　the　work　during　their　progress。



These　transcribers；　Mr。　Maitland　in　his　〃Dark