their silver wedding journey v2-及21何蛍
梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
wired through all its quaintness�察�and they were lodged in a hotel lighted
by electricity and heated by steam�察�and equipped with an elevator which
was so modern that it came down with them as well as went up。 All the
things that assumed to be of recent structure or invention were as
nothing against the dense past�察�which overwhelmed them with the sense of
a world elsewhere outlived。 In Nuremberg it is not the quaint or the
picturesque that is exceptional�察�it is the matter´of´fact and the
commonplace。 Here�察�more than anywhere else�察�you are steeped in the
gothic spirit which expresses itself in a Teutonic dialect of homely
sweetness�察�of endearing caprice�察�of rude grotesqueness�察�but of positive
grace and beauty almost never。 It is the architectural speech of a
strenuous�察�gross�察�kindly�察�honest people's fancy�察�such as it is it was
inexhaustible�察�and such as it is it was bewitching for the travellers。
They could hardly wait till they had supper before plunging into the
ancient town�察�and they took the first tram´car at a venture。 It was a
sort of transfer�察�drawn by horses�察�which delivered them a little inside。
of the city gate to a trolley´car。 The conductor with their fare
demanded their destination�察�March frankly owned that they did not know
where they wanted to go�察�they wanted to go anywhere the conductor chose��
and the conductor�察�after reflection�察�decided to put them down at the
public garden�察�which�察�as one of the newest things in the city�察�would make
the most favorable impression upon strangers。 It was in fact so like all
other city gardens�察�with the foliage of its trimly planted alleys�察�that
it sheltered them effectually from the picturesqueness of Nuremberg�察�and
they had a long�察�peaceful hour on one of its benches�察�where they rested
from their journey�察�and repented their hasty attempt to appropriate the
charm of the city。
The next morning it rained�察�according to a custom which the elevator´boy
��flown with the insolent recollection of a sunny summer in Milan�� said
was invariable in Nuremberg�察�but after the one´o'clock table d'hote they
took a noble two´spanner carriage�察�and drove all round the city。
Everywhere the ancient moat�察�thickly turfed and planted with trees and
shrubs�察�stretched a girdle of garden between their course and the wall
beautifully old�察�with knots of dead ivy clinging to its crevices�察�or
broad meshes of the shining foliage mantling its blackened masonry。 A
tile´roofed open gallery ran along the top�察�where so many centuries of
sentries had paced�察�and arched the massive gates with heavily moulded
piers�察�where so countlessly the fierce burgher troops had sallied forth
against their besiegers�察�and so often the leaguer hosts had dashed
themselves in assault。 The blood shed in forgotten battles would have
flooded the moat where now the grass and flowers grew�察�or here and there
a peaceful stretch of water stagnated。
The drive ended in a visit to the old Burg�察�where the Hapsburg Kaisers
dwelt when they visited their faithful imperial city。 From its ramparts
the incredible picturesqueness of Nuremberg best shows itself�察�and if one
has any love for the distinctive quality of Teutonic architecture it is
here that more than anywhere else one may feast it。 The prospect of
tower and spire and gable is of such a mediaeval richness�察�of such an
abounding fulness�察�that all incidents are lost in it。 The multitudinous
roofs of red´brown tiles�察�blinking browsily from their low dormers�察�press
upon one another in endless succession�察�they cluster together on a rise
of ground and sink away where the street falls�察�but they nowhere disperse
or scatter�察�and they end abruptly at the other rim of the city�察�beyond
which looms the green country�察�merging in the remoter blue of misty
uplands。
A pretty young girl waited at the door of the tower for the visitors to
gather in sufficient number�察�and then led them through the terrible
museum�察�discanting in the same gay voice and with the same smiling air on
all the murderous engines and implements of torture。 First in German and
then in English she explained the fearful uses of the Iron Maiden�察�she
winningly illustrated the action of the racks and wheels on which men had
been stretched and broken�察�and she sweetly vaunted a sword which had
beheaded eight hundred persons。 When she took the established fee from
March she suggested�察�with a demure glance�察 �And what more you please for
saying it in English。;
;Can you say it in Russian�拭─�demanded a young man�察�whose eyes he had seen
dwelling on her from the beginning。 She laughed archly�察�and responded
with some Slavic words�察�and then delivered her train of sight´seers over
to the custodian who was to show them through the halls and chambers of
the Burg。 These were undergoing the repairs which the monuments of the
past are perpetually suffering in the present�察�and there was some special
painting and varnishing for the reception of the Kaiser�察�who was coming
to Nuremberg for the military manoeuvres then at hand。 But if they had
been in the unmolested discomfort of their unlivable magnificence�察�their
splendor was such as might well reconcile the witness to the superior
comfort of a private station in our snugger day。 The Marches came out
owning that the youth which might once have found the romantic glories of
the place enough was gone from them。 But so much of it was left to her
that she wished to make him stop and look at the flirtation which had
blossomed out between that pretty young girl and the Russian�察�whom they
had scarcely missed from their party in the Burg。 He had apparently never
parted from the girl�察�and now as they sat together on the threshold of
the gloomy tower�察�he most have been teaching her more Slavic words�察�for
they were both laughing as if they understood each other perfectly。
In his security from having the affair in any wise on his hands�察�March
would have willingly lingered�察�to see how her education got on�察�but it
began to rain�察�The rain did not disturb the lovers�察�but it obliged the
elderly spectators to take refuge in their carriage�察�and they drove off
to find the famous Little Goose Man。 This is what every one does at
Nuremberg�察�it would be difficult to say why。 When they found the Little
Goose Man�察�he was only a mediaeval fancy in bronze�察�who stood on his
pedestal in the market´place and contributed from the bill of the goose
under his arm a small stream to the rainfall drenching the wet wares of
the wet market´women round the fountain�察�and soaking their cauliflowers
and lettuce�察�their grapes and pears�察�their carrots and turnips�察�to the
watery flavor of all fruits and vegetables in Germany。
The air was very raw and chill�察�but after supper the clouds cleared away��
and a pleasant evening tempted the travellers out。 The portier
dissembled any slight which their eagerness for the only amusement he
could think of inspired�察�and directed them to a popular theatre which was
giving a summer season at low prices to the lower classes�察�and which they
surprised�察�after some ��search�察�trying to hide itself in a sort of back
square。 They got the best places at a price which ought to have been
mortifyingly cheap�察�and found themselves�察�with a thousand other harmless
bourgeois folk�察�in a sort of spacious�察�agreeable barn�察�of a decoration by
no means ugly�察�and of a certain artless comfort。 Each seat fronted a
shelf at the back of the seat before it�察�where the spectator could put
his hat�察�there was a smaller shelf for his stein of the beer passed
constantly throughout the evening�察�and there was a buffet where he could
stay himself with cold ham and other robust German refreshments。
It was ;The Wedding Journey to Nuremberg; upon which they had oddly
chanced�察�and they accepted as a national tribute the character of an
American girl in it。 She was an American girl of the advanced pattern��
and she came and went at a picnic on the arm of a head waiter。 She
seemed to have no office in the drama except to illustrate a German
conception of American girlhood�察�but even in this simple function she
seemed rather to puzzle the German audience�察�perhaps because of the
occasional English words which she used。
To the astonishment of her compatriots�察�when they came out of the theatre
it was not raining�察�the night was as brilliantly starlit as a night could
be in Germany�察�and they sauntered home richly content through the narrow
streets and through the beautiful old Damenthor�察�beyond which their hotel
lay。 How pretty�察�they said�察�to call that charming port the Ladies' Gate��
They promised each other to find out why�察�and they never did so�察�but
satisfied themselves by assigning it to the exclusive use of the slim
maidens and massive matrons of the old Nuremberg patriciate�察�whom they
imagined trailing their silken splendors under its arch in perpetual
procession。
XLV。
The life of the Nuremberg patriciate�察�now extinct in the control of the
city which it builded so strenuously and maintained so heroically�察�is
still insistent in all its art。 This expresses their pride at once and
their simplicity with a childish literality。 At its best it is never so
good as the good Italian art�察�whose influence is always present in its
best。 The coloring of the great canvases is Venetian�察�but there is no
such democracy of greatness as in the painting at Venice�察�in decoration
the art of Nuremberg is at best quaint�察�and at the worst puerile。
Wherever it had obeyed an academic intention it seemed to March poor and
coarse�察�as in the bronze fountain beside the Church of St。 Lawrence。 The
water spins from the pouted breasts of the beautiful figures in streams
that cross and interlace after a fancy trivial and gross�察�but in the base
of the church there is a time´worn Gethsemane�察�exquisitely affecting in
its simple´hearted truth。 The long ages have made it even more affecting
than the sculptor imagined it�察�they have blurred the faces and figures in
passing till their features are scarcely distinguishable�察�and the
sleeping apostles seem to have dreamed themselves back into the mother´
marble。 It is of the same tradition and impulse with that supreme glory
of the native sculpture�察�the ineffable tabernacle of Adam Kraff