essays and lectures-第3部分
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grounds the story is impossible (ii。 134)。
In another passage (ii。 63); after giving an account of the
forcible entry of the priests of Ares into the chapel of the god's
mother; which seems to have been a sort of religious faction fight
where sticks were freely used ('Greek text which cannot be
reproduced'); 'I feel sure;' he says; 'that many of them died from
getting their heads broken; notwithstanding the assertions of the
Egyptian priests to the contrary。' There is also something
charmingly naive in the account he gives of the celebrated Greek
swimmer who dived a distance of eighty stadia to give his
countrymen warning of the Persian advance。 'If; however;' he says;
'I may offer an opinion on the subject; I would say that he came in
a boat。'
There is; of course; something a little trivial in some of the
instances I have quoted; but in a writer like Herodotus; who stands
on the borderland between faith and rationalism; one likes to note
even the most minute instances of the rise of the critical and
sceptical spirit of inquiry。
How really strange; at base; it was with him may; I think; be shown
by a reference to those passages where he applies rationalistic
tests to matters connected with religion。 He nowhere; indeed;
grapples with the moral and scientific difficulties of the Greek
Bible; and where he rejects as incredible the marvellous
achievements of Hercules in Egypt; he does so on the express
grounds that he had not yet been received among the gods; and so
was still subject to the ordinary conditions of mortal life ('Greek
text which cannot be reproduced')。
Even within these limits; however; his religious conscience seems
to have been troubled at such daring rationalism; and the passage
(ii。 45) concludes with a pious hope that God will pardon him for
having gone so far; the great rationalistic passage being; of
course; that in which he rejects the mythical account of the
foundation of Dodona。 'How can a dove speak with a human voice?'
he asks; and rationalises the bird into a foreign princess。
Similarly he seems more inclined to believe that the great storm at
the beginning of the Persian War ceased from ordinary atmospheric
causes; and not in consequence of the incantations of the MAGIANS。
He calls Melampos; whom the majority of the Greeks looked on as an
inspired prophet; 'a clever man who had acquired for himself the
art of prophecy'; and as regards the miracle told of the AEginetan
statues of the primeval deities of Damia and Auxesia; that they
fell on their knees when the sacrilegious Athenians strove to carry
them off; 'any one may believe it;' he says; 'who likes; but as for
myself; I place no credence in the tale。'
So much then for the rationalistic spirit of historical criticism;
as far as it appears explicitly in the works of this great and
philosophic writer; but for an adequate appreciation of his
position we must also note how conscious he was of the value of
documentary evidence; of the use of inscriptions; of the importance
of the poets as throwing light on manners and customs as well as on
historical incidents。 No writer of any age has more vividly
recognised the fact that history is a matter of evidence; and that
it is as necessary for the historian to state his authority as it
is to produce one's witnesses in a court of law。
While; however; we can discern in Herodotus the rise of an historic
sense; we must not blind ourselves to the large amount of instances
where he receives supernatural influences as part of the ordinary
forces of life。 Compared to Thucydides; who succeeded him in the
development of history; he appears almost like a mediaeval writer
matched with a modern rationalist。 For; contemporary though they
were; between these two authors there is an infinite chasm of
thought。
The essential difference of their methods may be best illustrated
from those passages where they treat of the same subject。 The
execution of the Spartan heralds; Nicolaos and Aneristos; during
the Peloponnesian War is regarded by Herodotus as one of the most
supernatural instances of the workings of nemesis and the wrath of
an outraged hero; while the lengthened siege and ultimate fall of
Troy was brought about by the avenging hand of God desiring to
manifest unto men the mighty penalties which always follow upon
mighty sins。 But Thucydides either sees not; or desires not to
see; in either of these events the finger of Providence; or the
punishment of wicked doers。 The death of the heralds is merely an
Athenian retaliation for similar outrages committed by the opposite
side; the long agony of the ten years' siege is due merely to the
want of a good commissariat in the Greek army; while the fall of
the city is the result of a united military attack consequent on a
good supply of provisions。
Now; it is to be observed that in this latter passage; as well as
elsewhere; Thucydides is in no sense of the word a sceptic as
regards his attitude towards the truth of these ancient legends。
Agamemnon and Atreus; Theseus and Eurystheus; even Minos; about
whom Herodotus has some doubts; are to him as real personages as
Alcibiades or Gylippus。 The points in his historical criticism of
the past are; first; his rejection of all extra…natural
interference; and; secondly; the attributing to these ancient
heroes the motives and modes of thought of his own day。 The
present was to him the key to the explanation of the past; as it
was to the prediction of the future。
Now; as regards his attitude towards the supernatural he is at one
with modern science。 We too know that; just as the primeval coal…
beds reveal to us the traces of rain…drops and other atmospheric
phenomena similar to those of our own day; so; in estimating the
history of the past; the introduction of no force must be allowed
whose workings we cannot observe among the phenomena around us。 To
lay down canons of ultra…historical credibility for the explanation
of events which happen to have preceded us by a few thousand years;
is as thoroughly unscientific as it is to intermingle preternatural
in geological theories。
Whatever the canons of art may be; no difficulty in history is so
great as to warrant the introduction of a spirit of spirit 'Greek
text which cannot be reproduced'; in the sense of a violation of
the laws of nature。
Upon the other point; however; Thucydides falls into an
anachronism。 To refuse to allow the workings of chivalrous and
self…denying motives among the knights of the Trojan crusade;
because he saw none in the faction…loving Athenian of his own day;
is to show an entire ignorance of the various characteristics of
human nature developing under different circumstances; and to deny
to a primitive chieftain like Agamemnon that authority founded on
opinion; to which we give the name of divine right; is to fall into
an historical error quite as gross as attributing to Atreus the
courting of the populace ('Greek text which cannot be reproduced')
with a view to the Mycenean throne。
The general method of historical criticism pursued by Thucydides
having been thus indicated; it remains to proceed more into detail
as regards those particular points where he claims for himself a
more rational method of estimating evidence than either the public
or his predecessors possessed。
'So little pains;' he remarks; 'do the vulgar take in the
investigation of truth; satisfied with their preconceived
opinions;' that the majority of the Greeks believe in a Pitanate
cohort of the Spartan army and in a double vote being the
prerogative of the Spartan kings; neither of which opinions has any
foundation in fact。 But the chief point on which he lays stress as
evincing the 'uncritical way with which men receive legends; even
the legends of their own country;' is the entire baselessness of
the common Athenian tradition in which Harmodios and Aristogeiton
were represented as the patriotic liberators of Athens from the
Peisistratid tyranny。 So far; he points out; from the love of
freedom being their motive; both of them were influenced by merely
personal considerations; Aristogeiton being jealous of Hipparchos'
attention to Harmodios; then a beautiful boy in the flower of Greek
loveliness; while the latter's indignation was aroused by an insult
offered to his sister by the prince。
Their motives; then; were personal revenge; while the result of
their conspiracy served only to rivet more tightly the chains of
servitude which bound Athens to the Peisistratid house; for
Hipparchos; whom they killed; was only the tyrant's younger
brother; and not the tyrant himself。
To prove his theory that Hippias was the elder; he appeals to the
evidence afforded by a public inscription in which his name occurs
immediately after that of his father; a point which he thinks shows
that he was the eldest; and so the heir。 This view he further
corroborates by another inscription; on the altar of Apollo; which
mentions the children of Hippias and not those of his brothers;
'for it was natural for the eldest to be married first'; and
besides this; on the score of general probability he points out
that; had Hippias been the younger; he would not have so easily
obtained the tyranny on the death of Hipparchos。
Now; what is important in Thucydides; as evinced in the treatment
of legend generally; is not the results he arrived at; but the
method by which he works。 The first great rationalistic historian;
he may be said to have paved the way for all those who followed
after him; though it must always be remembered that; while the
total absence in his pages of all the mystical paraphernalia of the
supernatural theory of life is an advance in the progress of
rationalism; and an era in scientific history; whose importance
could never be over…estimated; yet we find along with it a total