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the book of tea(画慕)-及4何蛍

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itself。   Aeons      were   but   momentsNirvana   always   within   grasp。         The 

Taoist conception that immortality lay in the eternal change permeated all 

their   modes   of   thought。    It   was   the   process�察  �not   the   deed�察  �which   was 

interesting。     It was the completing�察�not the completion�察�which was really 

vital。   Man came thus at once face to face with nature。               A new meaning 

grew into the art of life。       The tea began to be not a poetical pastime�察�but 

one   of   the   methods   of   self´realisation。   Wangyucheng   eulogised   tea   as 

;flooding his soul like a direct appeal�察�that its delicate bitterness reminded 

him of the aftertaste of a good counsel。;           Sotumpa wrote of         the strength 

of   the   immaculate     purity   in  tea   which    defied    corruption     as  a  truly 

virtuous     man。    Among       the  Buddhists�察    �the   southern    Zen   sect�察 �which 

incorporated so much of Taoist doctrines�察�formulated an elaborate ritual of 

tea。    The monks gathered before the image of Bodhi Dharma and drank 

tea out of a single bowl with the profound formality of a               holy sacrament。 

It was this Zen ritual which finally developed              into the Tea´ceremony of 

Japan in the fifteenth century。 

     Unfortunately       the  sudden     outburst    of  the   Mongol      tribes   in  the 

thirteenth    century    which    resulted   in  the  devastation    and   conquest     of 

China   under   the   barbaric   rule   of   the Yuen   Emperors�察    �destroyed   all   the 

fruits   of   Sung    culture。    The     native   dynasty     of   the    Mings    which 

attempted   re´nationalisation   in   the   middle      of   the   fifteenth   century   was 

harassed by internal troubles�察�and China again fell under the alien rule of 

the Manchus in the seventeenth century。              Manners and customs changed 

to leave no vestige of the former times。             The powdered tea is          entirely 

forgotten。     We find a Ming commentator at loss to recall the shape of the 

tea whisk   mentioned in one of the Sung   classics。             Tea   is now   taken   by 

steeping the leaves in hot water in a bowl or cup。                The reason why the 

Western world is innocent of the older method of drinking tea is explained 

by the fact that Europe knew it only at the close of the Ming dynasty。 

     To the latter´day Chinese tea is a delicious beverage�察�but not an ideal。 

The long woes of his country have robbed him of the zest for the meaning 



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of life。    He has become modern�察�that is to say�察�old and disenchanted。                   He 

has lost that sublime faith in illusions which constitutes the eternal youth 

and   vigour   of   the   poets   and   ancients。     He   is   an  eclectic   and   politely 

accepts the traditions of the universe。 He toys with Nature�察�but does not 

condescend to conquer or worship her。                His Leaf´tea is often wonderful 

with     its  flower´like    aroma�察   �but   the   romance      of  the   Tang    and   Sung 

ceremonials are not to be found in his cup。 

     Japan�察�which followed closely on the footsteps of Chinese civilisation�察�

has known the tea in all its three stages。           As early as the year 729 we read 

of the Emperor Shomu giving              tea to one hundred monks at his palace in 

Nara。     The   leaves     were   probably  imported   by  our   ambassadors   to   the 

Tang   Court   and   prepared   in   the   way  then   in   fashion。    In   801   the   monk 

Saicho brought back some seeds and planted them in Yeisan。                       Many tea´ 

gardens are heard of in succeeding centuries�察�as               well as the delight of the 

aristocracy and priesthood in the           beverage。       The Sung tea reached us in 

1191 with the return of Yeisai´zenji�察�who went there to study the southern 

Zen   school。      The   new   seeds   which   he   carried   home   were   successfully 

planted in three places�察�one of which�察�the Uji district near Kioto�察�bears still 

the   name     of   producing   the   best   tea   in  the   world。   The    southern     Zen 

spread with marvellous rapidity�察�and with it the tea´ritual and the tea´ideal 

of the Sung。      By the fifteenth century�察�under the patronage of the Shogun�察�

Ashikaga´Voshinasa�察�the tea ceremony is fully constituted and made into 

an    independent      and   secular    performance。      Since    then   Teaism     is  fully 

established   in   Japan。      The   use   of   the   steeped   tea   of   the   later   China   is 

comparatively recent among us�察�being only known since the middle of the 

seventeenth       century。     It   has   replaced    the   powdered      tea   in  ordinary 

consumption�察�though the latter still continues to hold its place as the tea of 

teas。 

     It is in the Japanese tea ceremony that we see the culmination of tea´ 

ideals。    Our   successful   resistance   of   the   Mongol   invasion   in   1281   had 

enabled us to carry on the Sung movement so disastrously cut off in China 

itself   through   the   nomadic   inroad。       Tea   with   us   became   more   than   an 

idealisation of the form of drinking�察�it is a religion of the art of life。               The 

beverage grew to be an excuse for the worship of purity and refinement�察�a 



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sacred   function   at   which   the   host   and   guest   joined   to   produce   for   that 

occasion   the   utmost   beatitude   of   the   mundane。           The   tea´room   was   an 

oasis in the dreary waste of existence where weary travellers could meet to 

drink from the common spring of art´ appreciation。                       The ceremony was 

an   improvised   drama   whose   plot   was   woven   about   the   tea�察  �the   flowers�察�

and   the   paintings。     Not   a   colour   to   disturb   the   tone   of   the   room�察  �not   a 

sound   to     mar   the   rhythm   of   things�察  �not   a    gesture   to   obtrude   on   the 

harmony�察      �not    a  word     to  break      the    unity    of   the   surroundings�察      �all 

movements to be performed simply and naturallysuch were the aims of 

the    tea´  ceremony。       And     strangely   enough       it  was   often    successful。     A 

subtle philosophy lay behind it all。            Teaism was Taoism in disguise。 



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                 III。          Taoism and Zennism 



       The    connection      of  Zennism      with    tea  is  proverbial。      We      have 

already   remarked   that   the   tea´ceremony   was   a   development   of   the   Zen 

ritual。    The   name   of   Laotse�察  �the   founder   of   Taoism�察  �is   also   intimately 

associated   with   the   history   of   tea。    It   is   written   in   the   Chinese   school 

manual concerning the origin of habits and customs that the                    ceremony of 

offering   tea   to   a   guest   began   with   Kwanyin�察  �a   well´known   disciple   of 

Laotse�察  �who   first   at   the   gate   of   the   Han   Pass   presented   to   the   ;Old 

Philosopher; a cup         of the golden elixir。       We shall not stop to discuss the 

authenticity   of   such   tales�察  �which   are   valuable�察  �however�察      �as   confirming 

the early  use of   the beverage by the Taoists。 Our   interest in Taoism  and 

Zennism here lies mainly in those ideas regarding life and art which are so 

embodied in what we call Teaism。 

     It   is  to  be  regretted    that   as  yet   there   appears    to  be   no   adequate 

presentation   of   the   Taoists   and   Zen   doctrines   in   any   foreign   language�察�

though we have had several laudable attempts。 

     Translation is always a treason�察�and as a Ming author observes�察�can at 

its best be only the reverse side of a             brocade��all the threads are there�察�

but    not  the   subtlety   of   colour     or  design。     But�察   �after  all�察 �what    great 

doctrine is there which is easy to expound�拭               �The ancient sages never put 

their   teachings   in   systematic   form。      They   spoke   in   paradoxes�察  �for   they 

were afraid of uttering half´truths。            They began by talking like fools and 

ended   by   making   their   hearers   wise。        Laotse   himself�察  �with   his   quaint 

humour�察�says�察 �If people of inferior intelligence hear of the Tao�察�they laugh 

immensely。        It would not be the Tao unless they laughed at it。; 

     The Tao literally means a Path。             It has been severally translated           as 

the   Way�察  �the   Absolute�察  �the   Law�察  �Nature�察  �Supreme   Reason�察  �the           Mode。 

These renderings are not incorrect�察�for the use of the term by the Taoists 

differs   according   to   the   subject´matter   of   the   inquiry。      Laotse   himself 

spoke of it thus�此 �There is a thing which is all´containing�察�which was born 

before  the  existence of   Heaven   and   Earth。          How  silent�      �How   solitary� �

It stands alone and changes not。             It revolves without danger to itself and 



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is the    mother of the universe。          I do not know its name and so call it the 

Path。     With reluctance I call it the Infinite。          Infinity is the Fleeting�察�the 

Fleeting is the Vanishing�察�the Vanishing is the Reverting。;                  The Tao is in 

the Passage rather than the Path。            It is the spirit of Cosmic Change��the 

eternal 

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