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robert louis stevenson-第31部分

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ent as well as through the romantic  action; and this point missed the great defect was missed; and Mr  Zangwill spoke only in generals。

M。 Schwob; after having related how unreal a real sheep's heart  looked when introduced on the end of Giovanni's dagger in a French  performance of John Ford's ANNABELLA AND GIOVANNI; and how at the  next performance the audience was duly thrilled when Annabella's  bleeding heart; made of a bit of red flannel; was borne upon the  stage; goes on to say significantly:


〃Il me semble que les personnages de Stevenson ont justement cette  espece de realisme irreal。  La large figure luisante de Long John;  la couleur bleme du crane de Thevenin Pensete s'attachent a la  memoire de nos yeux en vertue de leur irrealite meme。  Ce sont des  fantomes de la verite; hallucinants comme de vrais fantomes。  Notez  en passant que les traits de John Silver hallucinent Jim Hawkins;  et que Francois Villon est hante par l'aspect de Thevenin Pensete。〃


Perhaps the most notable fact arising here; and one that well  deserves celebration; is this; that Stevenson's development towards  a broader and more natural creation was coincident with a definite  return on the religious views which had so powerfully prevailed  with his father … a circumstance which it is to be feared did not;  any more than some other changes in him; at all commend itself to  Mr Henley; though he had deliberately dubbed him even in the times  of nursing nigh to the Old Bristo Port in Edinburgh … something of  〃Shorter Catechist。〃 Anyway Miss Simpson deliberately wrote:


〃Mr Henley takes exception to Stevenson's later phase in life …  what he calls his 'Shorter Catechism phase。'  It should be  remembered that Mr Henley is not a Scotsman; and in some things has  little sympathy with Scotch characteristics。  Stevenson; in his  Samoan days; harked back to the teaching of his youth; the tenets  of the Shorter Catechism; which his mother and nurse had dinned  into his head; were not forgotten。  Mr Henley knew him best; as  Stevenson says in the preface to VIRGINIBUS PUERISQUE dedicated to  Henley; 'when he lived his life at twenty…five。'  In these days he  had 'in some degree' forgotten about the Shorter Catechism; but the  'solemn pause' between Saturday and Monday came back in full force  to R。 L。 Stevenson in Samoa。〃


Now to me that is a most suggestive and significant fact。  It will  be the business of future critics to show in how far such falling  back would of necessity modify what Mr Baildon has set down as his  corner…stone of morality; and how far it was bound to modify the  atmosphere … the purely egotistic; hedonistic; and artistic  atmosphere; in which; in his earlier life as a novelist; at all  events; he had been; on the whole; for long whiles content to work。



CHAPTER XXIX … LOVE OF VAGABONDS



WHAT is very remarkable in Stevenson is that a man who was so much  the dreamer of dreams … the mystic moralist; the constant  questioner and speculator on human destiny and human perversity;  and the riddles that arise on the search for the threads of motive  and incentives to human action … moreover; a man; who constantly  suffered from one of the most trying and weakening forms of ill… health … should have been so full…blooded; as it were; so keen for  contact with all forms of human life and character; what is called  the rougher and coarser being by no means excluded。  Not only this:   he was himself a rover … seeking daily adventure and contact with  men and women of alien habit and taste and liking。  His patience is  supported by his humour。  He was a bit of a vagabond in the good  sense of the word; and always going round in search of 〃honest  men;〃 like Diogenes; and with no tub to retire into or the desire  for it。  He thus on this side touches the Chaucers and their  kindred; as well as the Spensers and Dantes and their often  illusive CONFRERES。  His voyage as a steerage passenger across the  Atlantic is only one out of a whole chapter of such episodes; and  is more significant and characteristic even than the TRAVELS WITH A  DONKEY IN THE CEVENNES or the INLAND VOYAGE。  These might be ranked  with the 〃Sentimental Journeys〃 that have sometimes been the  fashion … that was truly of a prosaic and risky order。  The appeal  thus made to an element deep in the English nature will do much to  keep his memory green in the hearts that could not rise to  appreciation of his style and literary gifts at all。  He loves the  roadways and the by…ways; and those to be met with there … like him  in this; though unlike him in most else。  The love of the roadsides  and the greenwood … and the queer miscellany of life there unfolded  and ever changing … a kind of gipsy…like longing for the tent and  familiar contact with nature and rude human…nature in the open  dates from beyond Chaucer; and remains and will have gratification  … the longing for novelty and all the accidents; as it were; of  pilgrimage and rude social travel。  You see it bubble up; like a  true and new nature…spring; through all the surface coatings of  culture and artificiality; in Stevenson。  He anew; without  pretence; enlivens it … makes it first a part of himself; and then  a part of literature once more。  Listen to him; as he sincerely  sings this passion for the pilgrimage … or the modern phase of it …  innocent vagabond roving:


〃Give to me the life I love; Let the lave go by me; Give the jolly heaven above; And the by…way nigh me: Bed in the bush; with stars to see; Bread I dip in the river … Here's the life for a man like me; Here's the life for ever。。。。

〃Let the blow fall soon or late; Let what will be o'er me; Give the face of earth around And the road before me。 Health I ask not; hope nor love; Nor a friend to know me: All I ask the heaven above; And the road below me。〃


True; this is put in the mouth of another; but Stevenson could not  have so voiced it; had he not been the born rover that he was; with  longing for the roadside; the high hills; and forests and newcomers  and varied miscellaneous company。  Here he does more directly speak  in his own person and quite to the same effect:


〃I will make you brooches and toys for your delight Of bird song at morning; and star shine at night; I will make a palace fit for you and me; Of green days in forests and blue days at sea。

〃I will make my kitchen; and you shall keep your room; Where white flows the river; and bright blows the broom; And you shall wash your linen and keep your body white; In rainfall at morning and dew…fall at night。

〃And this shall be for music when no one else is near; The fine song for singing; the rare song to hear! That only I remember; that only you admire; Of the broad road that stretches; and the roadside fire。〃


Here Stevenson; though original in his vein and way; but follows a  great and gracious company in which Fielding and Sterne and so many  others stand as pleasant proctors。  Scott and Dickens have each in  their way essayed it; and made much of it beyond what mere  sentiment would have reached。  PICKWICK itself … and we must always  regard Dickens as having himself gone already over every bit of  road; described every nook and corner; and tried every resource …  is a vagrant fellow; in a group of erratic and most quaint  wanderers or pilgrims。  This is but a return phase of it; Vincent  Crummles and Mrs Crummles and the 〃Infant Phenomenon;〃 yet another。   The whole interest lies in the roadways; and the little inns; and  the odd and unexpected RENCONTRES with oddly…assorted fellows there  experienced:  glimpses of grim or grimy; or forbidding; or happy;  smiling smirking vagrants; and out…at…elbows fellow…passengers and  guests; with jests and quips and cranks; and hanky…panky even。  On  high roads and in inns; and alehouses; with travelling players;  rogues and tramps; Dickens was quite at home; and what is yet more;  he made us all quite at home with them:  and he did it as Chaucer  did it by thorough good spirits and 〃hail…fellow…well…met。〃  And;  with all his faults; he has this merit as well as some others; that  he went willingly on pilgrimage always; and took others; promoting  always love of comrades; fun; and humorous by…play。  The latest  great romancer; too; took his side:  like Dickens; he was here full  brother of Dan Chaucer; and followed him。  How characteristic it is  when he tells Mr Trigg that he preferred Samoa to Honolulu because  it was more savage; and therefore yielded more FUN。



CHAPTER XXX … LORD ROSEBERY'S CASE



IMMEDIATELY on reading Lord Rosebery's address as Chairman of the  meeting in Edinburgh to promote the erection of a monument to R。 L。  Stevenson; I wrote to him politely asking him whether; since he  quoted a passage from a somewhat early essay by Stevenson naming  the authors who had chiefly influenced him in point of style; his  Lordship should not; merely in justice and for the sake of balance;  have referred to Thoreau。  I also remarked that Stevenson's later  style sometimes showed too much self…conscious conflict of his  various models in his mind while he was in the act of writing; and  that this now and then imparted too much an air of artifice to his  later compositions; and that those who knew most would be most  troubled by it。  Of that letter; I much regret now that I did not  keep any copy; but I think I did incidentally refer to the  friendship with which Stevenson had for so many years honoured me。   This is a copy of the letter received in reply:


〃38 BERKELEY SQUARE; W。; 17th DECEMBER 1896。

〃DEAR SIR; … I am much obliged for your letter; and can only state  that the name of Thoreau was not mentioned by Stevenson himself;  and therefore I could not cite it in my quotation。

〃With regard to the style of Stevenson's later works; I am inclined  to agree with you。…Believe me; yours very faithfully; ROSEBERY。 〃Dr ALEXANDER H。 JAPP。〃


This I at once replied to as follows:


〃NATIONAL LIBERAL CLUB; WHITEHALL。  PLACE; S。W。; 19TH DECEMBER 1896。


〃MY LORD; … It is true R。 L。 Stevenson did not refer to Thoreau in  the passage to which you allude; for the good reason that he could  not; since he did not know Thoreau till after it was written; but  if you will oblige me and be so 

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