the art of lawn tennis(网球的艺术)-第11部分
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produce fine tennis in championship events。 It is the competitive spirit that
is the breath of life to every true sportsman： the desire to prove to himself
he can beat the best of the other man； the real regret that comes when he
wins； and feels the loser was not at his best。 It is that which has made
popular idols of Anthony F。 Wilding； M。 E。 M'Loughlin； and other famous
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players。 It is the great attraction of J。 C。 Parke； A。 R。 F。 Kingscote； W。 M。
Johnston； Andre Gobert； W。 Laurentz； and many other stars。 It is the sign
of a true sportsman。
The keen competitive spirit that stimulates a match player also
increases the nervous strain。 This should be recognized by tournament
committees； and the conditions of play should be as nearly standardized as
weather permits。
A tournament committee should never keep a player waiting for an
important match to commence while they scour through the crowd for
linesmen。 These necessary； and I trust useful； accessories to every match
of importance should be picked and on hand when the players appear。 A
good linesman is a great aid to match tennis。 A poor one may ruin a great
battle。 Not only will bad decisions turn the tide by putting a point in the
wrong columns； but slow decisions will often upset players； so they dare
not play to the line kept by slumberous linesmen。
A linesman should take his first judgment as the ball strikes。 If outside
he should call 〃out〃 at once clearly； decisively； but not too loudly； a yell is
often a shock to the nerves。 If the ball is good he should remain discreetly
silent。
The umpire should announce the score after each point in a voice
sufficiently loud to be heard by the entire gallery。 His decisions as to 〃lets〃
or balls 〃not up〃 should be made only loud enough to ensure that they are
heard by the players。 The gallery has eyes。 Following each game； the
game score should be called； giving the leading player's name and the set
being played。 For example； 〃Four games to three； Parke leads。 Second
set。〃 About every third game following the completion of the first set； an
announcement as to the winner of the first set is an excellent idea。 The
umpire could add to the above announcement； 〃First set； Parke； 6…3。〃 This
latter announcement is unnecessary when there is a score board that gives
full details of the match。
Tournament committees should see that all courts have sufficient room
behind the baseline and at the sides to insure a player against running into
the stops。
Galleries should strive to retain their appreciation and enthusiasm until
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a point is completed； since noise is very disconcerting to a player。
However； all players enjoy an enthusiastic gallery。
The players themselves must now be considered in relation to the
reaction of the match。
The first thing to fix firmly in your mind in playing a match； is never
to allow your opponent to play a shot he likes if it is possible to force him
to make one he does not。 Study your opponent both on and off the court。
Look for a weakness； and； once finding it； pound it without mercy。
Remember that you do not decide your mode of attack。 It is decided for
you by the weakness of your opponent。 If he dislikes to meet a netman； go
to the net。 If he wants you at the net； stay back and force him to come in。
If he attacks viciously； meet his attack with an equally strong offensive。
Remember that the strongest defence is to attack； for if the other man
is occupied in meeting your attack； he will have less time to formulate his
own system。
If you are playing a very steady man； do not strive to beat him at his
own game。 He is better at it than you in many cases； so go in and hit to
win。 On the other hand； if you find that your opponent is wild and prone to
miss； play safe and reap the full crop of his errors。 It saves you trouble and
takes his confidence。
ABOVE ALL； NEVER CHANGE A WINNING GAME。
ALWAYS CHANGE A LOSING GAME； since； as you are getting
beaten that way； you are no worse off and may be better with a new style。
The question of changing a losing game is a very serious thing。 It is
hard to say just when you are really beaten。 If you feel you are playing
well yet have lost the first set about 6…3 or 6…4； with the loss of only one
service； you should not change。 Your game is not really a losing game。 It is
simply a case of one break of service； and might well win the next set。 If；
however； you have dropped the first set in a 2 out of 3 match with but one
or two games； now you are outclassed and should try something else。
Take chances when you are behind； never when ahead。 Risks are only
worth while when you have everything to win and nothing to lose。 It may
spell victory； and at least will not hasten defeat。 Above all； never lose your
nerve or confidence in a match。 By so doing you have handed your
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opponent about two points a gamea rather hard handicap to beat at your
best。
Never let your opponent know you are worried。 Never show fatigue or
pain if it is possible to avoid； since it will only give him confidence。
Remember that he feels just as bad as you； and any sign of weakening on
your part encourages him to go on。 In other words； keep your teeth always
in the match。
Don't worry。 Don't fuss。 Luck evens up in the long run； and to worry
only upsets your own game without affecting your opponent。 A smile wins
a lot of points because it gives the impression of confidence on your part
that shakes that of the other man。 Fight all the time。 The harder the strain
the harder you should fight； but do it easily； happily； and enjoy it。
Match play； where both men are in the same class as tennis players；
resolves itself into a battle of wits and nerve。 The man who uses the first
and retains the second is the ultimate victor。
I do not believe in a man who expects to go through a long tournament；
going 〃all out〃 for every match。 Conserve your strength and your finesse
for the times you need them； and win your other matches decisively； but
not destructively。 Why should a great star discourage and dishearten a
player several classes below him by crushing him； as he no doubt could？ A
few games a set； well earned； would be a big factor in encouraging that
rising player to play in tournaments； while it would in no way injure the
reputation of the star。
Never hurry your opponent by serving before he is fully set to receive。
This is a favourite trick of a few unscrupulous players； yet is really an
unfair advantage。 Do your hurrying after the ball is in play； by running
him to unexpected places in the court。 Should anyone attempt to work the
hurried service on you； after several attempts； proving it is intentional； let
the ball go by and say 〃not ready。〃 The server will shortly realize that you
will take your time regardless of him； and he will slow up。
I do not advocate stallingnothing is worse。 It is a breach of ethics that
is wholly uncalled for。 Play the game naturally； and give your opponent
full courtesy in all matters。 If you do； you will receive it in return。
Take every advantage of any and every weakness in your opponent's
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game； but never trespass on his rights as regards external advantages。
Personally I do not believe in 〃defaulting〃 a match。 To 〃scratch〃 or
〃retire；〃 as the term goes； is to cheat your opponent of his just triumph；
and you should never do this unless it is absolutely impossible to avoid。
Sickness or some equally important reason should be the sole cause of
scratching； for you owe the tournament your presence once your entry is
in。
Match play should stimulate a player。 He should produce his best
under the excitement of competition。 Learn your shots in practice； but use
them in matches。
Practice is played with the racquet； matches are won by the mind。 J。 C。
Parke is a great match player； because he is not only a great player but a
great student of men。 He sizes up his opponent； and seizes every opening
and turns it to his own account。 Norman E。 Brookes is the greatest match
player the world has ever known； because he is ever ready to change his
plan to meet the strategy of his opponent； and has both the variety of
stroke and versatility of intellect to outguess the other the majority of
times。 Brookes is the greatest court general； and； in my opinion； the finest
tennis intellect in the world。 His mind is never so keen and he is never so
dangerous as when he is trailing in an important match。 He typifies all that
is great in mental match tennis。
A great star is always at his best in a match； as it stimulates his mental
and physical faculties to the utmost。
Certain players are more effective against some me
