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第39部分

the magic skin-第39部分

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some pathetic song in a foreign tongue。



〃He is epileptic;〃 muttered Porriquet。



〃I understand your kind intentions; my friend;〃 Raphael answered

gently。 〃You would make excuses for me。 Ill…health cannot be helped;

but ingratitude is a grievous fault。 Leave me now;〃 he added。 〃To…

morrow or the next day; or possibly to…night; you will receive your

appointment; Resistance has triumphed over Motion。 Farewell。〃



The old schoolmaster went away; full of keen apprehension as to

Valentin's sanity。 A thrill of horror ran through him; there had been

something supernatural; he thought; in the scene he had passed

through。 He could hardly believe his own impressions; and questioned

them like one awakened from a painful dream。



〃Now attend to me; Jonathan;〃 said the young man to his old servant。

〃Try to understand the charge confided to you。〃



〃Yes; my Lord Marquis。〃



〃I am as a man outlawed from humanity。〃



〃Yes; my Lord Marquis。〃



〃All the pleasures of life disport themselves round my bed of death;

and dance about me like fair women; but if I beckon to them; I must

die。 Death always confronts me。 You must be the barrier between the

world and me。〃



〃Yes; my Lord Marquis;〃 said the old servant; wiping the drops of

perspiration from his wrinkled forehead。 〃But if you don't wish to see

pretty women; how will you manage at the Italiens this evening? An

English family is returning to London; and I have taken their box for

the rest of the season; and it is in a splendid positionsuperb; in

the first row。



Raphael; deep in his own deep musings; paid no attention to him。



Do you see that splendid equipage; a brougham painted a dark brown

color; but with the arms of an ancient and noble family shining from

the panels? As it rolls past; all the shop…girls admire it; and look

longingly at the yellow satin lining; the rugs from la Savonnerie; the

daintiness and freshness of every detail; the silken cushions and

tightly…fitting glass windows。 Two liveried footmen are mounted behind

this aristocratic carriage; and within; a head lies back among the

silken cushions; the feverish face and hollow eyes of Raphael;

melancholy and sad。 Emblem of the doom of wealth! He flies across

Paris like a rocket; and reaches the peristyle of the Theatre Favart。

The passers…by make way for him; the two footmen help him to alight;

an envious crowd looking on the while。



〃What has that fellow done to be so rich?〃 asks a poor law…student;

who cannot listen to the magical music of Rossini for lack of a five…

franc piece。



Raphael walked slowly along the gangway; he expected no enjoyment from

these pleasures he had once coveted so eagerly。 In the interval before

the second act of Semiramide he walked up and down in the lobby; and

along the corridors; leaving his box; which he had not yet entered; to

look after itself。 The instinct of property was dead within him

already。 Like all invalids; he thought of nothing but his own

sufferings。 He was leaning against the chimney…piece in the greenroom。

A group had gathered about it of dandies; young and old; of ministers;

of peers without peerages; and peerages without peers; for so the

Revolution of July had ordered matters。 Among a host of adventurers

and journalists; in fact; Raphael beheld a strange; unearthly figure a

few paces away among the crowd。 He went towards this grotesque object

to see it better; half…closing his eyes with exceeding

superciliousness。



〃What a wonderful bit of painting!〃 he said to himself。 The stranger's

hair and eyebrows and a Mazarin tuft on the chin had been dyed black;

but the result was a spurious; glossy; purple tint that varied its

hues according to the light; the hair had been too white; no doubt; to

take the preparation。 Anxiety and cunning were depicted in the narrow;

insignificant face; with its wrinkles incrusted by thick layers of red

and white paint。 This red enamel; lacking on some portions of his

face; strongly brought out his natural feebleness and livid hues。 It

was impossible not to smile at this visage with the protuberant

forehead and pointed chin; a face not unlike those grotesque wooden

figures that German herdsmen carve in their spare moments。



An attentive observer looking from Raphael to this elderly Adonis

would have remarked a young man's eyes set in a mask of age; in the

case of the Marquis; and in the other case the dim eyes of age peering

forth from behind a mask of youth。 Valentin tried to recollect when

and where he had seen this little old man before。 He was thin;

fastidiously cravatted; booted and spurred like one…and…twenty; he

crossed his arms and clinked his spurs as if he possessed all the

wanton energy of youth。 He seemed to move about without constraint or

difficulty。 He had carefully buttoned up his fashionable coat; which

disguised his powerful; elderly frame; and gave him the appearance of

an antiquated coxcomb who still follows the fashions。



For Raphael this animated puppet possessed all the interest of an

apparition。 He gazed at it as if it had been some smoke…begrimed

Rembrandt; recently restored and newly framed。 This idea found him a

clue to the truth among his confused recollections; he recognized the

dealer in antiquities; the man to whom he owed his calamities!



A noiseless laugh broke just then from the fantastical personage;

straightening the line of his lips that stretched across a row of

artificial teeth。 That laugh brought out; for Raphael's heated fancy;

a strong resemblance between the man before him and the type of head

that painters have assigned to Goethe's Mephistopheles。 A crowd of

superstitious thoughts entered Raphael's sceptical mind; he was

convinced of the powers of the devil and of all the sorcerer's

enchantments embodied in mediaeval tradition; and since worked up by

poets。 Shrinking in horror from the destiny of Faust; he prayed for

the protection of Heaven with all the ardent faith of a dying man in

God and the Virgin。 A clear; bright radiance seemed to give him a

glimpse of the heaven of Michael Angelo or of Raphael of Urbino: a

venerable white…bearded man; a beautiful woman seated in an aureole

above the clouds and winged cherub heads。 Now he had grasped and

received the meaning of those imaginative; almost human creations;

they seemed to explain what had happened to him; to leave him yet one

hope。



But when the greenroom of the Italiens returned upon his sight he

beheld; not the Virgin; but a very handsome young person。 The

execrable Euphrasia; in all the splendor of her toilette; with its

orient pearls; had come thither; impatient for her ardent; elderly

admirer。 She was insolently exhibiting herself with her defiant face

and glittering eyes to an envious crowd of stockbrokers; a visible

testimony to the inexhaustible wealth that the old dealer permitted

her to squander。



Raphael recollected the mocking wish with which he had accepted the

old man's luckless gift; and tasted all the sweets of revenge when he

beheld the spectacle of sublime wisdom fallen to such a depth as this;

wisdom for which such humiliation had seemed a thing impossible。 The

centenarian greeted Euphrasia with a ghastly smile; receiving her

honeyed words in reply。 He offered her his emaciated arm; and went

twice or thrice round the greenroom with her; the envious glances and

compliments with which the crowd received his mistress delighted him;

he did not see the scornful smiles; nor hear the caustic comments to

which he gave rise。



〃In what cemetery did this young ghoul unearth that corpse of hers?〃

asked a dandy of the Romantic faction。



Euphrasia began to smile。 The speaker was a slender; fair…haired

youth; with bright blue eyes; and a moustache。 His short dress coat;

hat tilted over one ear; and sharp tongue; all denoted the species。



〃How many old men;〃 said Raphael to himself; 〃bring an upright;

virtuous; and hard…working life to a close in folly! His feet are cold

already; and he is making love。〃



〃Well; sir;〃 exclaimed Valentin; stopping the merchant's progress;

while he stared hard at Euphrasia; 〃have you quite forgotten the

stringent maxims of your philosophy?〃



〃Ah; I am as happy now as a young man;〃 said the other; in a cracked

voice。 〃I used to look at existence from a wrong standpoint。 One hour

of love has a whole life in it。〃



The playgoers heard the bell ring; and left the greenroom to take

their places again。 Raphael and the old merchant separated。 As he

entered his box; the Marquis saw Foedora sitting exactly opposite to

him on the other side of the theatre。 The Countess had probably only

just come; for she was just flinging off her scarf to leave her throat

uncovered; and was occupied with going through all the indescribable

manoeuvres of a coquette arranging herself。 All eyes were turned upon

her。 A young peer of France had come with her; she asked him for the

lorgnette she had given him to carry。 Raphael knew the despotism to

which his successor had resigned himself; in her gestures; and in the

way she treated her companion。 He was also under the spell no doubt;

another dupe beating with all the might of a real affection against

the woman's cold calculations; enduring all the tortures from which

Valentin had luckily freed himself。



Foedora's face lighted up with indescribable joy。 After directing her

lorgnette upon every box in turn; to make a rapid survey of all the

dresses; she was conscious that by her toilette and her beauty she had

eclipsed the loveliest and best…dressed women in Paris。 She laughed to

show her white teeth; her head with its wreath of flowers was never

still; in her quest of admiration。 Her glances went from one box to

another; as she diverted herself with the awkward way in which a

Russian princess wore her bonnet; or over the utter failure of a

bonnet with which a banker's daughter had disfigured hers

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