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the ways of men(繁断議返粁)-及36何蛍

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survival of this inane custom。 

     The disappearance of the Ocean House ;hops; marked the last stage in 

hotel life。 Since then better´class watering places all over the country have 

slowly   but   surely   followed   Newport's   lead。   The   closed   caravansaries   of 

Bar   Harbor   and   elsewhere   bear   silent   testimony   to   the   fact   that   refined 

Americans are at last awakening to the charms of home life during their 

holidays�察�and are discarding�察�as fast as finances will permit�察�the pernicious 

herding     system。    In  consequence       the  hotel   has   ceased    to  be�察 �what    it 

undoubtedly was twenty years ago�察�the focus of our summer life。 

     Only a few charred rafters remain of the Ocean House。 A few talkative 

old duffers like myself alone survive the day it represents。 Changing social 

conditions     have    gradually    placed    both   on  the   retired  list。  A   new  and 

palatial Newport has replaced the simpler city。 Let us not waste too much 

time regretting the past�察�or be too sure that it was better than the present。 It 

is quite possible�察 �if the old   times we  are writing so   fondly about should 

return�察�we might discover that the same thing was true of them as a ragged 

urchin asserted the other afternoon of the burning building�此�

     ;Say�察�Tom�察�did ye know there was the biggest room in the world in that 

hotel�拭─�

     ;No�察�what room�拭─�

     ;Room for improvement�察�ya� ─�



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             CHAPTER 27 ´ SARDOU at 

                             Marly´le´Roy 



       NEAR   the   centre   of   that   verdant   triangle   formed   by   Saint   Cloud�察�

Versailles�察�and Saint Germain lies the village of Marly´le´Roy�察�high up on 

a   slope   above   the   lazy   Seine   ´   an   entrancing   corner   of   the   earth�察  �much 

affected   formerly   by   French   crowned   heads�察  �and   by   the   ;Sun   King;   in 

particular�察�who in his old age grew tired of Versailles and built here one of 

his   many   villas   ��the   rival   in   its   day   of   the   Trianons���察  �and   proceeded   to 

amuse himself therein with the same solemnity which had already  made 

vice at Versailles more boresome than virtue elsewhere。 

     Two centuries and four revolutions have swept away all trace of this 

kingly caprice and the art treasures it contained。 Alone�察�the marble horses 

of Coustou�察�transported later to the Champs Elysees�察�remain to attest the 

splendor of the past。 

     The    quaint   village   of   Marly�察  �clustered    around    its  church�察   �stands�察�

however   ´   with   the   faculty   that   insignificant   things   have   of   remaining 

unchanged ´ as it did when the most polished court of Europe rode through 

it to and from the hunt。 On the outskirts of this village are now two forged 

and gilded gateways through which the passer´by can catch a glimpse of 

trim avenues�察�fountains�察�and well´kept lawns。 

     There seems a certain poetical justice in the fact that Alexandre Dumas 

FILS and Victorien Sardou�察�the two giants of modern drama�察�should have 

divided   between   them  the   inheritance   of   Louis   XIV。�察  �its   greatest   patron。 

One   of   the   gates   is   closed   and   moss´grown。   Its   owner   lies   in   Pere´la´ 

Chaise。 At the other I ring�察�and   am soon walking up the famous   avenue 

bordered   by   colossal   sphinxes   presented   to   Sardou   by   the   late   Khedive。 

The big stone brutes�察�connected in one's mind with heat and sandy wastes�察�

look oddly out of place here in this green wilderness ´ a bite�察�as it were�察�

out of the forest which�察�under different names�察�lies like a mantle over the 

country´side。 

     Five minutes later I am being shown through a suite of antique salons�察�

in the last of which sits the great playwright。 How striking the likeness is 



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to   Voltaire�察   �   the   same   delicate   face�察  �lit   by   a   half   cordial�察  �half   mocking 

smile�察    �the  same     fragile   body    and   indomitable      spirit。  The    illusion   is 

enhanced by our surroundings�察�for the mellow splendor of the room where 

we stand might have served as a background for the Sage of Ferney。 

     Wherever one looks�察�works of eighteenth´century art meet the eye。 The 

walls are hung with Gobelin tapestries that fairly take one's breath away�察�

so exquisite is their design and their preservation。 They represent a marble 

colonnade�察�each column of which is wreathed with flowers and connected 

to its neighbor with garlands。 

     Between   them   are   bits   of   delicate   landscape�察  �with   here   and   there   a 

group of figures dancing or picnicking in the shadow of tall trees or under 

fantastical porticos。 The furniture of the room is no less marvellous than 

its hangings。 One turns from a harpsichord of vernis´martin to the clock�察�a 

relic from Louis XIV。's bedroom in Versailles�察�on to the bric´a´brac of old 

Saxe   or   Sevres   in   admiring   wonder。   My   host   drifts   into   his   showman 

manner�察�irresistibly comic in this writer。 

     The pleasures of the collector are apparently divided into three phases�察�

without counting the rapture of the hunt。 First�察�the delight a true amateur 

takes in living among rare and beautiful things。 Second�察�the satisfaction of 

showing   one's   treasures   to   less   fortunate   mortals�察  �and   last�察  �but   perhaps 

keenest   of   all�察  �the   pride   which   comes   from   the   fact   that   one   has   been 

clever enough to acquire objects which other people want�察�at prices below 

their market value。 Sardou evidently enjoys these three sensations vividly。 

That he lives with and loves his possessions is evident�察�and the smile with 

which he calls your attention to one piece after another�察�and mentions what 

they cost him�察�attests that the two other joys are not unknown to him。 He is 

old enough to remember the golden age when really good things were to 

be    picked    up   for   modest     sums�察   �before    every    parvenu     considered     it 

necessary to turn his   house into a museum�察 �and factories existed for the 

production of ;antiques; to be sold to innocent amateurs。 

     In calling attention to a set of carved and gilded furniture�察�covered in 

Beauvais   tapestry�察  �such   as   sold   recently   in   Paris   at   the   Valencay   sale   ´ 

Talleyrand collection ´ for sixty thousand dollars�察�Sardou mentions with a 

laugh   that   he   got   his   fifteen   pieces   for   fifteen   hundred   dollars�察  �the   year 



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after the war�察�from an old chateau back of Cannes� �One unique piece of 

tapestry had cost him less than one´tenth of that sum。 He discovered it in a 

peasant's   stable   under   a   two´foot   layer   of   straw   and   earth�察  �where   it   had 

probably  been   hidden   a   hundred   years   before   by  its   owner�察  �and   then   all 

record of it lost by his descendants。 

     The mention of Cannes sets Sardou off on another train of thought。 His 

family     for  three   generations     have    lived   there。   Before    that   they   were 

Sardinian   fishermen。   His   great´   grandfather�察 �he   imagines�察  �was   driven   by 

some tempest to the shore near Cannes and settled where he found himself。 

Hence  the  name�   �For  in   the   patois   of   Provencal   France  an   inhabitant   of 

Sardinia is still called UN SARDOU。 

     The sun is off the front of the house by this time�察�so we migrate to a 

shady  corner   of   the   lawn   for   our APERITIF�察  �the   inevitable   vermouth   or 

;bitters;    which    Frenchmen       take   at  five  o'clock。   Here    another    surprise 

awaits the visitor�察�who has not realized�察�perhaps�察�to what high ground the 

crawling local train has brought him。 At our feet�察�far below the lawn and 

shade trees that encircle the chateau�察�lies the Seine�察�twisting away toward 

Saint Germain�察�whose terrace and dismantled palace stand outlined against 

the sky。 To our right is the plain of Saint Denis�察�the cathedral in its midst 

looking like an opera´glass on a green table。 Further still to the right�察�as 

one turns the corner of the terrace�察�lies Paris�察�a white line on the horizon�察�

broken by the mass of the Arc de Triomphe�察�the roof of the Opera�察�and the 

Eiffel Tower�察�resplendent in a fresh coat of yellow lacquer� �

     The ground where we stand was occupied by the feudal castle of Les 

Sires de Marly�察�although all traces of that stronghold disappeared centuries 

ago�察   �the   present    owner     of   the  land    points   out   with    pride   that   the 

extraordinary beauty of the trees around his house is owing to the fact that 

their roots reach deep down to the rich loam collected during centuries in 

the castle's moat。 

     The   little   chateau   itself�察  �built   during   the   reign   of   Louis   XIV。   for   the 

GRAND´VENEUR of the forest of Marly�察�is intensely French in type�察 � a 

long�察�low building on a stone terrace�察�with no trace of ornament about its 

white   facade   or   on   its   slanting   roof。   Inside�察  �all   the   rooms   are   ;front�察─�

communicating         with   each    other  EN    SUITE�察    �and   open    into   a  corridor 



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running the length of the building at the back�察�which�察�in turn�察�opens on a 

stone court。 Two lateral wings at right angles to the main building form the 

sides of this courtyard�察�and contain LES COMMUNS�察�the kitchen�察�laundry�察�

servants'   rooms�察     �and   the   other   annexes   of    a   large  es

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