speeches-literary & social-第39部分

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hour；　let　it　suffice　to　assure　you；　that　for　taking　the　part　with

which　I　have　been　honoured　in　this　festival；　I　have　been　repaid　a

thousand…fold　by　your　abundant　kindness；　and　by　the　unspeakable

gratification　it　has　afforded　me。　　I　hope　that；　before　many　years

are　past；　we　may　have　another　meeting　in　public；　when　we　shall

rejoice　at　the　immense　progress　your　institution　will　have　made　in

the　meantime；　and　look　back　upon　this　night　with　new　pleasure　and

satisfaction。　　I　shall　now；　in　conclusion；　repeat　most　heartily　and

fervently　the　quotation　of　Dr。　Ewing；　the　late　Provost　of　Glasgow；

which　Bailie　Nicol　Jarvie；　himself　〃a　Glasgow　body；〃　observed　was

〃elegantly　putten　round　the　town's　arms。〃







SPEECH：　　LONDON；　APRIL　14；　1851。







＇The　Sixth　Annual　Dinner　of　the　General　Theatrical　Fund　was　held　at

the　London　Tavern　on　the　above　date。　　Mr。　Charles　Dickens　occupied

the　chair；　and　in　giving　the　toast　of　the　evening　said：…＇



I　HAVE　so　often　had　the　satisfaction　of　bearing　my　testimony；　in

this　place；　to　the　usefulness　of　the　excellent　Institution　in　whose

behalf　we　are　assembled；　that　I　should　be　really　sensible　of　the

disadvantage　of　having　now　nothing　to　say　in　proposing　the　toast

you　all　anticipate；　if　I　were　not　well　assured　that　there　is　really

nothing　which　needs　be　said。　　I　have　to　appeal　to　you　on　the　old

grounds；　and　no　ingenuity　of　mine　could　render　those　grounds　of

greater　weight　than　they　have　hitherto　successfully　proved　to　you。



Although　the　General　Theatrical　Fund　Association；　unlike　many　other

public　societies　and　endowments；　is　represented　by　no　building；

whether　of　stone；　or　brick；　or　glass；　like　that　astonishing

evidence　of　the　skill　and　energy　of　my　friend　Mr。　Paxton；　which　all

the　world　is　now　called　upon　to　admire；　and　the　great　merit　of

which；　as　you　learn　from　the　best　authorities；　is；　that　it　ought　to

have　fallen　down　long　before　it　was　built；　and　yet　that　it　would　by

no　means　consent　to　doing　so　…　although；　I　say；　this　Association

possesses　no　architectural　home；　it　is　nevertheless　as　plain　a

fact；　rests　on　as　solid　a　foundation；　and　carries　as　erect　a　front；

as　any　building；　in　the　world。　　And　the　best　and　the　utmost　that

its　exponent　and　its　advocate　can　do；　standing　here；　is　to　point　it

out　to　those　who　gather　round　it；　and　to　say；　〃judge　for

yourselves。〃



It　may　not；　however；　be　improper　for　me　to　suggest　to　that　portion

of　the　company　whose　previous　acquaintance　with　it　may　have　been

limited；　what　it　is　not。　　It　is　not　a　theatrical　association　whose

benefits　are　confined　to　a　small　and　exclusive　body　of　actors。　　It

is　a　society　whose　claims　are　always　preferred　in　the　name　of　the

whole　histrionic　art。　　It　is　not　a　theatrical　association　adapted

to　a　state　of　theatrical　things　entirely　past　and　gone；　and　no　more

suited　to　present　theatrical　requirements　than　a　string　of　pack…

horses　would　be　suited　to　the　conveyance　of　traffic　between　London

and　Birmingham。　　It　is　not　a　rich　old　gentleman；　with　the　gout　in

his　vitals；　brushed　and　got…up　once　a　year　to　look　as　vigorous　as

possible；　and　brought　out　for　a　public　airing　by　the　few　survivors

of　a　large　family　of　nephews　and　nieces；　who　afterwards　double…lock

the　street…door　upon　the　poor　relations。　　It　is　not　a　theatrical

association　which　insists　that　no　actor　can　share　its　bounty　who

has　not　walked　so　many　years　on　those　boards　where　the　English

tongue　is　never　heard　…　between　the　little　bars　of　music　in　an

aviary　of　singing　birds；　to　which　the　unwieldy　Swan　of　Avon　is

never　admitted　…　that　bounty　which　was　gathered　in　the　name　and　for

the　elevation　of　an　all…embracing　art。



No；　if　there　be　such　things；　this　thing　is　not　of　that　kind。　　This

is　a　theatrical　association；　expressly　adapted　to　the　wants　and　to

the　means　of　the　whole　theatrical　profession　all　over　England。　　It

is　a　society　in　which　the　word　exclusiveness　is　wholly　unknown。　　It

is　a　society　which　includes　every　actor；　whether　he　be　Benedict　or

Hamlet；　or　the　Ghost；　or　the　Bandit；　or　the　court…physician；　or；　in

the　one　person；　the　whole　King's　army。　　He　may　do　the　〃light

business；〃　or　the　〃heavy；〃　or　the　comic；　or　the　eccentric。　　He　may

be　the　captain　who　courts　the　young　lady；　whose　uncle　still

unaccountably　persists　in　dressing　himself　in　a　costume　one　hundred

years　older　than　his　time。　　Or　he　may　be　the　young　lady's　brother

in　the　white　gloves　and　inexpressibles；　whose　duty　in　the　family

appears　to　be　to　listen　to　the　female　members　of　it　whenever　they

sing；　and　to　shake　hands　with　everybody　between　all　the　verses。　　Or

he　may　be　the　baron　who　gives　the　fete；　and　who　sits　uneasily　on

the　sofa　under　a　canopy　with　the　baroness　while　the　fete　is　going

on。　　Or　he　may　be　the　peasant　at　the　fete　who　comes　on　the　stage　to

swell　the　drinking　chorus；　and　who；　it　may　be　observed；　always

turns　his　glass　upside　down　before　he　begins　to　drink　out　of　it。

Or　he　may　be　the　clown　who　takes　away　the　doorstep　of　the　house

where　the　evening　party　is　going　on。　　Or　he　may　be　the　gentleman

who　issues　out　of　the　house　on　the　false　alarm；　and　is　precipitated

into　the　area。　　Or；　to　come　to　the　actresses；　she　may　be　the　fairy

who　resides　for　ever　in　a　revolving　star　with　an　occasional　visit

to　a　bower　or　a　palace。　　Or　the　actor　may　be　the　armed　head　of　the

witch's　cauldron；　or　even　that　extraordinary　witch；　concerning　whom

I　have　observed　in　country　places；　that　he　is　much　less　like　the

notion　formed　from　the　description　of　Hopkins　than　the　Malcolm　or

Donalbain　of　the　previous　scenes。　　This　society；　in　short；　says；

〃Be　you　what　you　may；　be　you　actor　or　actress；　be　your　path　in　your

profession　never　so　high；　or　never　so　low；　never　so　haughty；　or

never　so　humble；　we　offer　you　the　means　of　doing　good　to

yourselves；　and　of　doing　good　to　your　brethren。〃



This　society　is　essentially　a　provident　institution；　appealing　to　a

class　of　men　to　take　care　of　their　own　interests；　and　giving　a

continuous　security　only　in　return　for　a　continuous　sacrifice　and

effort。　　The　actor　by　the　means　of　this　society　obtains　his　own

right；　to　no　man's　wrong；　and　when；　in　old　age；　or　in　disastrous

times；　he　makes　his　claim　on　the　institution；　he　is　enabled　to　say；

〃I　am　neither　a　beggar；　nor　a　suppliant。　　I　am　but　reaping　what　I

sowed　long　ago。〃　　And　therefore　it　is　that　I　cannot　hold　out　to　you

that　in　assisting　this　fund　you　are　doing　an　act　of　charity　in　the

common　acceptation　of　that　phrase。　　Of　all　the　abuses　of　that　much

abused　term；　none　have　more　raised　my　indignation　than　what　I　have

heard　in　this　room　in　past　times；　in　reference　to　this　institution。

I　say；　if　you　help　this　institution　you　will　be　helping　the　wagoner

who　has　resolutely　put　his　own　shoulder　to　the　wheel；　and　who　has

NOT　stuck　idle　in　the　mud。　　In　giving　this　aid　you　will　be　doing　an

act　of　justice；　and　you　will　be　performing　an　act　of　gratitude；　and

this　is　what　I　solicit　from　you；　but　I　will　not　so　far　wrong　those

who　are　struggling　manfully　for　their　own　independence　as　to

pretend　to　entreat　from　you　an　act　of　charity。



I　have　used　the　word　gratitude；　and　let　any　man　ask　his　own　heart；

and　confess　if　he　have　not　some　grateful　acknowledgments　for　the

actor's　art？　　Not　peculiarly　because　it　is　a　profession　often

pursued；　and　as　it　were　marked；　by　poverty　and　misfortune　…　for

other　callings；　God　knows；　have　their　distresses　…　nor　because　the

actor　has　sometimes　to　come　from　scenes　of　sickness；　of　suffering；

ay；　even　of　death　itself；　to　play　his　part　before　us　…　for　all　of

us；　in　our　spheres；　have　as　often　to　do　violence　to　our　feelings

and　to　hide　our　hearts　in　fighting　this　great　battle　of　life；　and

in　discharging　our　duties　and　responsibilities。　　But　the　art　of　the

actor　excites　reflections；　sombre　or　grotesque；　awful　or　humorous；

which　we　are　all　familiar　with。　　If　any　man　were　to　tell　me　that　he

denied　his　acknowledgments　to　the　stage；　I　would　simply　put　to　him

one　question　…　whether　he　remembered　his　first　play？



If　you；　gentlemen；　will　but　carry　back　your　recollection　to　that

great　night；　and　call　to　mind　the　bright　and　harmless　world　which

then　opened　to　your　view；　we　shall；　I　think；　hear　favourably　of　the

effect　upon　your　liberality　on　this　occasion　from　our　Secretary。



This　is　the　sixth　year　of　meetings　of　this　kind　…　the　sixth　time　we

have　had　this　fine　child　down　after　dinner。　　His　nurse；　a　very

worthy　person　of　the　name　of　Buckstone；　who　has　an　excellent

character　from　several　places；　will　presently　report　to　you　that

his　chest　is　perfectly　sound；　and　that　his　general　health　is　in　the

most　thriving　condition。　　Long　may　it　be　so；　long　may　it　thrive　and

grow；　long　may　we　meet　（it　is　my　sincere　wish）　to　exchange　our

congratulations　on　its　prosperity；　and　longer　than　the　line　of

Banquo　may　be　that　line　of　figures　which；　as　its　patriotic　share　in

the　national　debt；　a　century　hence　shall　be　stated　by　the　Governor

and　Company　of　the　Bank　of　England。







SPEECH：　　THE　ROYAL　LITERARY　FUND。　　LONDON；　MARCH　12；　1856。







＇The　Corporation　of　the　Royal　Literary　Fund　was　established　in

1790；　its　object　being　to　administer　assistance　to　authors　of

genius　and　learning；　who　may　be　reduced　to　distress　by　unavoidable

calamities；　or　deprived；　by　enfeebled　faculties　or　declining　life；

of　the　power　of　literary　exertion。　　At　the　annual　general　meeting

held　at　the　house　of　the　society　on　the　above　date；　the　following

speech　was　made　by　Mr。　Charles　Dickens：＇



SIR；　…　I　shall　not　attempt　to　follow　my　friend　Mr。　Bell；　who；　in

the　profession　of　literature；　represents　upon　this　committee　a

separate　and　distinct　branch　of　the　profession；　that；　like





〃The　last　rose　of　summer

Stands　blooming　alone；

While　all　its　companions

Are　faded　and　gone；〃





into　the　very　prickly　bramble…bush　with　which　he　has　ingeniously

contrived　to　beset　this　question。　　In　the　remarks　I　have　to　make　I

shall　c