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genuine resistance。  Of course 〃The Gold Bug〃 is literature; of

course any other story of mystery and puzzle is also literature;

provided it is as good as 〃The Gold Bug;〃or I will say; since

that standard has never since been quite attained; provided it is a

half or a tenth as good。  It is goldsmith's work; it is Chinese

carving; it is Daedalian; it is fine。  It is the product of the

ingenuity lobe of the human brain working and expatiating in

freedom。  It is art; not spiritual or transcendental art; but solid

art; to be felt and experienced。  You may examine it at your

leisure; it will be always ready for you; you need not fast or

watch your arms overnight in order to understand it。  Look at the

nice setting of the mortises; mark how the cover fits; how smooth

is the working of that spring drawer。  Observe that this bit of

carving; which seemed mere ornament; is really a vital part of the

mechanism。  Note; moreover; how balanced and symmetrical the whole

design is; with what economy and foresight every part is fashioned。

It is not only an ingenious structure; it is a handsome bit of

furniture; and will materially improve the looks of the empty

chambers; or disorderly or ungainly chambers that you carry under

your crown。  Or if it happen that these apartments are noble in

decoration and proportions; then this captivating little object

will find a suitable place in some spare nook or other; and will

rest or entertain eyes too long focused on the severely sublime and

beautiful。  I need not; however; rely upon abstract argument to

support my contention。  Many of the best writers of all time have

used their skill in the inverted form of story telling; as a glance

at our table of contents will show; and many of their tales depend

for their effect as much on character and atmosphere as on the play

and complication of events。



The statement that a good detective or riddle story is good in art

is supported by the fact that the supply of really good ones is

relatively small; while the number of writers who would write good

ones if they could; and who have tried and failed to write them; is

past computation。  And one reason probably is that such stories;

for their success; must depend primarily upon structurea sound

and perfect plotwhich is one of the rare things in our

contemporary fiction。  Our writers get hold of an incident; or a

sentiment; or a character; or a moral principle; or a hit of

technical knowledge; or a splotch of local color; or even of a new

version of dialect; and they will do something in two to ten

thousand words out of that and call it a short story。  Magazines

may be found to print itfor there are all manner of magazines;

but nothing of that sort will serve for a riddle story。  You cannot

make a riddle story by beginning it and then trusting to luck to

bring it to an end。  You must know all about the end and the middle

before thinking; even; of the beginning; the beginning of a riddle

story; unlike those of other stories and of other enterprises; is

not half the battle; it is next to being quite unimportant; and;

moreover; it is always easy。  The unexplained corpse lies weltering

in its gore in the first paragraph; the inexplicable cipher

presents its enigma at the turning of the opening page。  The writer

who is secure in the knowledge that he has got a good thing coming;

and has arranged the manner and details of its coming; cannot go

far wrong with his exordium; he wants to get into action at once;

and that is his best assurance that he will do it in the right way。

But O! what a labor and sweat it is; what a planning and trimming;

what a remodeling; curtailing; interlining; what despairs succeeded

by new lights; what heroic expedients tried at the last moment; and

dismissed the moment after; what wastepaper baskets full of

futilities; and what gallant commencements all over again!  Did the

reader know; or remotely suspect; what terrific struggles the

writer of a really good detective story had sustained; he would

regard the final product with a new wonder and respect; and read it

all over once more to find out how the troubles occurred。  But he

will search in vain; there are no signs of them left; no; not so

much as a scar。  The tale moves along as smoothly and inevitably as

oiled machinery; obviously; it could not have been arranged

otherwise than it is; and the wise reader is convinced that he

could have done the thing himself without half trying。  At that;

the weary writer smiles a bitter smile; but it is one of the spurns

that patient merit of the unworthy takes。  Nobody; except him who

has tried it; will ever know how hard it is to write a really good

detective story。  The man or woman who can do it can also write a

good play (according to modern ideas of plays); and possesses force

of character; individuality; and mental ability。  He or she must

combine the intuition of the artist with the talent of the master

mechanic; but will seldom be a poet; and will generally care more

for things and events than for fellow creatures。  For; although the

story is often concerned with righting some wrong; or avenging some

murder; yet it must be confessed that the author commonly succeeds

better in the measure of his ruthlessness in devising crimes and

giving his portraits of devils an extra touch of black。  Mercy is

not his strong point; however he may abound in justice; and he will

not stickle at piling up the agony; if thereby he provides

opportunity for enhancing the picturesqueness and completeness of

the evil doer's due。



But this leads me to the admission that one charge; at least; does

lie against the door of the riddle…story writer; and that is; that

he is not sincere; he makes his mysteries backward; and knows the

answer to his riddle before he states its terms。  He deliberately

supplies his reader; also; with all manner of false scents; well

knowing them to be such; and concocts various seeming artless and

innocent remarks and allusions; which in reality are diabolically

artful; and would deceive the very elect。  All this; I say; must be

conceded; but it is not unfair; the very object; ostensibly; of the

riddle story is to prompt you to sharpen your wits; and as you are

yourself the real detective in the case; so you must regard your

author as the real criminal whom you are to detect。  Credit no

statement of his save as supported by the clearest evidence; be

continually repeating to yourself; 〃Timeo Danaos et dona

ferentes;〃nay; never so much as then。  But; as I said before;

when the game is well set; you have no chance whatever against the

dealer; and for my own part; I never try to be clever when I go up

against these thimble…riggers; I believe all they tell me; and

accept the most insolent gold bricks; and in that way I

occasionally catch some of the very ablest of them napping; for

they are so subtle that they will sometimes tell you the truth

because they think you will suppose it to be a lie。  I do not wish

to catch them napping; however; I cling to the wisdom of ignorance;

and childishly enjoy the way in which things work themselves out

the cul…de…sac resolving itself at the very last moment into a

promising corridor toward the outer air。  At every rebuff it is my

happiness to be hopelessly bewildered; and I gape with admiration

when the Gordian knot is untied。  If the author be old…fashioned

enough to apostrophize the Gentle Reader; I know he must mean me;

and docilely give ear; and presently tumble head…foremost into the

treacherous pit he has digged for me。  In brief; I am there to be

sold; and I get my money's worth。  No one can thoroughly enjoy

riddle stories unless he is old enough; or young enough; or; at any

rate; wise enough to appreciate the value of the faculty of being

surprised。  Those sardonic and omniscient persons who know

everything beforehand; and smile compassionately or scornfully at

the artless outcries of astonishment of those who are uninformed;

may get an ill…natured satisfaction out of the persuasion that they

are superior beings; but there is very little meat in that sort of

happiness; and the uninformed have the better lot after all。



I need hardly point out that there is a distinction and a

difference between short riddle stories and long onesnovels。  The

former require far more technical art for their proper development;

the enigma cannot be posed in so many ways; but must be stated once

for all; there cannot be false scents; or but a few of them; there

can be small opportunity for character drawing; and all kinds of

ornament and comment must be reduced to their very lowest terms。

Here; indeed; as everywhere; genius will have its way; and while a

merely talented writer would deem it impossible to tell the story

of 〃The Gold Bug〃 in less than a volume; Poe could do it in a few

thousand words; and yet appear to have said everything worth

saying。  In the case of the Sherlock Holmes tales; they form a

series; and our previous knowledge of the hero enables the writer

to dispense with much description and accompaniment that would be

necessary had that eminent personage been presented in only a

single complication of events。  Each special episode of the great

analyst's career can therefore be handled with the utmost economy;

and yet fill all the requirements of intelligent interest and

comprehension。  But; as a rule; the riddle novel approaches its

theme in a spirit essentially other than that which inspires the

short tale。  We are given; as it were; a wide landscape instead of

a detailed genre picture。  The number of the dramatis personae is

much larger; and the parts given to many of them may be very small;

though each should have his or her necessary function in the

general plan。  It is much easier to create perplexity on these

terms; but on the other hand; the riddle novel demands a power of

vivid character portrayal and of telling des

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