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及88何蛍

the golden bough-及88何蛍

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 We have seen that in Ethiopia�察�Sofala�察�and Eyeo the rule was boldly set aside by enlightened monarchs�察�and that in Calicut the old custom of killing the king at the end of twelve years was changed into a permission granted to any one at the end of the twelve years' period to attack the king�察�and�察�in the event of killing him�察�to reign in his stead�察�though�察�as the king took care at these times to be surrounded by his guards�察�the permission was little more than a form。 Another way of modifying the stern old rule is seen in the Babylonian custom just described。 When the time drew near for the king to be put to death ��in Babylon this appears to have been at the end of a single year's reign�� he abdicated for a few days�察�during which a temporary king reigned and suffered in his stead。 At first the temporary king may have been an innocent person�察�possibly a member of the king's own family�察�but with the growth of civilisation the sacrifice of an innocent person would be revolting to the public sentiment�察�and accordingly a condemned criminal would be invested with the brief and fatal sovereignty。 In the sequel we shall find other examples of a dying criminal representing a dying god。 For we must not forget that�察�as the case of the Shilluk kings clearly shows�察�the king is slain in his character of a god or a demigod�察�his death and resurrection�察�as the only means of perpetuating the divine life unimpaired�察�being deemed necessary for the salvation of his people and the world。

A vestige of a practice of putting the king to death at the end of a year's reign appears to have survived in the festival called Macahity�察�which used to be celebrated in Hawaii during the last month of the year。 About a hundred years ago a Russian voyager described the custom as follows�此�The taboo Macahity is not unlike to our festival of Christmas。 It continues a whole month�察�during which the people amuse themselves with dances�察�plays�察�and sham´fights of every kind。 The king must open this festival wherever he is。 On this occasion his majesty dresses himself in his richest cloak and helmet�察�and is paddled in a canoe along the shore�察�followed sometimes by many of his subjects。 He embarks early�察�and must finish his excursion at sunrise。 The strongest and most expert of the warriors is chosen to receive him on his landing。 This warrior watches the canoe along the beach�察�and as soon as the king lands�察�and has thrown off his cloak�察�he darts his spear at him�察�from a distance of about thirty paces�察�and the king must either catch the spear in his hand�察�or suffer from it�此�there is no jesting in the business。 Having caught it�察�he carries it under his arm�察�with the sharp end downwards�察�into the temple or heavoo。 On his entrance�察�the assembled multitude begin their sham´fights�察�and immediately the air is obscured by clouds of spears�察�made for the occasion with blunted ends。 Hamamea ��the king�А�has been frequently advised to abolish this ridiculous ceremony�察�in which he risks his life every year�察�but to no effect。 His answer always is�察�that he is as able to catch a spear as any one on the island is to throw it at him。 During the Macahity�察�all punishments are remitted throughout the country�察�and no person can leave the place in which he commences these holidays�察�let the affair be ever so important。

That a king should regularly have been put to death at the close of a year's reign will hardly appear improbable when we learn that to this day there is still a kingdom in which the reign and the life of the sovereign are limited to a single day。 In Ngoio�察�a province of the ancient kingdom of Congo�察�the rule obtains that the chief who assumes the cap of sovereignty is always killed on the night after his coronation。 The right of succession lies with the chief of the Musurongo�察�but we need not wonder that he does not exercise it�察�and that the throne stands vacant。 No one likes to lose his life for a few hours' glory on the Ngoio throne。

Chapter 25。 Temporary Kings

IN SOME places the modified form of the old custom of regicide which appears to have prevailed at Babylon has been further softened down。 The king still abdicates annually for a short time and his place is filled by a more or less nominal sovereign�察�but at the close of his short reign the latter is no longer killed�察�though sometimes a mock execution still survives as a memorial of the time when he was actually put to death。 To take examples。 In the month of M└ac ��February�� the king of Cambodia annually abdicated for three days。 During this time he performed no act of authority�察�he did not touch the seals�察�he did not even receive the revenues which fell due。 In his stead there reigned a temporary king called Sdach M└ac�察�that is�察�King February。 The office of temporary king was hereditary in a family distantly connected with the royal house�察�the sons succeeding the fathers and the younger brothers the elder brothers just as in the succession to the real sovereignty。 On a favourable day fixed by the astrologers the temporary king was conducted by the mandarins in triumphal procession。 He rode one of the royal elephants�察�seated in the royal palanquin�察�and escorted by soldiers who�察�dressed in appropriate costumes�察�represented the neighbouring peoples of Siam�察�Annam�察�Laos�察�and so on。 In place of the golden crown he wore a peaked white cap�察�and his regalia�察�instead of being of gold encrusted with diamonds�察�were of rough wood。 After paying homage to the real king�察�from whom he received the sovereignty for three days�察�together with all the revenues accruing during that time ��though this last custom has been omitted for some time���察�he moved in procession round the palace and through the streets of the capital。 On the third day�察�after the usual procession�察�the temporary king gave orders that the elephants should trample under foot the mountain of rice�察�which was a scaffold of bamboo surrounded by sheaves of rice。 The people gathered up the rice�察�each man taking home a little with him to secure a good harvest。 Some of it was also taken to the king�察�who had it cooked and presented to the monks。

In Siam on the sixth day of the moon in the sixth month ��the end of April�� a temporary king is appointed�察�who for three days enjoys the royal prerogatives�察�the real king remaining shut up in his palace。 This temporary king sends his numerous satellites in all directions to seize and confiscate whatever they can find in the bazaar and open shops�察�even the ships and junks which arrive in harbour during the three days are forfeited to him and must be redeemed。 He goes to a field in the middle of the city�察�whither they bring a gilded plough drawn by gaily´decked oxen。 After the plough has been anointed and the oxen rubbed with incense�察�the mock king traces nine furrows with the plough�察�followed by aged dames of the palace scattering the first seed of the season。 As soon as the nine furrows are drawn�察�the crowd of spectators rushes in and scrambles for the seed which has just been sown�察�believing that�察�mixed with the seed´rice�察�it will ensure a plentiful crop。 Then the oxen are unyoked�察�and rice�察�maize�察�sesame�察�sago�察�bananas�察�sugar´cane�察�melons�察�and so on�察�are set before them�察�whatever they eat first will�察�it is thought�察�be dear in the year following�察�though some people interpret the omen in the opposite sense。 During this time the temporary king stands leaning against a tree with his right foot resting on his left knee。 〃From standing thus on one foot he is popularly known as King Hop�察�but his official title is Phaya Phollathep Lord of the Heavenly Hosts。 He is a sort of Minister of Agriculture�察�all disputes about fields�察�rice�察�and so forth�察�are referred to him。 There is moreover another ceremony in which he personates the king。 It takes place in the second month ��which falls in the cold season�� and lasts three days。 He is conducted in procession to an open place opposite the Temple of the Brahmans�察�where there are a number of poles dressed like May´poles�察�upon which the Brahmans swing。 All the while that they swing and dance�察�the Lord of the Heavenly Hosts has to stand on one foot upon a seat which is made of bricks plastered over�察�covered with a white cloth�察�and hung with tapestry。 He is supported by a wooden frame with a gilt canopy�察�and two Brahmans stand one on each side of him。 The dancing Brahmans carry buffalo horns with which they draw water from a large copper caldron and sprinkle it on the spectators�察�this is supposed to bring good luck�察�causing the people to dwell in peace and quiet�察�health and prosperity。 The time during which the Lord of the Heavenly Hosts has to stand on one foot is about three hours。 This is thought to prove the dispositions of the Devattas and spirits。 If he lets his foot down he is liable to forfeit his property and have his family enslaved by the king�察�as it is believed to be a bad omen�察�portending destruction to the state�察�and instability to the throne。 But if he stand firm he is believed to have gained a victory over evil spirits�察�and he has moreover the privilege�察�ostensibly at least�察�of seizing any ship which may enter the harbour during these three days�察�and taking its contents�察�and also of entering any open shop in the town and carrying away what he chooses。

Such were the duties and privileges of the Siamese King Hop down to about the middle of the nineteenth century or later。 Under the reign of the late enlightened monarch this quaint personage was to some extent both shorn of the glories and relieved of the burden of his office。 He still watches�察�as of old�察�the Brahmans rushing through the air in a swing suspended between two tall masts�察�each some ninety feet high�察�but he is allowed to sit instead of stand�察�and�察�although public opinion still expects him to keep his right foot on his left knee during the whole of the ceremony�察�he would incur no legal penalty were he�察�to the great chagrin of the people�察�to put his weary foot to the ground。 Other signs�察�too�察�tell of the invasion of the East by the ideas and civilisation of the West。 The thoroughfares that lead to the scene of the performance are blocked with carriages�此�lamp´posts and telegraph posts�察�to which eager spectators cling like monkeys�察�rise above the dense crowd�察�and�察�while a tatterdemalion band of the old style�察�in gaudy garb of vermilion and yellow

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