a little tour in france-及39何蛍
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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
h a diminutive postern ´ which seems in proportion about as high as the en´ trance of a rabbit´hutch ´ into the lodge of the custo´ dian�察�who introduces you to the interior of the theatre。 Here the mass of the hill affronts you�察�which the in´ genious Romans treated simply as the material of their auditorium。 They inserted their stone seats�察�in a semicircle�察�in the slope of the lull�察�and planted their colossal wall opposite to it。 This wall�察�from the inside�察�is�察�if possible�察�even more imposing。 It formed the back of the stage�察�the permanent scene�察�and its enormous face was coated with marble。 It contains three doors�察�the middle one being the highest�察�and having above it�察�far aloft�察�a deep niche�察�apparently intended for an imperial statue。 A few of the benches remain on the hillside which�察�however�察�is mainly a confusion of fragments。 There is part of a corridor built into the hill�察�high up�察�and on the crest are the remnants of the demolished castle。 The whole place is a kind of wilderness of ruin�察�there are scarcely any details�察�the great feature is the overtopping wall。 This wall being the back of the scene�察�the space left be´ tween it and the chord of the semicircle ��of the audi´ torium�� which formed the proscenium is rather less than one would have supposed。 In other words�察�the stage was very shallow�察�and appears to have been ar´ ranged for a number of performers standing in a line�察�like a company of soldiers。 There stands the silent skeleton�察�however�察�as impressive by what it leaves you to guess and wonder about as by what it tells you。 It has not the sweetness�察�the softness of melancholy�察�of the theatre at Arles�察�but it is more extraordinary�察�and one can imagine only tremendous tragedies being enacted there�察 �
;Presenting Thebes' or Pelops' line。;
At either end of the stage�察�coming forward�察�is an immense wing�察 � immense in height�察�I mean�察�as it reaches to the top of the scenic wall�察�the other dimen´ sions are not remarkable。 The division to the right�察�as you face the stage�察�is pointed out as the green´ room�察�its portentous attitude and the open arches at the top give it the air of a well。 The compartment on the left is exactly similar�察�save that it opens into the traces of other chambers�察�said to be those of a hippodrome adjacent to the theatre。 Various fragments are visible which refer themselves plausibly to such an establishment�察�the greater axis of the hippodrome would appear to have been on a line with the triumphal arch。 This is all I saw�察�and all there was to see�察�of Orange�察�which had a very rustic�察�bucolic aspect�察�and where I was not even called upon to demand break´ fast at the hotel。 The entrance of this resort might have been that of a stable of the Roman days。
XXXVII。
I have been trying to remember whether I fasted all the way to Macon�察�which I reached at an advanced hour of the evening�察�and think I must have done so except for the purchase of a box of nougat at Monte´ limart ��the place is famous for the manufacture of this confection�察�which�察�at the station�察�is hawked at the windows of the train�� and for a bouillon�察�very much later�察�at Lyons。 The journey beside the Rhone ´ past Valence�察�past Tournon�察�past Vienne ´ would have been charming�察�on that luminous Sunday�察�but for two disagreeable accidents。 The express from Marseilles�察�which I took at Orange�察�was full to over´ flowing�察�and the only refuge I could find was an inside angle in a carriage laden with Germans�察�who had command of the windows�察�which they occupied as strongly as they have been known to occupy other strategical positions。 I scarcely know�察�however�察�why I linger on this particular discomfort�察�for it was but a single item in a considerable list of grievances�察 � grievances dispersed through six weeks of constant railway travel in France。 I have not touched upon them at an earlier stage of this chronicle�察�but my re´ serve is not owing to any sweetness of association。 This form of locomotion�察�in the country of the ameni´ ties�察�is attended with a dozen discomforts�察�almost all the conditions of the business are detestable。 They force the sentimental tourist again and again to ask himself whether�察�in consideration of such mortal an´ noyances�察�the game is worth the candle。 Fortunately�察�a railway journey is a good deal like a sea voyage�察�its miseries fade from the mind as soon as you arrive。 That is why I completed�察�to my great satisfaction�察�my little tour in France。 Let this small effusion of ill´nature be my first and last tribute to the whole despotic _gare_�此�the deadly _salle d'attente_�察�the insuffer´ able delays over one's luggage�察�the porterless platform�察�the overcrowded and illiberal train。 How many a time did I permit myself the secret reflection that it is in perfidious Albion that they order this matter best� �How many a time did the eager British mer´ cenary�察�clad in velveteen and clinging to the door of the carriage as it glides into the station�察�revisit my invidious dreams� �The paternal porter and the re´ sponsive hansom are among the best gifts of the Eng´ lish genius to the world。 I hasten to add�察�faithful to my habit ��so insufferable to some of my friends�� of ever and again readjusting the balance after I have given it an honest tip�察�that the bouillon at Lyons�察�which I spoke of above�察�was�察�though by no means an ideal bouillon�察�much better than any I could have obtained at an English railway station。 After I had imbibed it�察�I sat in the train ��which waited a long time at Lyons�� and�察�by the light of one of the big lamps on the platform�察�read all sorts of disagreeable things in certain radical newspapers which I had bought at the book´stall。 I gathered from these sheets that Lyons was in extreme commotion。 The Rhone and the Saone�察�which form a girdle for the splendid town�察�were almost in the streets�察�as I could easily be´ lieve from what I had seen of the country after leav´ ing Orange。 The Rhone�察�all the way to Lyons�察�had been in all sorts of places where it had no business to be�察�and matters were naturally not improved by its confluence with the charming and copious stream which�察�at Macon�察�is said once to have given such a happy opportunity to the egotism of the capital。 A visitor from Paris ��the anecdote is very old���察�being asked on the quay of that city whether he didn't ad´ mire the Saone�察�replied good´naturedly that it was very pretty�察�but that in Paris they spelled it with the _ei_。 This moment of general alarm at Lyons had been chosen by certain ingenious persons ��I credit them�察�perhaps�察�with too sure a prevision of the rise of the rivers�� for practising further upon the appre´ hensions of the public。 A bombshell filled with dynamite had been thrown into a cafe�察�and various votaries of the comparatively innocuous _petit verre_ had been wounded ��I am not sure whether any one had been killed�� by the irruption。 Of course there had been arrests and incarcerations�察�and the ;Intransi´ geant; and the ;Rappel; were filled with the echoes of the explosion。 The tone of these organs is rarely edifying�察�and it had never been less so than on this occasion。 I wondered�察�as I looked through them�察�whether I was losing all my radicalism�察�and then I wondered whether�察�after all�察�I had any to lose。 Even in so long await as that tiresome delay at Lyons I failed to settle the question�察�any more than I made up my mind as to the probable future of the militant democracy�察�or the ultimate form of a civilization which should have blown up everything else。 A few days later�察�the waters went down it Lyons�察�but the de´ mocracy has not gone down。
I remember vividly the remainder of that evening which I spent at Macon�察 � remember it with a chatter´ ing of the teeth。 I know not what had got into the place�察�the temperature�察�for the last day of October�察�was eccentric and incredible。 These epithets may also be applied to the hotel itself�察 � an extraordinary structure�察�all facade�察�which exposes an uncovered rear to the gaze of nature。 There is a demonstrative�察�voluble landlady�察�who is of course part of the facade�察�but everything behind her is a trap for the winds�察�with chambers�察�corridors�察�staircases�察�all exhibited to the sky�察�as if the outer wall of the house had been lifted off。 It would have been delightful for Florida�察�but it didn't do for Burgundy�察�even on the eve of November 1st�察�so that I suffered absurdly from the rigor of a season that had not yet begun。 There was something in the air�察�I felt it the next day�察�even on the sunny quay of the Saone�察�where in spite of a fine southerly exposure I extracted little warmth from the reflection that Alphonse de Lamartine had often trod´ den the flags。 Macon struck me�察�somehow�察�as suffer´ ing from a chronic numbness�察�and there was nothing exceptionally cheerful in the remarkable extension of the river。 It was no longer a river�察 � it had become a lake�察�and from my window�察�in the painted face of the inn�察�I saw that the opposite bank had been moved back�察�as it were�察�indefinitely。 Unfortunately�察�the various objects with which it was furnished had not been moved as well�察�the consequence of which was an extraordinary confusion in the relations of thing。 There were always poplars to be seen�察�but the poplar had become an aquatic plant。 Such phenomena�察�however�察�at Macon attract but little attention�察�as the Saone�察�at certain seasons of the year�察�is nothing if not expansive。 The people are as used to it as they ap´ peared to be to the bronze statue of Lamartine�察�which is the principal monument of the _place_�察�and which�察�re´ presenting the poet in a frogged overcoat and top´ boots�察�improvising in a high wind�察�struck me as even less casual in its attitude than monumental sculpture usually succeeds in being。 It is true that in its pre´ sent position I thought better of this work of art�察�which is from the hand of M。 Falquiere�察�than when I had seen it through the factitious medium of the Salon of 1876。 I walked up the hill where the older part of Macon lies�察�in search of the natal house of the _amant d'Elvire_�察�the Petrarch whose Vaucluse was the bosom of the public。 The Guide´Joanne quotes from ;Les Confidences; a description of the birthplace of the poet�察�whose treatment of the locality is indeed poetical。 It tallies strangely little with the reality�察�either as re´ gards position or other