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;Inspector�察�I am obliged to throw myself on your mercy。 I have no such witness to my innocence as you call for。 Innocent people seldom have。 It is only the guilty who take the trouble to provide for such contingencies。;

This was all very well�察�if it had been uttered with a straightforward air and in a clear tone。 But it was not。 I who loved him felt that it was not�察�and consequently was more or less prepared for the change which now took place in the inspector's manner。 Yet it pierced me to the heart to observe this change�察�and I instinctively dropped my face into my hands when I saw him move toward Mr。 Durand with some final order or word of caution。

Instantly ��and who can account for such phenomena�殖� there floated into view before my retina a reproduction of the picture I had seen�察�or imagined myself to have seen�察�in the supper´room�察�and as at that time it opened before me an unknown vista quite removed from the surrounding scene�察�so it did now�察�and I beheld again in faint outlines�察�and yet with the effect of complete distinctness�察�a square of light through which appeared an open passage partly shut off from view by a half´lifted curtain and the tall figure of a man holding back this curtain and gazing�察�or seeming to gaze�察�at his own breast�察�on which he had already laid one quivering finger。

What did it mean�拭�In the excitement of the horrible occurrence which had engrossed us all�察�I had forgotten this curious experience�察�but on feeling anew the vague sensation of shock and expectation which seemed its natural accompaniment�察�I became conscious of a sudden conviction that the picture which had opened before me in the supper´room was the result of a reflection in a glass or mirror of something then going on in a place not otherwise within the reach of my vision�察�a reflection�察�the importance of which I suddenly realized when I recalled at what a critical moment it had occurred。 A man in a state of dread looking at his breast�察�within five minutes of the stir and rush of the dreadful event which had marked this evening��

A hope�察�great as the despair in which I had just been sunk�察�gave me courage to drop my hands and advance impetuously toward the inspector。

;Don't speak�察�I pray�察�don't judge any of us further till you have heard what I have to say。;

In great astonishment and with an aspect of some severity�察�he asked me what I had to say now which I had not had the opportunity of saying before。 I replied with all the passion of a forlorn hope that it was only at this present moment I remembered a fact which might have a very decided bearing on this case�察�and�察�detecting evidences�察�as I thought�察�of relenting on his part�察�I backed up this statement by an entreaty for a few words with him apart�察�as the matter I had to tell was private and possibly too fanciful for any ear but his own。

He looked as if he apprehended some loss of valuable time�察�but�察�touched by the involuntary gesture of appeal with which I supplemented my request�察�he led me into a corner�察�where�察�with just an encouraging glance toward Mr。 Durand�察�who seemed struck dumb by my action�察�I told the inspector of that momentary picture which I had seen reflected in what I was now sure was some window´pane or mirror。

;It was at a time coincident�察�or very nearly coincident�察�with the perpetration of the crime you are now investigating�察─�I concluded。 ;Within five minutes afterward came the shout which roused us all to what had happened in the alcove。 I do not know what passage I saw or what door or even what figure�察�but the latter�察�I am sure�察�was that of the guilty man。 Something in the outline ��and it was the outline only I could catch�� expressed an emotion incomprehensible to me at the moment�察�but which�察�in my remembrance�察�impresses me as that of fear and dread。 It was not the entrance to the alcove I beheldthat would have struck me at oncebut some other opening which I might recognize if I saw it。 Can not that opening be found�察�and may it not give a clue to the man I saw skulking through it with terror and remorse in his heart�拭�

;Was this figure�察�when you saw it�察�turned toward you or away�拭─�the inspector inquired with unexpected interest。

;Turned partly away。 He was going from me。;

;And you satwhere�拭�

;Shall I show you�拭�

The inspector bowed�察�then with a low word of caution turned to my uncle。

;I am going to take this young lady into the hall for a moment�察�at her own request。 May I ask you and Mr。 Durand to await me here�拭�

Without pausing for reply�察�he threw open the door and presently we were pacing the deserted supper´room�察�seeking the place where I had sat。 I found it almost by a miracle��everything being in great disorder。 Guided by my bouquet�察�which I had left behind me in my escape from the table�察�I laid hold of the chair before which it lay�察�and declared quite confidently to the inspector��

;This is where I sat。;

Naturally his glance and mine both flew to the opposite wall。 A window was before us of an unusual size and make。 Unlike any which had ever before come under my observation�察�it swung on a pivot�察�and�察�though shut at the present moment�察�might very easily�察�when opened�察�present its huge pane at an angle capable of catching reflections from some of the many mirrors decorating the reception´room situated diagonally across the hall。 As all the doorways on this lower floor were of unusual width�察�an open path was offered�察�as it were�察�for these reflections to pass�察�making it possible for scenes to be imaged here which�察�to the persons involved�察�would seem as safe from any one's scrutiny as if they were taking place in the adjoining house。

As we realized this�察�a look passed between us of more than ordinary significance。 Pointing to the window�察�the inspector turned to a group of waiters watching us from the other side of the room and asked if it had been opened that evening。

The answer came quickly。

;Yes�察�sir��just before thethe;

;I understand�察─�broke in the inspector�察�and�察�leaning over me�察�he whispered�此 �Tell me again exactly what you thought you saw。;

But I could add little to my former description。 ;Perhaps you can tell me this�察─�he kindly persisted。 ;Was the picture�察�when you saw it�察�on a level with your eye�察�or did you have to lift your head in order to see it�拭�

;It was high up��in the air�察�as it were。 That seemed its oddest feature。;

The inspector's mouth took a satisfied curve。 ;Possibly I might identify the door and passage�察�if I saw them�察─�I suggested。

;Certainly�察�certainly�察─�was his cheerful rejoinder�察�and�察�summoning one of his men�察�he was about to give some order�察�when his impulse changed�察�and he asked if I could draw。

I assured him�察�in some surprise�察�that I was far from being an adept in that direction�察�but that possibly I might manage a rough sketch�察�whereupon he pulled a pad and pencil from his pocket and requested me to make some sort of attempt to reproduce�察�on paper�察�my memory of this passage and the door。

My heart was beating violently�察�and the pencil shook in my hand�察�but I knew that it would not do for me to show any hesitation in fixing for all eyes what�察�unaccountably to myself�察�continued to be perfectly plain to my own。 So I endeavored to do as he bade me�察�and succeeded�察�to some extent�察�for he uttered a slight ejaculation at one of its features�察�and�察�while duly expressing his thanks�察�honored me with a very sharp look。

;Is this your first visit to this house�拭─�he asked。

;No�察�I have been here before。;

;In the evening�察�or in the afternoon�拭�

;In the afternoon。;

;I am told that the main entrance is not in use to´night。;

;No。 A side door is provided for occasions like the present。 Guests entering there find a special hall and staircase�察�by which they can reach the upstairs dressing´rooms�察�without crossing the main hall。 Is that what you mean�拭�

;Yes�察�that is what I mean。;

I stared at him in wonder。 What lay back of such questions as these��

;You came in�察�as others did�察�by this side entrance�察─�he now proceeded。 ;Did you notice�察�as you turned to go up stairs�察�an arch opening into a small passageway at your left�拭�

;I did not�察─�I began�察�flushing�察�for I thought I understood him now。 ;I was too eager to reach the dressing´room to look about me。;

;Very well�察─�he replied�察 �I may want to show you that arch。;

The outline of an arch�察�backing the figure we were endeavoring to identify�察�was a marked feature in the sketch I had shown him。

;Will you take a seat near by while I make a study of this matter�拭�

I turned with alacrity to obey。 There was something in his air and manner which made me almost buoyant。 Had my fanciful interpretation of what I had seen reached him with the conviction it had me�拭�If so�察�there was hope��hope for the man I loved�察�who had gone in and out between curtains�察�and not through any arch such as he had mentioned or I had described。 Providence was working for me。 I saw it in the way the men now moved about�察�swinging the window to and fro�察�under the instruction of the inspector�察�manipulating the lights�察�opening doors and drawing back curtains。 Providence was working for me�察�and when�察�a few minutes later�察�I was asked to reseat myself in my old place at the supper´table and take another look in that slightly deflected glass�察�I knew that my effort had met with its reward�察�and that for the second time I was to receive the impression of a place now indelibly imprinted on my consciousness。

;Is not that it�拭─�asked the inspector�察�pointing at the glass with a last look at the imperfect sketch I had made him�察�and which he still held in his hand。

;Yes�察─�I eagerly responded。 ;All but the man。 He whose figure I see there is another person entirely�察�I see no remorse�察�or even fear�察�in his looks。;

;Of course not。 You are looking at the reflection of one of my men。 Miss Van Arsdale�察�do you recognize the place now under your eye�拭�

;I do not。 You spoke of an arch in the hall�察�at the left of the carriage entrance�察�and I see an arch in the window´pane before me�察�but;

;You are looking straight through the alcove��perhaps you did not know that another door opened at its back��into the passage which runs behind it。 Farther on is the arch�察�and beyond that arch the side hall and staircase leading to the dressing´rooms。 This door�察�the one in the rear of the alcove�察�I 

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