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idiot! Why doesn't he come down out of that?
〃Yoffemoffemoffemoffemoff。 Yoffemoff!〃
But no! He will do it himself。 The Chief rushes gallantly into the burning building and disappears up the dark stair。
Desperate measures are now to be resorted to。 On the lawn a line of men forms。 They bend their necks; cowering before the fierce glow; but daring it; and prepared to face it at even closer range。 You are to witness now an exhibition of that heroism which is commoner with us than we think; that spirit of do and dare which mocks at danger and even welcomes pain。 It is a far finer sentiment than the cold…hearted calculation which looks ahead; and figures out first whether it is worth while or not。
The men dash forward in the withering heat。 With frantic haste they fix the hook into the lattice…work beneath the porch and scamper back。
〃Yo hee! Yo hee!〃
The thick rope tautens as the firemen lay their weight to it。 You can almost see the bristling fibers stand up on it。
〃Yo hee! Yo hee!〃
With a splintering crash the timber parts; and a piece of lattice…work is dragged away。
Another sortie and another。 Bit by bit the porch is ripped and torn to rubbish。 You smile。 It seems so futile。 What are these kindlings saved when the whole house is burning? Is this what you call heroism? Yet the charge at Balaklava was not more futile。 It had even less of commonsense; less of hope of benefit to mankind to back it and inspire it。 Heroism is an instinct; not a thoughtout policy。 Its quality is the same; in two…ounce samples or in car…load lots。
The weather…boarding slips down in a sparkling fall。 The joists and stringers; all outlined and gemmed with coals; are; as it were; a golden grille; through which the world may look unhindered in upon the holy place of home; heretofore conventually private。 There stands the family altar; pitifully grotesque amid the ruinous splendor of the destroying fire; the tea…kettle upon it proudly flaunting its steamy plume。 What? Is a common cooking…stove an altar? Yes; verily; in lineal descent。 Examine an ancient altar and you will see its sacrificial stone scored and guttered to catch the dripping from the roasting meat。 Who is the priestess; after an order older than Melchisedec's; but she that ministers to us that most comfortable sacrament; wherein we are made partakers not alone of the outward and visible food which we do carnally press with our teeth; but also of that inward and spiritual sustenance; the patient and enduring love of wife and mother; without which there can be no such thing as home? All other sacraments wherein men break the bread of amity together are but copies of this pattern; the Blessed Sacrament of the Household Altar; the first and primal one of all; the one that shall perdure; please God! throughout all ages of ages。
The flames die down。 The timbers sink together with a softer fall。 The air grows chill。 We fetch a sigh。 We cannot bear to look at that mute figure of the priestess seated on the sordid heap of broken furniture; her sleeping baby pressed against her breast; her gaze fixed … but seeing naught … upon her ruined temple。 We do not like to think upon such things。 We do not like to think at all。 Is there nothing more to laugh at?
The firemen; having all borrowed the makings of a cigarette from each other; put on their hats and coats; left on the hook…and…ladder truck in the custody of a trusted member。 The apparatus trundles off; the bells dolorously tolling as the striking gear on the rear axle engages the cam。
Who is this weeping man approaches; supported by two friends; that comfort him with: 〃All right; Tom。 You done noble;〃 uttered in pacifying if not convincing tones? Heart…brokenly he cries: 〃I dull le ver' bes' I knowed; now di' n't I? Charley? Billy; I dub bes' I knowed how。 An' nen he says to me … Oo…hoo…hoo…oooo…oo! He says to me: 'Come ou' that; ye cussed fool!' Oo…oooo…hoo…hoo…oo…oo! Smf! Lemme gi' amma ham hankshiff。 Leg go my arm。 Waw gi' amma hankshifp。 Oo…oo…oo…hoo…hoo…oo…oo! Fmf! I ash you as may wurl … I ash you as may … man of world; is that … is that proper way address me? Me! Know who I am? I'm Tom Ball。 'S who I am。 I kill lick em man ill Logan Coun'y。 Ai' thasso? Hay? 'S aw ri。 Mfi choose stay up there; aw thas sec … aw thas second floor and rescue fel…cizzen's propprop'ty from devouring em … from devouring emlement; thas my bizless。 Ai' tham my bizless; Charley? Ai' tham my bizless; Billy? W'y; sure。 Charley; you're goof feller。 You too; Billy。 You're goof feller; too。 Say。 Wur…wur if Miller's is open yet? 'Spose it is? Charley; I dub bes' I knowed how; di'n't I; now? Affor that Chief come up thas stairway and say me: 'Come ou' that; ye cussed fool!' Aw say! 'Come ou' that … 'Called me fool; too! Oo…hoo…hoo…oo…oo…oo!〃
〃Hello; Dan! Hurt yourself any? (That's Dan O'Brien。 Fell off the roof。) Well; sir; I thought sure you'd broken your neck。 You don't know your luck。 And let me tell you one thing; my bold bucko: You'll do that just once too often。 Now you mark。〃
The day before the Weekly Examiner goes to press; Mr。 Swope hands the editor a composition entitled: 〃A Card of Thanks;〃 signed by John K。 and Amelia M。 Swope; and addressed to the firemen and all who showed by their many acts of kindness; and so forth and so on。
〃Kind of help to fill up the paper;〃 says Mr。 Swope; covering his retreat。
〃Sure;〃 replies the editor。 When Mr。 Swope is good and gone; he says: 〃Dog my riggin's if I didn't forget all about writing up that fire。 Been so busy here lately。 Good thing he come in。 Hay; Andy!〃
〃Watch want?〃 from the composing…room。
〃Got room for about two sticks more?〃
〃Yes; guess so。 If it don't run over that。〃
A brief silence。 Then:
〃Hay; Andy?〃
〃What ?〃
〃Is it 'had have;' or 'had of ?〃
〃What's the connection?〃
〃Why…ah。 'If the gallant fire…laddies; under the able direction of Chief Charley Lomax; had of had a sufficiency of water with which to cope with the devouring element … 'etc。〃
〃'Had have;' I guess。 I don't know。〃
〃Guess you're right。 Run it that way anyhow。〃
CIRCUS DAY
Only the other day; the man that in all this country knows better than anybody else how a circus should be advertised; said (with some sadness; I do believe) that it didn't pay any longer to put up showbills; the money was better invested in newspaper advertising。
〃It doesn't pay。〃 Ah; me! How the commercial spirit of the age plays whaley with the romance of existence! You shall not look。 long upon the showbill now that there is no money to be had from it。 〃Youth's sweet…scented manuscript〃 is about to close; but ere it does; let us turn back a little to the pages illuminated by the glowing colors of the circus poster。
Saturday afternoon when we went by the enginehouse; its brick wall fluttered with the rags and tatters of 〃Esther; the Beautiful Queen;〃 and the lecture on 〃The Republic: Will it Endure?〃 (Gee! But that was exciting!) Sunday morning; after Sunday…school; there was a sudden quickening among the boys。 We stopped nibbling on the edges of the lesson leaf and followed the crowd in scuttling haste。 Miraculously; over…night; the shabby wall had blossomed into thralling splendor。 What was Daniel in the Lions' Den; compared with Herr Alexander in the same? Not; as the prophet is pictured; in the farthest corner from the lions; and manifestly saying to himself: 〃If I was only out of this!〃 But with his head right smack dab in the lion's mouth。 Right in it。 Yes; sir。
〃S' Posin'!〃 we gasped; all goggle…eyed; 〃jist s'posin' that there lion was to shut his mouth! Ga…ash!〃
The Golden Text? It faded before the lemon…and…scarlet glories of the Golden Chariot。 Drawn by sixteen dappled steeds; each with his neck arching like a fish…hook and reined with fancy scalloped reins; it occupied the center of the foreground。 The band rode in it; far more fortunate than our local band whose best was; Charley Wells's depot 'bus。 And nobler than all his fellows was the bass…drummer。 He had a canopy over him; a carved and golden canopy; on whose top revolved a clown's head with its tongue stuck out。 On each quarter of this rococo shallop a golden circus…girl in short skirts gaily skipped rope with a nubia or fascinator; or whatever it is the women call the thing they wrap around their heads in cold weather when they hang out the clothes。 There were big pieces of looking…glass let into the sides of the band…wagon; and every decorator knows that when you put looking…glass on a thing it is impossible to fix it so that it will be any finer。
Winding back and forth across the picture was the long train of tableau…cars and animal cages; diminishing with distance until away; 'way up in the upper left…hand corner the hindmost van was all immersed in the blue…and…yellow haze just this side of out…of…sight。 That with our own eyes we should behold the glories here set forth we knew right well。 Cruel Fortune might cheat us of the raptures to be had inside the tents; but the street…parade was ours; for it was free。
It seems to me that we did not linger so long before these pictures; nor before those of the rare and costly animals; which; if we but knew it; were the main reason why we were permitted to go (if we did get to go)。 To look at these animals is improving to the mind; and since we could not go alone; an older person had to accompany us; and 。 。 。 and 。 。 。 I trust I make myself clear。 But we didn't want to improve our minds if it was a possible thing to avoid it。 The pictures of these animals were in the joggerfy book anyhow; though not in colors; unless we had a box of paints。 There can be no doubt that the show…bill pictures of the menageries were in colors。 I seem to recollect that Mr。 Galbraith; who kept the dry…goods store across the street from the engine…house; was very much exercised in his mind about the way one of these pictures was printed。 It was the counterfeit presentment of the Hip…po…pot…a…mus; or Behemoth of Holy Writ。 His objection to the hip … you know was not because its open countenance was so fearsome; but because it was so red。 Six feet by two of flaming crimson across the stree