danbrown.thedavincicode-第18部分

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〃
　〃Correct。　And　can　you　guess　what　the　ratio　is　of　each　spiral's　diameter　to　the　next？〃
　The　girl　looked　uncertain　as　she　eyed　the　concentric　arcs　of　the　nautilus　spiral。
　Langdon　nodded。　〃PHI。　The　Divine　Proportion。　One…point…six…one…eight　to　one。〃
　The　girl　looked　amazed。
　Langdon　advanced　to　the　next　slide…a　close…up　of　a　sunflower's　seed　head。　〃Sunflower　seeds　grow　in　opposing　spirals。　Can　you　guess　the　ratio　of　each　rotation's　diameter　to　the　next？〃
　〃PHI？〃　everyone　said。
　〃Bingo。〃　Langdon　began　racing　through　slides　now…spiraled　pinecone　petals；　leaf　arrangement　on　plant　stalks；　insect　segmentation…all　displaying　astonishing　obedience　to　the　Divine　Proportion。
　〃This　is　amazing！〃　someone　cried　out。
　〃Yeah；〃　someone　else　said；　〃but　what　does　it　have　to　do　with　art？〃
　〃Aha！〃　Langdon　said。　〃Glad　you　asked。〃　He　pulled　up　another　slide…a　pale　yellow　parchment　displaying　Leonardo　da　Vinci's　famous　male　nude…The　Vitruvian　Man…named　for　Marcus　Vitruvius；　the　brilliant　Roman　architect　who　praised　the　Divine　Proportion　in　his　text　De　Architectura。
　〃Nobody　understood　better　than　Da　Vinci　the　divine　structure　of　the　human　body。　Da　Vinci　actually　exhumed　corpses　to　measure　the　exact　proportions　of　human　bone　structure。　He　was　the　first　to　show　that　the　human　body　is　literally　made　of　building　blocks　whose　proportional　ratios　always　equal　PHI。〃
　Everyone　in　class　gave　him　a　dubious　look。
　〃Don't　believe　me？〃　Langdon　challenged。　〃Next　time　you're　in　the　shower；　take　a　tape　measure。〃
　A　couple　of　football　players　snickered。
　〃Not　just　you　insecure　jocks；〃　Langdon　prompted。　〃All　of　you。　Guys　and　girls。　Try　it。　Measure　the　distance　from　the　tip　of　your　head　to　the　floor。　Then　divide　that　by　the　distance　from　your　belly　button　to　the　floor。　Guess　what　number　you　get。〃
　〃Not　PHI！〃　one　of　the　jocks　blurted　out　in　disbelief。
　〃Yes；　PHI；〃　Langdon　replied。　〃One…point…six…one…eight。　Want　another　example？　Measure　the　distance　from　your　shoulder　to　your　fingertips；　and　then　divide　it　by　the　distance　from　your　elbow　to　your　fingertips。　PHI　again。　Another？　Hip　to　floor　divided　by　knee　to　floor。　PHI　again。　Finger　joints。　Toes。　Spinal　divisions。　PHI。　PHI。　PHI。　My　friends；　each　of　you　is　a　walking　tribute　to　the　Divine　Proportion。〃
　Even　in　the　darkness；　Langdon　could　see　they　were　all　astounded。　He　felt　a　familiar　warmth　inside。　This　is　why　he　taught。　〃My　friends；　as　you　can　see；　the　chaos　of　the　world　has　an　underlying　order。　When　the　ancients　discovered　PHI；　they　were　certain　they　had　stumbled　across　God's　building　block　for　the　world；　and　they　worshipped　Nature　because　of　that。　And　one　can　understand　why。　God's　hand　is　evident　in　Nature；　and　even　to　this　day　there　exist　pagan；　Mother　Earth…revering　religions。　Many　of　us　celebrate　nature　the　way　the　pagans　did；　and　don't　even　know　it。　May　Day　is　a　perfect　example；　the　celebration　of　spring。。。　the　earth　ing　back　to　life　to　produce　her　bounty。　The　mysterious　magic　inherent　in　the　Divine　Proportion　was　written　at　the　beginning　of　time。　Man　is　simply　playing　by　Nature's　rules；　and　because　art　is　man's　attempt　to　imitate　the　beauty　of　the　Creator's　hand；　you　can　imagine　we　might　be　seeing　a　lot　of　instances　of　the　Divine　Proportion　in　art　this　semester。〃
　Over　the　next　half　hour；　Langdon　showed　them　slides　of　artwork　by　Michelangelo；　Albrecht　Dürer；　Da　Vinci；　and　many　others；　demonstrating　each　artist's　intentional　and　rigorous　adherence　to　the　Divine　Proportion　in　the　layout　of　his　positions。　Langdon　unveiled　PHI　in　the　architectural　dimensions　of　the　Greek　Parthenon；　the　pyramids　of　Egypt；　and　even　the　United　Nations　Building　in　New　York。　PHI　appeared　in　the　organizational　structures　of　Mozart's　sonatas；　Beethoven's　Fifth　Symphony；　as　well　as　the　works　of　Bartók；　Debussy；　and　Schubert。　The　number　PHI；　Langdon　told　them；　was　even　used　by　Stradivarius　to　calculate　the　exact　placement　of　the　f…holes　in　the　construction　of　his　famous　violins。
　〃In　closing；〃　Langdon　said；　walking　to　the　chalkboard；　〃we　return　to　symbols〃　He　drew　five　intersecting　lines　that　formed　a　five…pointed　star。　〃This　symbol　is　one　of　the　most　powerful　images　you　will　see　this　term。　Formally　known　as　a　pentagram…or　pentacle；　as　the　ancients　called　it…this　symbol　is　considered　both　divine　and　magical　by　many　cultures。　Can　anyone　tell　me　why　that　might　be？〃
　Stettner；　the　math　major；　raised　his　hand。　〃Because　if　you　draw　a　pentagram；　the　lines　automatically　divide　themselves　into　segments　according　to　the　Divine　Proportion。〃
　Langdon　gave　the　kid　a　proud　nod。　〃Nice　job。　Yes；　the　ratios　of　line　segments　in　a　pentacle　all　equal　PHI；　making　this　symbol　the　ultimate　expression　of　the　Divine　Proportion。　For　this　reason；　the　five…pointed　star　has　always　been　the　symbol　for　beauty　and　perfection　associated　with　the　goddess　and　the　sacred　feminine。〃
　The　girls　in　class　beamed。
　〃One　note；　folks。　We've　only　touched　on　Da　Vinci　today；　but　we'll　be　seeing　a　lot　more　of　him　this　semester。　Leonardo　was　a　well…documented　devotee　of　the　ancient　ways　of　the　goddess。　Tomorrow；　I'll　show　you　his　fresco　The　Last　Supper；　which　is　one　of　the　most　astonishing　tributes　to　the　sacred　feminine　you　will　ever　see。〃
　〃You're　kidding；　right？〃　somebody　said。　〃I　thought　The　Last　Supper　was　about　Jesus！〃
　Langdon　winked。　〃There　are　symbols　hidden　in　places　you　would　never　imagine。〃
　　
　〃e　on；〃　Sophie　whispered。　〃What's　wrong？　We're　almost　there。　Hurry！〃
　Langdon　glanced　up；　feeling　himself　return　from　faraway　thoughts。　He　realized　he　was　standing　at　a　dead　stop　on　the　stairs；　paralyzed　by　sudden　revelation。
　O；　Draconian　devil！　Oh；　lame　saint！
　Sophie　was　looking　back　at　him。
　It　can't　be　that　simple；　Langdon　thought。
　But　he　knew　of　course　that　it　was。
　There　in　the　bowels　of　the　Louvre。。。　with　images　of　PHI　and　Da　Vinci　swirling　through　his　mind；　Robert　Langdon　suddenly　and　unexpectedly　deciphered　Saunière's　code。
　〃O；　Draconian　devil！〃　he　said。　〃Oh；　lame　saint！　It's　the　simplest　kind　of　code！〃
　　
　Sophie　was　stopped　on　the　stairs　below　him；　staring　up　in　confusion。　A　code？　She　had　been　pondering　the　words　all　night　and　had　not　seen　a　code。　Especially　a　simple　one。
　〃You　said　it　yourself。〃　Langdon's　voice　reverberated　with　excitement。　〃Fibonacci　numbers　only　have　meaning　in　their　proper　order。　Otherwise　they're　mathematical　gibberish。〃
　Sophie　had　no　idea　what　he　was　talking　about。　The　Fibonacci　numbers？　She　was　certain　they　had　been　intended　as　nothing　more　than　a　means　to　get　the　Cryptography　Department　involved　tonight。　They　have　another　purpose？　She　plunged　her　hand　into　her　pocket　and　pulled　out　the　printout；　studying　her　grandfather's　message　again。
　13…3…2…21…1…1…8…5
　O；　Draconian　devil！
　Oh；　lame　saint！
　　
　What　about　the　numbers？
　〃The　scrambled　Fibonacci　sequence　is　a　clue；〃　Langdon　said；　taking　the　printout。　〃The　numbers　are　a　hint　as　to　how　to　decipher　the　rest　of　the　message。　He　wrote　the　sequence　out　of　order　to　tell　us　to　apply　the　same　concept　to　the　text。　O；　Draconian　devil？　Oh；　lame　saint？　Those　lines　mean　nothing。　They　are　simply　letters　written　out　of　order。〃
　Sophie　needed　only　an　instant　to　process　Langdon's　implication；　and　it　seemed　laughably　simple。　〃You　think　this　message　is。。。　une　anagramme？〃　She　stared　at　him。　〃Like　a　word　jumble　from　a　newspaper？〃
　Langdon　could　see　the　skepticism　on　Sophie's　face　and　certainly　understood。　Few　people　realized　that　anagrams；　despite　being　a　trite　modern　amusement；　had　a　rich　history　of　sacred　symbolism。
　The　mystical　teachings　of　the　Kabbala　drew　heavily　on　anagrams…rearranging　the　letters　of　Hebrew　words　to　derive　new　meanings。　French　kings　throughout　the　Renaissance　were　so　convinced　that　anagrams　held　magic　power　that　they　appointed　royal　anagrammatists　to　help　them　make　better　decisions　by　analyzing　words　in　important　documents。　The　Romans　actually　referred　to　the　study　of　anagrams　as　ars　magna…〃the　great　art。〃
　Langdon　looked　up　at　Sophie；　locking　eyes　with　her　now。　〃Your　grandfather's　meaning　was　right　in　front　of　us　all　along；　and　he　left　us　more　than　enough　clues　to　see　it。〃
　Without　another　word；　Langdon　pulled　a　pen　from　his　jacket　pocket　and　rearranged　the　letters　in　each　line。
　O；　Draconian　devil！　Oh；　lame　saint！
　was　a　perfect　anagram　of。。。
　Leonardo　da　Vinci！　The　Mona　Lisa！
　　
　CHAPTER　21
　
　The　Mona　Lisa。
　For　an　instant；　standing　in　the　exit　stairwell；　Sophie　forgot　all　about　trying　to　leave　the　Louvre。
　Her　shock　over　the　anagram　was　matched　only　by　her　embarrassment　at　not　having　deciphered　the　message　herself。　Sophie's　expertise　in　plex　cryptanalysis　had　caused　her　to　overlook　simplistic　word　games；　and　yet　she　knew　she　should　have　seen　it。　After　all；　she　was　no　stranger　to　anagrams…especially　in　English。
　When　she　was　young；　often　her　grandfather　would　use　anagram　games　to　hone　her　English　spelling。　Once　he　had　written　the　English　word　〃planets〃　and　told　Sophie　that　an　astonishing　sixty…two　other　English　words　of　varying　lengths　could　be　formed　using　those　same　letters。　Sophie　had　spent　three　days　with　an　English　dictionary　until　she　found　them　all。
　〃I　can't　imagine；〃　Langdon　said；　staring　at　the　printout；　〃how　your　grandfather　created　such　an　intricate　anagram　in　the　minutes　before　he　died。〃
　Sophie　knew　the　explanation；　and　the　realization　made　her　feel　even　worse。　I　should　have　seen　this！　She　now　recalled　that　her　grandfather…a　wordplay　aficionado　and　art　lover…had　entertained　himself　as　a　young　man　by　creating　anagrams　of　famous　works　of　art。　In　fact；　one　of　his　anagrams　had　gotten　him　in　trouble　once　when　Sophie　was　a　little　girl。　While　being　interviewed　by　an　American　art　magazine；　Saunière　had　expressed　his　distaste　for　the　modernist　Cubist　movement　by　noting　that　Picasso's　masterpiece　Les　Demoiselles　d'Avignon　was　a　perfect　anagram　of　vile　meaningless　doodles。　Picasso　fans　were　not　amused。
　〃My　grandfather　probably　created　this　Mona　Lisa　anagram　long　ago；〃　Sophie　said；　glancing　up　at　Langdon。　And　tonight　he　was　forced　to　use　it　as　a　makeshift　code。　Her　grandfather's　voice　had　called　out　from　beyond　with　chilling　precision。
　Leonardo　da　Vinci！
　The　Mona　Lisa！
　Why　his　final　words　to　her　referenced　the　famous　painting；　Sophie　had　no　idea；　but　she　could　think