A Hero of Our Timeby M. Y. LermontovTRANSLATED FROM THE RUSSIAN OF M. Y. LERMONTOVBy J. H. WISDOM & MARR MURRAYFOREWORDTHIS novel, known as one of the masterpieces ofRussian Literature, under the title "A Heroof our Time," and already translated into at leastnine European languages, is now for the first timeplaced before the general English Reader.The work is of exceptional interest to thestudent of English Literature, written as it wasunder the profound influence of Byron and being...
1 承天 孝梅 言艾承天记得第一次看清孝梅时,孝梅正站在阴暗的楼道里。孝梅转过身,走出楼道,身处四川 的浓雾 中。承天和言艾也走出楼道,承天和言艾手挽手,他们看着孝梅的辫子。孝梅十一岁,孝梅 梳一根辫子,头 发又硬又粗。时间1992。孝梅转过身,向院门走去。承天和言艾也跟着走过去。浓雾使他们 保 持着五米远的距离。若超过五米,承天和言艾就看不清孝梅了。承天是一直要把孝梅看清的 ,言艾怎么想,承天并不清楚。孝梅走得很快,承天加快步子,言艾也加快步子。孝梅的朋友俊和毅从另一条街赶来与他们三个人汇合。俊问,承天,你为什么不在家里看电 视 ?承天说,孝梅要出来玩,我们也跟出来了。言艾笑着,毅也笑着。雾还是那么浓。孝梅从 裤兜里掏出一元钱,她买了张画。画上有一个歌星。 言艾和俊看着画。孝梅看着承天。承天看着孝梅。孝梅才十一岁,孝梅的眼睛充满了水。孝 梅是个少女。孝梅的屁股, 大腿,小腹都在承...
作者:何顿目 录第一章 第二章第三章 第四章第五章 第六章第七章 第八章第九章 第十章第一章 邓瑛只是在这半年前才对禅发生一点兴趣,而且也是受其弟弟的影响。她弟弟是位中学教师,在某中学教语文,经常在报纸上发表豆腐块块文章聊以自慰,而这些文章总是与佛教有关,比如取禅海中的一点芝麻小事或一首禅偶或一句禅言,加以自己的见解进行分析和议论。邓瑛的弟弟每次在《长沙晚报》或《三湘都市报》上发表了此类文章,总要拿给她这位当姐姐的看,以表示他又取得了一点点小成绩。邓瑛在看弟弟的文章时,渐渐对禅产生了一点兴趣,于是她于前一向弟弟满三十七岁生日那天在弟弟家拿了本《禅海珍言》。她把它放在床头柜上,和一本《读者》两本《女友》,还有几张发表了她弟弟文章的报纸放在一起,没事她便翻看一段文字,也不求什么目的,只是看看。她想一个人总要有什么寄托,精神总要有一个立足点,一个停泊的港湾,不然人就...
中国卷第1节 孔乙己作者简介‖作者简介‖我从十二岁起,便在镇口的咸亨酒店里当伙计,掌柜说,样子太傻,怕侍候不了长衫主顾,就在外面做点事罢。外面的短衣主顾,虽然容易说话,但唠唠叨叨缠夹不清的也很不少。他们往往要亲眼看着黄酒从坛子里舀出,看过壶子底里有水没有,又亲看将壶子放在热水里,然后放心:在这严重监督之下,羼水也很为难。所以过了几天,掌柜又说我干不了这事。幸亏荐头的情面大,辞退不得,便改为专管温酒的一种无聊职务了。我从此便整天的站在柜台里,专管我的职务。虽然没有什么失职,但总觉有些单调,有些无聊。掌柜是一副凶脸孔,主顾也没有好声气,教人活泼不得;只有孔乙己到店,才可以笑几声,所以至今还记得。...
Lecture XIISovereigntyThe historical theories commonly received among Englishlawyers have done so much harm not only to the study of law butto the study of history, that an account of the origin and growthof our legal system, founded on the examination of new materialsand the re-examination of old ones, is perhaps the most urgentlyneeded of all additions to English knowledge. But next to a newhistory of law, what we most require is a new philosophy of law....
Literary Boston As I Knew Itby William Dean HowellsAmong my fellow-passengers on the train from New York to Boston, when Iwent to begin my work there in 1866, as the assistant editor of theAtlantic Monthly, was the late Samuel Bowles, of the SpringfieldRepublican, who created in a subordinate city a journal of metropolitanimportance. I had met him in Venice several years earlier, when he wassuffering from the cruel insomnia which had followed his overwork on that...
这是一个不起眼的地方。在退潮期间,褐色的泥浆被晒干后龟裂成一片片小方块,一眼看去,整个泥滩像被铺上一层砖瓦,给人一种怪异的感觉。泥滩上那条向远处的大海流淌的溪水已不再像一条小溪,只剩下一条沟,几乎是条裂缝,沟底汪着一小滩死水。潮水一来,这条沟又会被灌满。沟有两条倾斜的侧岸,上面的泥浆与其他地方的泥浆干的过程不一样,那里的泥片干得很彻底,焦干焦干的,像漂过白似的。看上去像黑白相间的拼图。这里就像任何一个货港,是一条工业化的风景线:大型停车场、金属保安栏网、头戴安全帽的人们、巨大的载货车在货物的重压下哼哼。坐落在坚实基础上的钢铁巨臂向大海伸去,去迎接货轮上的货物。起重架无声地转动,将货物抓起放下。铁路边上是一座座煤山,长长的货车丁丁当当地缓缓驶过,形成了背景的一部分。巨大的圆形仓库的两侧是白色的现代样式的办公楼,形成了背景的另一部分。空气中弥漫着一种永不消散的石油化...
How to Live on Twenty-Four Hours a Dayby Arnold BennettPREFACE TO THIS EDITIONThis preface, though placed at the beginning, as a preface must be,should be read at the end of the book.I have received a large amount of correspondence concerning thissmall work, and many reviews of itsome of them nearly as longas the book itselfhave been printed. But scarcely any of thecomment has been adverse. Some people have objected to afrivolity of tone; but as the tone is not, in my opinion, at all...
Nada the Lilyby H. Rider HaggardDEDICATIONSompseu:For I will call you by the name that for fifty years has been honouredby every tribe between Zambesi and Cape Agulbas,I greet you!Sompseu, my father, I have written a book that tells of men andmatters of which you know the most of any who still look upon thelight; therefore, I set your name within that book and, such as it is,I offer it to you.If you knew not Chaka, you and he have seen the same suns shine, you...
好莱坞的全球化与中国电影的发展清华大学传媒系主任——尹鸿 2001年12月27日 11:06主持人:会当凌绝顶,一览众山小,欢迎大家来到世纪大讲堂。一个节目呢,每一年如果播出是按星期为单位的话,一年呢是365天,按星期除以是52期,也就是有52个星期。那么在这一年当中呢,很多人问主持人阿忆说,为什么你们不把电影当成一种产业,当成一种理论,请一个电影理论家给大家讲一讲。阿忆想这个事儿是对啊,后来我就给北京电影学院的谢飞导演打电话,说您是教电影的理论家,能不能来我们这个大讲堂给大家讲一讲电影理论,但是谢飞导演说,电影是一个操作性很强的技术,没什么理论,哎呀,这个阿忆万般无奈的情况下就想到了,来清华找一下清华的传媒系主任尹鸿,结果尹鸿博士打电话告诉阿忆说没问题,电影照样是理论,所以今天呢,主持人阿忆把尹鸿请到了现场。...