二哥:乍醒时,天才蒙蒙亮,猛然想着你,猛然想着你,心便跳跃不止。我什么都能放心,就只不放心路上不平靖,就只担心这个。因为你说的,那条道不容易走。我变得有些老太婆的迂气了,自打你决定回湘后,就总是不安,这不安在你走后似更甚。不会的,张大姐说,沈先生人好心好,一路有菩萨保佑,一定是风调雨顺一路平安到家的。不得已,也只得拿这些话来自宽自慰。虽是这么说,你一天不回来,我一天就不放心。一个月不回来,一个月中每朝醒来时,总免不了要心跳。还怪人担心吗?想想看,多远的路程多久的隔离啊。你一定早到家了。希望在你见到此信时,这里也早已得到你报告平安的电信。妈妈见了你,心里一快乐,病一定也就好了。不知道你是不是照到我们在家里说好的,为我们向妈妈同大哥特别问好。...
河北遵化县马兰峪的清东陵,群山环抱,苍松掩映,乃清初顺治皇帝亲点的“万年吉地”,清代在这里先后修建了九座帝后陵和五座妃园寝,安葬着顺治、康熙、乾隆、咸丰和同治五位皇帝和众多后妃。今天,清东陵已被列入世界文化遗产,成为一处著名的旅游景区,吸引着众多游客纷至沓来。进入陵区,人们首先看到的是昌瑞山下一座孤立于风水墙外的陵园。仔细观览,于残垣断壁间仍可发现其规制相当特殊。该陵没有马槽沟、玉带河和券桥,但陵前建有神道碑亭。进入大门,但见其三座门位于享殿之前,隆恩殿已拆,仅存基址。有资料及旧照片显示该殿并非帝后陵中常见的歇山顶,而是规格更高的重檐庑殿顶,突显陵主的高贵尊崇。这就是昭西陵,陵中安葬的是清初有名的孝庄文皇后。...
The Master of Mrs. Chilversby Jerome K. JeromeTHE FIRST ACTSCENE: Drawing-room, 91, Russell Square.TIME: 3 p.m.THE SECOND ACTSCENE: Liberal Committee Room, East India Dock Road.TIME: 5 p.m.THE THIRD ACTSCENE: The Town Hall, East Poplar.TIME: 10 p.m.THE FOURTH ACTSCENE: Russell SquareTIME: MidnightTHE CAST OF "THE MASTER OF MRS. CHILVERS"AS IT WAS PRODUCED AT THE ROYALTY THEATRE, LONDON, ON APRIL 26TH,1911, UNDER THE MANAGEMENT OF MESSRS. VEDRENNE & EADIE....
THE GOLDEN THRESHOLDTHE GOLDENTHRESHOLDBy Sarojini Naidu1- Page 2-THE GOLDEN THRESHOLDINTRODUCTIONIt is at my persuasion that these poems are now published. Theearliest of them were read to me in London in 1896, when the writer wasseventeen; the later ones were sent to me from India in 1904, when she...
《中国吸毒调查》 一世界四大毒品基地(1)罪恶经济圈――毒品产地毒品生产发展到今天,除遍及世界各地的零星生产地外,还形成了一些被公认的毒品生产和销售基地,其中最著名的产销基地有东南亚的“金三角”、西南亚的“金星月”、拉丁美洲的“银三角”和黎巴嫩的“贝卡谷地”四大片,人们把它们比喻为恶魔的温床。因为这四大毒品产地生产了世界90%以上的毒品,所以形成了一个特殊的“毒品经济圈”。●神秘的金三角很多人一想到金三角,眼前可能会浮现出那个美国人所描绘的恐怖景象:“那是一片枪声不断四处流淌着血腥的土地;身带尖刀或枪支的当地人会明目张胆地从大街上走过;随处可见的军人肩背钢枪露着凶残的目光;任何一个草率闯入这片禁地的外地人,随时都可能有生命之忧……”...
THE WHITE DUCKOnce upon a time a great and powerful King married a lovelyPrincess. No couple were ever so happy; but before theirhoneymoon was over they were forced to part, for the King had togo on a warlike expedition to a far country, and leave his youngwife alone at home. Bitter were the tears she shed, while herhusband sought in vain to soothe her with words of comfort andcounsel, warning her, above all things, never to leave thecastle, to hold no intercourse with strangers, to beware of
Selected Writingsby Guy De MaupassantA SELECTION from the WRITINGS of GUY DE MAUPASSANTSHORT STORIES of the TRAGEDY AND COMEDY OF LIFEWITH A CRITICAL PREFACE BY PAUL BOURGET of the French AcademyAND AN INTRODUCTION BY ROBERT ARNOT, M.A.TABLE OF CONTENTS.VOLUME I.1. MADEMOISELLE FIFI2. AN AFFAIR OF STATE3. THE ARTIST4. THE HORLA5. MISS HARRIET6. THE HOLE7. LOVE8. THE INN9. A FAMILY10. BELLFLOWER11. WHO KNOWS?...
不得不说玩CS的女孩是时尚的。现今最流行这种互动游戏风靡了我所在的这个城市,几乎一夜之间走进每一个网吧,都可以看到“反空精英”的大型海报,都能听到操着地道家乡口音的男孩子们的叫嚣声音。那时候我知道,一场难解难分的大厮杀正在热火朝天的进行着。撕心裂肺的叫喊声让人听了也不由得跟着紧张几分,又觉得有些好笑……偶尔刚烈的男声中也隐约的蹦出一两声柔弱的女孩子的叫喊,尽管淹没在音量“主流”中,但也是同样的激动跟紧张,又是那么毫无忌惮的。不禁佩服起她们的勇气……玩CS的女孩是天真的。她们可能潜意识里认为男孩子能玩的游戏,我们也要玩,可能还会玩得更好。尽管大多数女孩的“战绩”不是很尽如人意,可是那不会影响她们对这种游戏的青睐,毕竟游戏的制作者没有声明“此游戏仅供男性同胞享有”;毕竟即使女孩们的成绩再不尽如人意,她们不会埋怨,不会给自己多少压力,不会觉得玩不好在朋友面前有多么多么的失...
The Little DreamAn Allegory in six scenesBY JOHN GALSWORTHYCHARACTERSSEELCHEN, a mountain girlLAMOND, a climberFELSMAN, a glideCHARACTERS IN THE DREAMTHE GREAT HORN |THE COW HORN | mountainsTHE WINE HORN |THE EDELWEISS |THE ALPENROSE | flowersTHE GENTIAN |THE MOUNTAIN DANDELION |VOICES AND FIGURES IN THE DREAMCOWBELLS...
DEMETRIUS337?-283 B.C.by Plutarchtranslated by John DrydenINGENIOUS men have long observed a resemblance between the arts and the bodily senses. And they were first led to do so, I think, by noticing the way in which, both in the arts and with our senses, we examine opposites. Judgment once obtained, the use to which we put it differs in the two cases. Our senses are not meant to pick out black rather than white, to prefer sweet to bitter, or soft and yielding
Alexandria and her Schoolsby Charles KingsleyPREFACEI should not have presumed to choose for any lectures of mine such a subject as that which I have tried to treat in this book. The subject was chosen by the Institution where the lectures were delivered. Still less should I have presumed to print them of my own accord, knowing how fragmentary and crude they are. They were printed at the special request of my audience. Least of all, perhaps, ought I to have presumed to publish them, as I ha