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allan quatermain-及36何蛍

弌傍�� allan quatermain 忖方�� 耽匈4000忖

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and thirty´six in circumference。  Here also�察�hinged to the foundations 

of the altar�察�are twelve petals of beaten gold。  All night and�察�

except at one hour�察�all day also�察�these petals are closed over 

the altar itself exactly as the petals of a water´lily close 

over the yellow crown in stormy weather�察�but when the sun at 

midday pierces through the funnel in the dome and lights upon 

the golden flower�察�the petals open and reveal the hidden mystery�察�

only to close again when the ray has passed。



Nor is this all。  Standing in semicircles at equal distances 

from each other on the north and south of the sacred place are 

ten golden angels�察�or female winged forms�察�exquisitely shaped 

and draped。  These figures�察�which are slightly larger than life´size�察�

stand with bent heads in an attitude of adoration�察�their faces 

shadowed by their wings�察�and are most imposing and of exceeding 

beauty。



There is but one thing further which calls for description 

in this altar�察�which is�察�that to the east the flooring in front 

of it is not of pure white marble�察�as elsewhere throughout the 

building�察�but of solid brass�察�and this is also the case in front 

of the other two altars。



The eastern and western altars�察�which are semicircular in shape�察�

and placed against the wall of the building�察�are much less imposing�察�

and are not enfolded in golden petals。  They are�察�however�察�also 

of gold�察�the sacred fire burns on each�察�and a golden´winged figure 

stands on either side of them。  Two great golden rays run up 

the wall behind them�察�but where the third or middle one should 

be is an opening in the wall�察�wide on the outside�察�but narrow 

within�察�like a loophole turned inwards。  Through the eastern 

loophole stream the first beams of the rising sun�察�and strike 

right across the circle�察�touching the folded petals of the great 

gold flower as they pass till they impinge upon the western altar。  

In the same way at night the last rays of the sinking sun rest 

for a while on the eastern altar before they die away into darkness。  

It is the promise of the dawn to the evening and the evening 

to the dawn。



With the exception of those three altars and the winged figures 

about them�察�the whole space beneath the vast white dome is utterly 

empty and devoid of ornamentation  a circumstance that to my 

fancy adds greatly to its splendour。



Such is a brief description of this wonderful and lovely building�察�

to the glories of which�察�to my mind so much enhanced by their 

complete simplicity�察�I only wish I had the power to do justice。  

But I cannot�察�so it is useless talking more about it。  But when 

I compare this great work of genius to some of the tawdry buildings 

and tinsel ornamentation produced in these latter days by European 

ecclesiastical architects�察�I feel that even highly civilized 

art might learn something from the Zu´Vendi masterpieces。  I 

can only say that the exclamation which sprang to my lips as 

soon as my eyes first became accustomed to the dim light of that 

glorious building�察�and its white and curving beauties�察�perfect 

and thrilling as those of a naked goddess�察�grew upon me one by 

one�察�was�察�'Well� �a dog would feel religious here。'  It is vulgarly 

put�察�but perhaps it conveys my meaning more clearly than any 

polished utterance。



At the temple gates our party was received by a guard of soldiers�察�

who appeared to be under the orders of a priest�察�and by them 

we were conducted into one of the ray or 'petal' courts�察�as the 

priests call them�察�and there left for at least half´an´hour。  

Here we conferred together�察�and realizing that we stood in great 

danger of our lives�察�determined�察�if any attempt should be made 

upon us�察�to sell them as dearly as we could  Umslopogaas announcing 

his fixed intention of committing sacrilege on the person of 

Agon�察�the High Priest�察�by splitting his head with Inkosi´kaas。  

From where we stood we could perceive that an immense multitude 

were pouring into the temple�察�evidently in expectation of some 

unusual event�察�and I could not help fearing that we had to do 

with it。  And here I may explain that every day�察�when the sunlight 

falls upon the central altar�察�and the trumpets sound�察�a burnt 

sacrifice is offered to the Sun�察�consisting generally of the 

carcase of a sheep or ox�察�or sometimes of fruit or corn。  This 

even comes off about midday�察�of course�察�not always exactly at 

that hour�察�but as Zu´Vendis is situated not far from the Line�察�

although  being so high above the sea it is very temperate 

 midday and the falling of the sunlight on the altar were generally 

simultaneous。  Today the sacrifice was to take place at about 

eight minutes past twelve。



Just at twelve o'clock a priest appeared�察�and made a sign�察�and 

the officer of the guard signified to us that we were expected 

to advance�察�which we did with the best grace that we could muster�察�

all except Alphonse�察�whose irrepressible teeth instantly began 

to chatter。  In a few seconds we were out of the court and looking 

at a vast sea of human faces stretching away to the farthest 

limits of the great circle�察�all straining to catch a glimpse 

of the mysterious strangers who had committed sacrilege�察�the 

first strangers�察�mind you�察�who�察�to the knowledge of the multitude�察�

had ever set foot in Zu´Vendis since such time that the memory 

of man runneth not to the contrary。



As we appeared there was a murmur through the vast crowd that 

went echoing away up the great dome�察�and we saw a visible blush 

of excitement grow on the thousands of faces�察�like a pink light 

on a stretch of pale cloud�察�and a very curious effect it was。  

On we passed down a lane cut through the heart of the human 

mass�察�till presently we stood upon the brazen patch of flooring 

to the east of the central altar�察�and immediately facing it。  

For some thirty feet around the golden´winged figures the space 

was roped off�察�and the multitudes stood outside the ropes。  Within 

were a circle of white´robed gold´cinctured priests holding long 

golden trumpets in their hands�察�and immediately in front of us 

was our friend Agon�察�the High Priest�察�with his curious cap upon 

his head。  His was the only covered head in that vast assemblage。  

We took our stand upon the brazen space�察�little knowing what 

was prepared for us beneath�察�but I noticed a curious hissing 

sound proceeding apparently from the floor for which I could 

not account。  Then came a pause�察�and I looked around to see if 

there was any sign of the two Queens�察�Nyleptha and Sorais�察�but 

they were not there。  To the right of us�察�however�察�was a bare 

space that I guessed was reserved for them。



We waited�察�and presently a far´off trumpet blew�察�apparently high 

up in the dome。  Then came another murmur from the multitude�察�

and up a long lane�察�leading to the open space to our right�察�we 

saw the two Queens walking side by side。  Behind them were some 

nobles of the Court�察�among whom I recognized the great lord Nasta�察�

and behind them again a body of about fifty guards。  These last 

I was very glad to see。  Presently they had all arrived and taken 

their stand�察�the two Queens in the front�察�the nobles to the right 

and left�察�and the guards in a double semicircle behind them。



Then came another silence�察�and Nyleptha looked up and caught 

my eye�察�it seemed to me that there was meaning in her glance�察�

and I watched it narrowly。  From my eye it travelled down to 

the brazen flooring�察�on the outer edge of which we stood。  Then 

followed a slight and almost imperceptible sidelong movement 

of the head。  I did not understand it�察�and it was repeated。  

Then I guessed that she meant us to move back off the brazen 

floor。  One more glance and I was sure of it  there was danger 

in standing on the floor。  Sir Henry was placed on one side of 

me�察�Umslopogaas on the other。  Keeping my eyes fixed straight 

before me�察�I whispered to them�察�first in Zulu and then in English�察�

to draw slowly back inch by inch till half their feet were resting 

on the marble flooring where the brass ceased。  Sir Henry whispered 

on to Good and Alphonse�察�and slowly�察�very very slowly�察�we shifted 

backwards�察�so slowly that nobody�察�except Nyleptha and Sorais�察�

who saw everything seemed to notice the movement。  Then I glanced 

again at Nyleptha�察�and saw that�察�by an almost imperceptible nod�察�

she indicated approval。  All the while Agon's eyes were fixed 

upon the altar before him apparently in an ecstasy of contemplation�察�

and mine were fixed upon the small of his back in another sort 

of ecstasy。  Suddenly he flung up his long arm�察�and in a solemn 

and resounding voice commenced a chant�察�of which for convenience' 

sake I append a rough�察�a very rough�察�translation here�察�though�察�

of course�察�I did not then comprehend its meaning。  It was 

an invocation to the Sun�察�and ran somewhat as follows�此�





There is silence upon the face of the Earth and the waters thereof��

Yea�察�the silence doth brood on the waters like a nesting bird��

The silence sleepeth also upon the bosom of the profound darkness��

Only high up in the great spaces star doth speak unto star��

The Earth is faint with longing and wet with the tears of her desire��

The star´girdled night doth embrace her�察�but she is not comforted。

She lies enshrouded in mists like a corpse in the grave´clothes��

And stretches her pale hands to the East。



Lo� �away in the farthest East there is the shadow of a light��

The Earth seeth and lifts herself。  She looks out from beneath 

the hollow of her hand。

Then thy great angels fly forth from the Holy Place�察�oh Sun��

They shoot their fiery swords into the darkness and shrivel it up。

They climb the heavens and cast down the pale stars from their thrones��

Yea�察�they hurl the changeful stars back into the womb of the night��

They cause the moon to become wan as the face of a dying man��

And behold�  �Thy glory comes�察�oh Sun��



Oh�察�Tho

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