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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
and thirty´six in circumference。 Here also�察�hinged to the foundations
of the altar�察�are twelve petals of beaten gold。 All night and�察�
except at one hour�察�all day also�察�these petals are closed over
the altar itself exactly as the petals of a water´lily close
over the yellow crown in stormy weather�察�but when the sun at
midday pierces through the funnel in the dome and lights upon
the golden flower�察�the petals open and reveal the hidden mystery�察�
only to close again when the ray has passed。
Nor is this all。 Standing in semicircles at equal distances
from each other on the north and south of the sacred place are
ten golden angels�察�or female winged forms�察�exquisitely shaped
and draped。 These figures�察�which are slightly larger than life´size�察�
stand with bent heads in an attitude of adoration�察�their faces
shadowed by their wings�察�and are most imposing and of exceeding
beauty。
There is but one thing further which calls for description
in this altar�察�which is�察�that to the east the flooring in front
of it is not of pure white marble�察�as elsewhere throughout the
building�察�but of solid brass�察�and this is also the case in front
of the other two altars。
The eastern and western altars�察�which are semicircular in shape�察�
and placed against the wall of the building�察�are much less imposing�察�
and are not enfolded in golden petals。 They are�察�however�察�also
of gold�察�the sacred fire burns on each�察�and a golden´winged figure
stands on either side of them。 Two great golden rays run up
the wall behind them�察�but where the third or middle one should
be is an opening in the wall�察�wide on the outside�察�but narrow
within�察�like a loophole turned inwards。 Through the eastern
loophole stream the first beams of the rising sun�察�and strike
right across the circle�察�touching the folded petals of the great
gold flower as they pass till they impinge upon the western altar。
In the same way at night the last rays of the sinking sun rest
for a while on the eastern altar before they die away into darkness。
It is the promise of the dawn to the evening and the evening
to the dawn。
With the exception of those three altars and the winged figures
about them�察�the whole space beneath the vast white dome is utterly
empty and devoid of ornamentation a circumstance that to my
fancy adds greatly to its splendour。
Such is a brief description of this wonderful and lovely building�察�
to the glories of which�察�to my mind so much enhanced by their
complete simplicity�察�I only wish I had the power to do justice。
But I cannot�察�so it is useless talking more about it。 But when
I compare this great work of genius to some of the tawdry buildings
and tinsel ornamentation produced in these latter days by European
ecclesiastical architects�察�I feel that even highly civilized
art might learn something from the Zu´Vendi masterpieces。 I
can only say that the exclamation which sprang to my lips as
soon as my eyes first became accustomed to the dim light of that
glorious building�察�and its white and curving beauties�察�perfect
and thrilling as those of a naked goddess�察�grew upon me one by
one�察�was�察�'Well� �a dog would feel religious here。' It is vulgarly
put�察�but perhaps it conveys my meaning more clearly than any
polished utterance。
At the temple gates our party was received by a guard of soldiers�察�
who appeared to be under the orders of a priest�察�and by them
we were conducted into one of the ray or 'petal' courts�察�as the
priests call them�察�and there left for at least half´an´hour。
Here we conferred together�察�and realizing that we stood in great
danger of our lives�察�determined�察�if any attempt should be made
upon us�察�to sell them as dearly as we could Umslopogaas announcing
his fixed intention of committing sacrilege on the person of
Agon�察�the High Priest�察�by splitting his head with Inkosi´kaas。
From where we stood we could perceive that an immense multitude
were pouring into the temple�察�evidently in expectation of some
unusual event�察�and I could not help fearing that we had to do
with it。 And here I may explain that every day�察�when the sunlight
falls upon the central altar�察�and the trumpets sound�察�a burnt
sacrifice is offered to the Sun�察�consisting generally of the
carcase of a sheep or ox�察�or sometimes of fruit or corn。 This
even comes off about midday�察�of course�察�not always exactly at
that hour�察�but as Zu´Vendis is situated not far from the Line�察�
although being so high above the sea it is very temperate
midday and the falling of the sunlight on the altar were generally
simultaneous。 Today the sacrifice was to take place at about
eight minutes past twelve。
Just at twelve o'clock a priest appeared�察�and made a sign�察�and
the officer of the guard signified to us that we were expected
to advance�察�which we did with the best grace that we could muster�察�
all except Alphonse�察�whose irrepressible teeth instantly began
to chatter。 In a few seconds we were out of the court and looking
at a vast sea of human faces stretching away to the farthest
limits of the great circle�察�all straining to catch a glimpse
of the mysterious strangers who had committed sacrilege�察�the
first strangers�察�mind you�察�who�察�to the knowledge of the multitude�察�
had ever set foot in Zu´Vendis since such time that the memory
of man runneth not to the contrary。
As we appeared there was a murmur through the vast crowd that
went echoing away up the great dome�察�and we saw a visible blush
of excitement grow on the thousands of faces�察�like a pink light
on a stretch of pale cloud�察�and a very curious effect it was。
On we passed down a lane cut through the heart of the human
mass�察�till presently we stood upon the brazen patch of flooring
to the east of the central altar�察�and immediately facing it。
For some thirty feet around the golden´winged figures the space
was roped off�察�and the multitudes stood outside the ropes。 Within
were a circle of white´robed gold´cinctured priests holding long
golden trumpets in their hands�察�and immediately in front of us
was our friend Agon�察�the High Priest�察�with his curious cap upon
his head。 His was the only covered head in that vast assemblage。
We took our stand upon the brazen space�察�little knowing what
was prepared for us beneath�察�but I noticed a curious hissing
sound proceeding apparently from the floor for which I could
not account。 Then came a pause�察�and I looked around to see if
there was any sign of the two Queens�察�Nyleptha and Sorais�察�but
they were not there。 To the right of us�察�however�察�was a bare
space that I guessed was reserved for them。
We waited�察�and presently a far´off trumpet blew�察�apparently high
up in the dome。 Then came another murmur from the multitude�察�
and up a long lane�察�leading to the open space to our right�察�we
saw the two Queens walking side by side。 Behind them were some
nobles of the Court�察�among whom I recognized the great lord Nasta�察�
and behind them again a body of about fifty guards。 These last
I was very glad to see。 Presently they had all arrived and taken
their stand�察�the two Queens in the front�察�the nobles to the right
and left�察�and the guards in a double semicircle behind them。
Then came another silence�察�and Nyleptha looked up and caught
my eye�察�it seemed to me that there was meaning in her glance�察�
and I watched it narrowly。 From my eye it travelled down to
the brazen flooring�察�on the outer edge of which we stood。 Then
followed a slight and almost imperceptible sidelong movement
of the head。 I did not understand it�察�and it was repeated。
Then I guessed that she meant us to move back off the brazen
floor。 One more glance and I was sure of it there was danger
in standing on the floor。 Sir Henry was placed on one side of
me�察�Umslopogaas on the other。 Keeping my eyes fixed straight
before me�察�I whispered to them�察�first in Zulu and then in English�察�
to draw slowly back inch by inch till half their feet were resting
on the marble flooring where the brass ceased。 Sir Henry whispered
on to Good and Alphonse�察�and slowly�察�very very slowly�察�we shifted
backwards�察�so slowly that nobody�察�except Nyleptha and Sorais�察�
who saw everything seemed to notice the movement。 Then I glanced
again at Nyleptha�察�and saw that�察�by an almost imperceptible nod�察�
she indicated approval。 All the while Agon's eyes were fixed
upon the altar before him apparently in an ecstasy of contemplation�察�
and mine were fixed upon the small of his back in another sort
of ecstasy。 Suddenly he flung up his long arm�察�and in a solemn
and resounding voice commenced a chant�察�of which for convenience'
sake I append a rough�察�a very rough�察�translation here�察�though�察�
of course�察�I did not then comprehend its meaning。 It was
an invocation to the Sun�察�and ran somewhat as follows�此�
There is silence upon the face of the Earth and the waters thereof��
Yea�察�the silence doth brood on the waters like a nesting bird��
The silence sleepeth also upon the bosom of the profound darkness��
Only high up in the great spaces star doth speak unto star��
The Earth is faint with longing and wet with the tears of her desire��
The star´girdled night doth embrace her�察�but she is not comforted。
She lies enshrouded in mists like a corpse in the grave´clothes��
And stretches her pale hands to the East。
Lo� �away in the farthest East there is the shadow of a light��
The Earth seeth and lifts herself。 She looks out from beneath
the hollow of her hand。
Then thy great angels fly forth from the Holy Place�察�oh Sun��
They shoot their fiery swords into the darkness and shrivel it up。
They climb the heavens and cast down the pale stars from their thrones��
Yea�察�they hurl the changeful stars back into the womb of the night��
They cause the moon to become wan as the face of a dying man��
And behold� �Thy glory comes�察�oh Sun��
Oh�察�Tho