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及15何蛍

stories by english authors in france(唾隈哂忽恬社議絞並)-及15何蛍


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!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




destination�察    �and�察   �calling   at  the   picture´dealer's     shop   where     portrait´ 

painting engagements were received for me�察�found to my great satisfaction 

that I had remunerative employment in prospect�察�in and about Liverpool�察�

for at least two months to come。 I was putting up my letters in high spirits�察�

and was just leaving the picture´dealer's shop to look out for comfortable 

lodgings�察�when I was met at the door by the landlord of one of the largest 

hotels in Liverpoolan old acquaintance whom I had known as manager 

of a tavern in London in my student days。 

     ;Mr。     Kerby� ─    �he   exclaimed�察     �in   great   astonishment。       ;What     an 

unexpected meeting�   �the last   man   in   the world   whom  I   expected to see�察�

and yet the very man whose services I want to make use of� ─�

     ;What� �more   work   for me�拭─  �said   I。 ;Are   all   the people   in   Liverpool 

going to have their portraits painted�拭─�

     ;I only know of one�察─�replied the landlord�察 �a gentleman staying at my 

hotel�察�who wants a chalk drawing done of him。 I was on my way here to 

inquire for any artist whom our picture´dealing friend could recommend。 

How glad I am that I met you before I had committed myself to employing 

a stranger� ─�

     ;Is this likeness wanted at once�拭─�I asked�察�thinking of the number of 

engagements that I had already got in my pocket。 

     ;Immediatelyto´daythis   very   hour�察  �if   possible�察─  �said   the   landlord。 

;Mr。     Faulkner�察   �the  gentleman      I  am   speaking     of�察 �was   to  have    sailed 

yesterday for the Brazils from this place�察�but the wind shifted last night to 

the   wrong   quarter�察  �and   he   came   ashore   again   this   morning。   He   may�察  �of 

course�察�be detained here for some time�察�but he may also be called on board 

ship   at   half   an   hour's   notice�察  �if   the   wind   shifts   back   again   in   the   right 

direction。     This   uncertainty    makes     it  a  matter   of  importance      that  the 

likeness should be begun immediately。 Undertake it if you possibly  can�察�

for Mr。 Faulkner is a liberal gentleman�察�who is sure to give you your own 

terms。; 

     I reflected for a minute or two。 The portrait was only wanted in chalk�察�

and would not take long�察�besides�察�I might finish it in the evening�察�if my 



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other engagements pressed hard upon me in the daytime。 Why not leave 

my luggage at the picture´dealer's�察�put off looking for lodgings till night�察�

and   secure   the   new   commission   boldly   by   going   back   at   once   with   the 

landlord to the hotel�拭�I decided on following this course almost as soon as 

the   idea   occurred   to   me�察  �put   my   chalks   in   my   pocket�察  �and   a   sheet   of 

drawing´paper   in   the   first   of   my   portfolios   that   came   to   hand�察  �and   so 

presented myself before Mr。 Faulkner�察�ready to take his likeness�察�literally 

at five minutes' notice。 

     I found him a very pleasant�察�intelligent man�察�young and handsome。 He 

had been a great traveller�察�had visited all the wonders of the East�察�and was 

now about to explore the wilds of the vast South American continent。 Thus 

much      he  told   me   good´humouredly          and   unconstrainedly      while    I  was 

preparing my drawing materials。 

     As soon as I had put him in the right light and position�察�and had seated 

myself opposite to him�察�he changed the subject of conversation�察�and asked 

me�察  �a   little   confusedly   as   I   thought�察  �if   it   was   not   a   customary   practice 

among portrait´painters to gloss over the faults in their sitters' faces�察�and to 

make as much as possible of any good points which their features might 

possess。 

     ;Certainly�察─     �I  answered。     ;You    have    described     the   whole    art   and 

mystery of successful portrait´painting in a few words。; 

     ;May      I  beg�察 �then�察─  �said   he�察  �that   you   will   depart   from    the  usual 

practice in my case�察�and draw me with all my defects�察�exactly as I am�拭�The 

fact   is�察─  �he   went   on�察  �after   a   moment's   pause�察   �the   likeness   you   are   now 

preparing to take is intended for my mother。 my roving disposition makes 

me a great anxiety to her�察�and she parted from me this last time very sadly 

and   unwillingly。   I   don't   know   how   the   idea   came   into   my   head�察  �but   it 

struck me this morning that I could not better employ the time while I was 

delayed here on shore than by getting my likeness done to send to her as a 

keepsake。 She has no portrait of me since I was a child�察�and she is sure to 

value a drawing of me more than anything else I could send to her。 I only 

trouble you with this explanation to prove that I am really sincere in my 

wish to be drawn unflatteringly�察�exactly as I am。; 

     Secretly   respecting   and   admiring   him   for   what   he   had   just   said�察  �I 



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promised that   his directions   should be implicitly followed�察 �and began   to 

work immediately。 Before I had pursued my occupation for ten minutes�察�

the conversation began to flag�察�and the usual obstacle to my success with a 

sitter  gradually  set itself   up   between   us。   Quite unconsciously�察 �of   course�察�

Mr。    Faulkner     stiffened    his  neck�察  �shut   his   mouth�察   �and    contracted    his 

eyebrowsevidently         under    the  impression      that  he   was   facilitating   the 

process of taking his portrait by making his face as like a lifeless mask as 

possible。     All    traces   of   his   natural    animated     expression      were    fast 

disappearing�察  �and   he   was   beginning   to   change   into   a   heavy   and   rather 

melancholy´looking man。 

     This complete alteration was of no great consequence so long as I was 

only engaged in drawing the outline of his face and the general form of his 

features。 I accordingly worked on doggedly for   more than an hour�察�then 

left off to point my chalks again�察�and to give my sitter a few minutes' rest。 

Thus far the likeness had not suffered through Mr。 Faulkner's unfortunate 

notion of the right way of sitting for his portrait�察�but the time of difficulty�察�

as I well knew�察�was to come。 It was impossible for me to think of putting 

any expression into the drawing unless I could contrive some means�察�when 

he resumed his chair�察�of making him look like himself again。 ;I will talk to 

him about foreign parts�察─�thought I�察 �and try if I can't make him forget that 

he is sitting for his picture in that way。; 

     While   I   was   pointing   my   chalks�察  �Mr。   Faulkner   was   walking   up   and 

down   the   room。   He   chanced   to   see   the   portfolio   I   had   brought   with   me 

leaning against the wall�察�and asked if there were any sketches in it。 I told 

him there were a few which I had made during my recent stay in Paris。 ;In 

Paris�拭─�he repeated�察�with a look of interest�察 �may I see them�拭─�

     I gave him the permission he asked as a matter of course。 Sitting down�察�

he took the portfolio on his knee�察�and began to look through it。 He turned 

over the first five sketches rapidly enough�察�but when he came to the sixth I 

saw his face flush directly�察�and observed that he took the drawing out of 

the portfolio�察�carried it to the window�察�and remained silently absorbed in 

the contemplation of it for full five minutes。 After that he turned round to 

me�察�and asked very anxiously if I had any objection to parting with that 

sketch。 



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     It was the least interesting drawing of the collectionmerely a view in 

one of the streets running by the backs of the houses in the Palais Royal。 

Some four or five of these houses were comprised in the view�察�which was 

of no particular use to me in any way�察�and which was too valueless�察�as a 

work of art�察�for me to think of selling it。 I begged his acceptance of it at 

once。 He thanked me quite warmly�察�and then�察�seeing that I looked a little 

surprised at the odd selection he had made from my sketches�察�laughingly 

asked     me    if  I  could   guess   why    he   had   been    so   anxious    to  become 

possessed of the view which I had given him。 

     ;Probably�察─      �I   answered�察      �there    is   some     remarkable       historical 

association connected with that street at the back of the Palais Royal�察�of 

which I am ignorant。; 

     ;No�察─  �said   Mr。   Faulkner�察   �at   least   none   that   /I/   know   of。   The   only 

association   connected   with   the   place   in   /my/   mind   is   a   purely   personal 

association。 Look at this house in your drawingthe house with the water´ 

pipe running down it from top to bottom。 I once passed a night therea 

night    I  shall  never    forget   to  the   day   of  my    death。   I  have   had   some 

awkward   travelling   adventures   in   my   time�察  �but   /that/   adventure�   �Well�察�

never mind�察�suppose we begin the sitting。 I make but a bad return for your 

kindness in giving me the sketch by thus wasting your time in mere talk。; 

     ;Come� �come� ─�thought I�察�as he went back to the sitter's chair�察 �I shall 

see your natural expression on your face if I can only get you to talk about 

that adventure。; It was easy enough to lead him in the right direction。 At 

the first hint from me�察�he returned to the subject of the house in the back 

street。 Without�察�I hope�察�showing any undue curiosity�察�I contrived to let him 

see that I felt a deep interest in everything he now said。 After two or three 

preliminary   hesitations�察  �he   at   last�察  �to   my   great   joy�察  �fairly   started   on   th

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