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及14何蛍

stories by english authors in france(唾隈哂忽恬社議絞並)-及14何蛍


梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��




artist of ability�察�and remove thither on speculation。 Sometimes my friends 

among   the   picture´dealers   say   a   good   word   on   my   behalf   to   their   rich 

customers�察�and so pave the way for me in the large towns。 Sometimes my 

prosperous      and   famous     brother    artists�察 �hearing   of  small    commissions 

which it is not worth their while to accept�察�mention my name�察�and procure 

me   introductions   to   pleasant   country  houses。  Thus   I   get   on�察  �now   in   one 

way and now in another�察�not winning a reputation or making a fortune�察�but 

happier�察�perhaps�察�on the whole�察�than many men who have got both the one 

and the other。 So�察�at least�察�I try to think now�察�though I started in my youth 

with   as   high   an   ambition   as   the   best   of   them。   Thank   God�察  �it   is   not   my 

business here to speak of past times and their disappointments。 A twinge 

of the old hopeless heartache comes over me sometimes still�察�when I think 

of my student days。 

     One   peculiarity   of   my   present   way   of   life   is�察  �that   it   brings   me   into 



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contact with all sorts of characters。 I almost feel�察�by this time�察�as if I had 

painted   every   civilised   variety   of   the   human   race。   Upon   the   whole�察  �my 

experience of the world�察�rough as it has been�察�has not taught me to think 

unkindly of my fellow´creatures。 I have certainly received such treatment 

at   the   hands   of   some    of  my    sitters  as  I  could    not  describe    without 

saddening and shocking any kind´hearted reader�察�but�察�taking one year and 

one   place   with   another�察  �I   have   cause   to   remember   with   gratitude   and 

respect�察   �sometimes       even   with    friendship    and   affection�察   �a  very    large 

proportion of the numerous persons who have employed me。 

     Some of the results of my experience are curious in a moral point of 

view。 For example�察�I have found women almost uniformly less delicate in 

asking me about my terms�察�and less generous in remunerating me for my 

services�察  �than   men。   On   the   other   hand�察  �men�察  �within   my   knowledge�察  �are 

decidedly      vainer    of  their   personal    attractions�察   �and   more     vexatiously 

anxious to have them done full justice to on canvas�察�than women。 Taking 

both sexes together�察�I have found young people�察�for the most part�察�more 

gentle�察�more reasonable�察�and more considerate than old。 And�察�summing up�察�

in a general way�察�my experience of different ranks ��which extends�察�let me 

premise�察�all the way down from peers to publicans���察�I have met with most 

of my  formal   and   ungracious   receptions   among   rich   people   of uncertain 

social standing�察�the highest classes and the lowest among my employers 

almost always contrivein widely different ways�察�of course to make me 

feel at home as soon as I enter their houses。 

     The one great obstacle that I have to contend against in the practice of 

my   profession   is   not�察  �as   some   persons   may   imagine�察  �the   difficulty   of 

making      my    sitters  keep   their   heads   still  while   I  paint   them�察  �but   the 

difficulty of getting them to preserve the natural look and the every´ day 

peculiarities of dress and manner。 People will assume an expression�察�will 

brush   up   their   hair�察  �will   correct   any   little   characteristic   carelessness   in 

their apparelwill�察�in short�察�when they want to have their likenesses taken�察�

look as if they were sitting for their pictures。 If I paint them under these 

artificial circumstances�察�I fail�察�of course�察�to present them in their habitual 

aspect�察    �and    my    portrait�察   �as   a  necessary      consequence�察      �disappoints 

everybody�察�the sitter always included。 When we wish to judge of a man's 



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character   by   his   handwriting�察  �we   want   his   customary   scrawl   dashed   off 

with his common workaday pen�察�not his best small text traced laboriously 

with the finest procurable crow´quill point。 So it is with portrait´painting�察�

which is�察�after all�察�nothing but a right reading of the externals of character 

recognisably presented to the view of others。 

     Experience�察�after repeated trials�察�has proved to me that the only way of 

getting sitters who persist in assuming a set look to resume their habitual 

expression is to lead them into talking about some subject in which they 

are greatly interested。 If I can only beguile them into speaking earnestly�察�

no matter on what topic�察�I am sure of recovering their natural expression�察�

sure of seeing all the little precious every´ day peculiarities of the man or 

woman peep out�察�one after another�察�quite unawares。 The long maundering 

stories about nothing�察�the wearisome recitals of petty grievances�察�the local 

anecdotes   unrelieved   by   the   faintest   suspicion   of   anything   like   general 

interest�察   �which    I  have    been   condemned        to  hear�察  �as  a  consequence       of 

thawing      the   ice  off  the   features    of  formal    sitters  by   the   method     just 

described�察  �would   fill   hundreds   of   volumes   and   promote   the   repose   of 

thousands   of   readers。   On   the   other   hand�察  �if   I   have   suffered   under   the 

tediousness of the many�察�I have not been without my compensating gains 

from the wisdom and experience of the few。 To some of my sitters I have 

been indebted for information which has enlarged my mind�察�to some for 

advice   which   has   lightened   my   heart�察  �to   some   for   narratives   of   strange 

adventure   which   riveted   my   attention   at   the   time�察  �which   have   served   to 

interest and amuse my fireside circle for many years past�察�and which are 

now�察  �I   would   fain   hope�察  �destined   to   make   kind   friends   for   me   among   a 

wider audience than any that I have yet addressed。 

     Singularly enough�察 �almost all   the best stories that   I have   heard   from 

my sitters have been told by accident。 I only remember two cases in which 

a   story   was    volunteered      to  me�察   �and�察  �although     I  have   often   tried   the 

experiment�察�I cannot call to mind even a single instance in which leading 

questions   ��as   lawyers   call   them��   on   my   part�察  �addressed   to   a   sitter�察  �ever 

produced   any   result   worth   recording。   Over   and   over   again   I   have   been 

disastrously  successful   in   encouraging dull   people to   weary  me。  But   the 

clever people who have something interesting to say seem�察�so far as I have 



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observed them�察�to acknowledge no other stimulant than chance。 For every 

story�察  �excepting   one�察  �I   have   been   indebted�察  �in   the   first   instance�察  �to   the 

capricious   influence   of   the   same   chance。   Something   my   sitter   has   seen 

about me�察�something I have remarked in my sitter�察�or in the room in which 

I take the likeness�察�or in the neighbourhood through which I pass on my 

way to work�察 �has suggested the   necessary association�察�or has started the 

right train of recollections�察�and then the story appeared to begin of its own 

accord。   Occasionally   the   most   casual   notice�察  �on   my   part�察  �of   some   very 

unpromising object has smoothed the way for the relation of a long and 

interesting narrative。 I first heard one of the most dramatic stories merely 

through     being    carelessly    inquisitive    to  know     the  history    of  a  stuffed 

poodle´dog。 

     It is thus not without reason that I lay some stress on the desirableness 

of   prefacing   the   following   narrative   by   a   brief   account   of   the   curious 

manner in which I became possessed of it。 As to my capacity for repeating 

the story correctly�察�I can answer for it that my memory may be trusted。 I 

may claim it   as a   merit�察�because   it is�察  �after all�察  �a mechanical one�察�that   I 

forget nothing�察�and that I can call long´ past conversations and events as 

readily to my recollection as if they had happened but a few weeks ago。 Of 

two things at least I feel tolerably certain before´hand�察�in meditating over 

its   contents�此  �first�察  �that   I   can   repeat   correctly   all   that   I   have   heard�察  �and�察�

secondly�察�that I have never missed anything worth hearing when my sitters 

were addressing me on an interesting subject。 Although I cannot take the 

lead in talking while I am engaged in painting�察�I can listen while others 

speak�察�and work all the better for it。 

     So   much   in   the   way  of   general   preface   to   the   pages   for   which   I   am 

about to ask the reader's attention。 Let me now advance to particulars�察�and 

describe how I came to hear the story。 I begin with it because it is the story 

that   I  have    oftenest   ;rehearsed�察─    �to   borrow    a  phrase    from    the   stage。 

Wherever I go�察�I am sooner or later sure to tell it。 Only last night I was 

persuaded into repeating it once more by the inhabitants of the farm´house 

in which I am now staying。 

     Not many years ago�察�on returning from a short holiday visit to a friend 

settled in Paris�察�I found professional letters awaiting me at my agent's in 



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London�察  �which   required   my   immediate   presence   in   Liverpool。   Without 

stopping     to  unpack�察    �I  proceeded     by  the   first  conveyance     to  my    new 

destination�察    �and�察   �calling   at  the   picture´dealer's     shop   where     portrait´ 


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