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tunate man become more liable to these anti´feminine atrocities than in the center of one of these vehicles。  The woman�察�as she enters�察�drags after her a misshapen�察�dirty mass of battered wirework�察�which she calls her crinoline�察�and which adds as much to her grace and comfort as a log of wood does to a donkey when tied to the animal's leg in a paddock。  Of this she takes much heed�察�not managing it so that it may be conveyed up the carriage with some decency�察�but striking it about against men's legs�察�and heaving it with violence over people's knees。  The touch of a real woman's dress is in itself delicate�察�but these blows from a harpy's fins are as loathsome as a snake's slime。  If there be two of them they talk loudly together�察�having a theory that modesty has been put out of court by women's rights。  But�察�though not modest�察�the woman I describe is ferocious in her propriety。  She ignores the whole world around her as she sits�察�with a raised chin and face flattened by affectation�察�she pretends to declare aloud that she is positively not aware that any man is even near her。  She speaks as though to her�察�in her womanhood�察�the neighborhood of men was the same as that of dogs or cats。  They are there�察�but she does not hear them�察�see them�察�or even acknowledge them by any courtesy of motion。  But her own face always gives her the lie。  In her assumption of indifference she displays her nasty consciousness�察�and in each attempt at a would´be propriety is guilty of an immodesty。  Who does not know the timid retiring face of the young girl who when alone among men unknown to her feels that it becomes her to keep herself secluded�拭 �As many men as there are around her�察�so many knights has such a one�察�ready bucklered for her service�察�should occasion require such services。 Should it not�察�she passes on unmolestedbut not�察�as she herself will wrongly think�察�unheeded。  But as to her of whom I am speaking�察�we may say that every twist of her body and every tone of her voice is an unsuccessful falsehood。  She looks square at you in the face�察�and you rise to give her your seat。  You rise from a deference to your own old convictions�察�and from that courtesy which you have ever paid to a woman's dress�察�let it be worn with ever such hideous deformities。  She takes the place from which you have moved without a word or a bow。  She twists herself round�察�banging your shins with her wires�察�while her chin is still raised�察�and her face is still flattened�察�and she directs her friend's attention to another seated man�察�as though that place were also vacant�察�and necessarily at her disposure。  Perhaps the man opposite has his own ideas about chivalry。  I have seen such a thing�察�and have rejoiced to see it。 You will meet these women daily�察�hourly�察�everywhere in the streets。 Now and again you will find them in society�察�making themselves even more odious there than elsewhere。  Who they are�察�whence they come�察�and why they are so unlike that other race of women of which I have spoken�察�you will settle for yourself。  Do we not all say of our chance acquaintances�察�after half an hour's conversation�察�nay�察�after half an hour spent in the same room without conversation�察�that this woman is a lady�察�and that that other woman is not�拭 �They jostle each other even among us�察�but never seem to mix。  They are closely allied�察�but neither imbues the other with her attributes。  Both shall be equally well born�察�or both shall be equally ill born�察�but still it is so。  The contrast exists in England�察�but in America it is much stronger。  In England women become ladylike or vulgar。  In the States they are either charming or odious。 See that female walking down Broadway。  She is not exactly such a one as her I have attempted to describe on her entrance into the street car�察�for this lady is well dressed�察�if fine clothes will make well dressing。  The machinery of her hoops is not battered�察�and altogether she is a personage much more distinguished in all her expenditures。  But yet she is a copy of the other woman。  Look at the train which she drags behind her over the dirty pavement�察�where dogs have been�察�and chewers of tobacco�察�and everything concerned with filth except a scavenger。  At every hundred yards some unhappy man treads upon the silken swab which she trails behind herloosening it dreadfully at the girth one would say�察�and then see the style of face and the expression of features with which she accepts the sinner's half muttered apology。  The world�察�she supposes�察�owes her everything because of her silken train�察�even room enough in a crowded thoroughfare to drag it along unmolested。 But�察�according to her theory�察�she owes the world nothing in return。 She is a woman with perhaps a hundred dollars on her back�察�and having done the world the honor of wearing them in the world's presence�察�expects to be repaid by the world's homage and chivalry。 But chivalry owes her nothingnothing�察�though she walk about beneath a hundred times a hundred dollarsnothing�察�even though she be a woman。  Let every woman learn this�察�that chivalry owes her nothing unless she also acknowledges her debt to chivalry。  She must acknowledge it and pay it�察�and then chivalry will not be backward in making good her claims upon it。 All this has come of the street cars。  But as it was necessary that I should say it somewhere�察�it is as well said on that subject as on any other。  And now to continue with the street cars。  They run�察�as I have said�察�the length of the town�察�taking parallel lines。  They will take you from the Astor House�察�near the bottom of the town�察�for miles and miles northwardhalf way up the Hudson Riverfor�察�I believe�察�five pence。  They are very slow�察�averaging about five miles an hour�察�but they are very sure。  For regular inhabitants�察�who have to travel five or six miles perhaps to their daily work�察�they are excellent。  I have nothing really to say against the street cars。  But they do not fill the place of cabs。 There are�察�however�察�public carriagesroomy vehicles�察�dragged by two horses�察�clean and nice�察�and very well suited to ladies visiting the city。  But they have none of the attributes of the cab。  As a rule�察�they are not to be found standing about。  They are very slow。 They are very dear。  A dollar an hour is the regular charge�察�but one cannot regulate one's motion by the hour。  Going out to dinner and back costs two dollars�察�over a distance which in London would cost two shillings。  As a rule�察�the cost is four times that of a cab�察�and the rapidity half that of a cab。  Under these circumstances�察�I think I am justified in saying that there is no mode of getting about in New York to see anything。 And now as to the other charge against New York�察�of there being nothing to see。  How should there be anything there to see of general interest�拭 �In other large citiescities as large in name as New Yorkthere are works of art�察�fine buildings�察�ruins�察�ancient churches�察�picturesque costumes�察�and the tombs of celebrated men。 But in New York there are none of these things。  Art has not yet grown up there。  One or two fine figures by Crawford are in the town�察�especially that of the Sorrowing Indian�察�at the rooms of the Historical Society�察�but art is a luxury in a city which follows but slowly on the heels of wealth and civilization。  Of fine buildings which�察�indeed�察�are comprised in artthere are none deserving special praise or remark。  It might well have been that New York should ere this have graced herself with something grand in architecture�察�but she has not done so。  Some good architectural effect there is�察�and much architectural comfort。  Of ruins�察�of course�察�there can be nonenone�察�at least�察�of such ruins as travelers admire�察�though perhaps some of that sort which disgraces rather than decorates。  Churches there are plenty�察�but none that are ancient。  The costume is the same as our own�察�and I need hardly say that it is not picturesque。  And the time for the tombs of celebrated men has not yet come。  A great man's ashes are hardly of value till they have all but ceased to exist。 The visitor to New York must seek his gratification and obtain his instruction from the habits and manners of men。  The American�察�though he dresses like an Englishman�察�and eats roast beef with a silver forkor sometimes with a steel knifeas does an Englishman�察�is not like an Englishman in his mind�察�in his aspirations�察�in his tastes�察�or in his politics。  In his mind he is quicker�察�more universally intelligent�察�more ambitious of general knowledge�察�less indulgent of stupidity and ignorance in others�察�harder�察�sharper�察�brighter with the surface brightness of steel�察�than is an Englishman�察�but he is more brittle�察�less enduring�察�less malleable�察�and�察�I think�察�less capable of impressions。  The mind of the Englishman has more imagination�察�but that of the American more incision。  The American is a great observer�察�but he observes things material rather than things social or picturesque。  He is a constant and ready speculator�察�but all speculations�察�even those which come of philosophy�察�are with him more or less material。  In his aspirations the American is more constant than an Englishman or I should rather say he is more constant in aspiring。  Every citizen of the United States intends to do something。  Every one thinks himself capable of some effort。  But in his aspirations he is more limited than an Englishman。  The ambitious American never soars so high as the ambitious Englishman。  He does not even see up to so great a height�察�and�察�when he has raised himself somewhat above the crowd�察�becomes sooner dizzy with his own altitude。  An American of mark�察�though always anxious to show his mark�察�is always fearful of a fall。  In his tastes the American imitates the Frenchman。  Who shall dare to say that he is wrong�察�seeing that in general matters of design and luxury the French have won for themselves the foremost name�拭 �I will not say that the American is wrong�察�but I cannot avoid thinking that he is so。  I detest what is called French taste�察�but the world is against me。  When I complained to a landlord of a hotel out in the West that his furniture was useless�察�that I could not write at a marble table whose outside rim was curved into fantastic shapes�察�that a gold clock in my bed´room which did not go would give me no aid in washing myself�察�that a heavy�察�immovable curtain shut out th

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