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ok out。 If he should raise the window and smile at you; and get to talking with you maybe he would introduce you to his pa; and tell him that you would like to go with the show; and his pa would be a nice sort of a man; and he'd say: 〃Why; yes。 I guess we can fix that all right。〃 And there you'd be。
Or if it didn't come out like that; why; maybe the boy would be another 〃Little Arthur; the Boy Circus…rider;〃 like it told about in he Ladies' Repository。 It seems there was a man; and one day he went by where there was a circus; and in a quiet secluded; vine…clad nook only a few steps from the main tent; he heard somebody sigh; oh; so sadly and so pitifully! Come to find out; it was Little Arthur; the Boy Circus…rider。 He had large sensitive violet eyes; and a wealth of clustering ringlets; and he was very; very unhappy。 So the man took from his pocket a Bible that he happened to have with him; and he read from it to Little Arthur; which cheered him up right away; because up to that moment he had only heard of the Bible。 (Think of that!) And that night at the show; what do you s'pose? Little Arthur fell off the horse and hurt himself。 And this man was at the show and he went back in the dressing…room; and held Little Arthur's hand。 And the clown was crying; and the actors were crying; for they all loved Little Arthur in their rude; untutored way。 And Little Arthur opened his large sensitive violet eyes; and saw the man; and said off the text that the man taught him that afternoon。
And then he died。 It was a sad story; but it made you wish it had been you that happened to have a Bible in your pocket as you passed the secluded; vine…clad nook only a few paces from the main tent; and had heard Little Arthur sigh so pitifully。 It was those sensitive eyes we looked for in the sleeping…car windows; and all in vain。 I think I saw the wealth of clustering ringlets; or at least the makings of it。 I am almost positive I saw curl…papers as the curtain was drawn aside a moment。
But whether a boy stands gazing at the sleepers; or runs over to the lots; there is something pathetic about it; something almost terrible。 It is the death of an ideal。 I can't conceive of a boy coming down to the depot to see the circus train come in another time。 Hitherto; the show has been to him the ne plus ultra of romance。 It comes in the night from 'way off yonder; it goes in the night to 'way off yonder。 It is all splendor; all deeds of high emprise。 It stands to reason then; that the closer you get to it; the closer you get to pure romance。 And it isn't that way at all。
What gravels a boy the most of all is to have to do the same old thing over and over again; day after day; week in; week out。 Once he has seen the circus come in; he cannot blind himself to the fact that everything is marked and numbered; that all is system; and that everything is done today exactly as it was done yesterday; and as it will be done tomorrow。
〃What town is this?〃 he hears a man inquire of another。
〃Blest if I know。 What's the odds what town it is?〃
Didn't know what town it was! Didn't care!
The keen morning air; or something; makes a fellow mighty unromantic; too。 Perhaps it was the thin blue wood…smoke from the field…stoves; and the smell of the hot coffee and the victuals the waiters are carrying about; some to the tent where the bare tables are for the canvasmen; some to the table covered with a red and white table…cloth as befits performers。 These have no rosy cheeks。 Their lithe limbs are not richly decked with silken tights。 Insensibly the upper lip curls。 They're not so much。 They're only folks。 That's all; just folks。
But when ideals die; great truths are born。 To such a boy at such a moment there comes the firm conviction which increasing years can only emphasize: Home is but a poor prosaic place; but Home … Ah; my brother; think on this … Home is where Breakfast is。
〃Hay! Wait for me; you fellows! Hay! Hold on a minute。 Well; ain't I a…comin' jis''s fast's ever I kin? What's your rush?〃
It is the exceptional boy has this experience。 The normal one preserves the delicate bloom of romance; by never seeing the show until it makes its Grand Triumphal Entree in a Pageant of Unparalleled Magnificence far Surpassing the Pomp and Splendor of Oriental Potentates。
The hitching…posts are full of whinnering country horses; and people are in town you wouldn't think existed if you hadn't seen their pictures in Puck and Yudge; people from over by Muchinippi; and out Noodletoozy way; big; red…necked men with the long loping step that comes from walking on the plowed ground。 Following them are lanky women with their front teeth gone; and their figures bowed by drudgery; dragging wide…eyed children whose uncouth finery betrays the 〃country jake;〃 even if the freckles and the sun…bleached hair could keep the secret。 From the far…off fastnesses; where there are still log…cabins chinked with mud; they have ventured to see the show come into town; and when they have seen that; they will retire again beyond our ken。 How every sense is numbed and stunned by the magnificence and splendor of the painted and gilded wagons as they rumble past; the driver rolling and pitching in his seat; as he handles the ribbons of eight horses all at once! The farmer's heart is filled with admiration of his craft; as much as the children's hearts are at the gaudy pictures。
The allegorical tableau…car solemnly waggles past; Europe; and Asia; and Africa; and Australia brilliant in grease…paint and gorgeous cheesecloth robes。 And can you guess who the fat lady is up on the very tip…top of all; on the tip…top where the wobble is the worst? Our own Columbia! It must be fine to ride around that way all dressed up in a flag。 But a sourer lot of faces you never saw in your life。 No。 I am wrong。 For downright melancholy and despondency you must wait till the funny old clown comes along in his little bit of a buggy drawn by a little bit of a donkey。
〃And; oh; looky! Here comes the elephants; just the same as in the joggerfy books。 And see the men walking beside them。 They come from the place the elephants do。 See; they have on the clothes they wear in that country。 Don't they look proud? Who wouldn't be proud to get to walk with an elephant? And if you ever do anything to an elephant to make him mad; he'll always remember it; and some day he'll get even with you。 One time there was a man; and he gave an elephant a chew of tobacco; and … O…o…ooh! See that man in the cage with the lions! Don't it just make the cold chills run over you? I wouldn't be there for a million dollars; would you; ma?
〃What they laughing at down the street? Ma; make Lizzie get down; she's right in my way。 I don't want to see it pretty soon。 I want to see it naow! Oh; ain't it funny? See the old clowns playing on horns! Ain't it too killing? Aw; look at them ponies。 I woosht I had one。 Johnny Pym has got a goat he can hitch up。 What was that; pa? What was that went 'OoOOoohm!'〃
〃Whoa; Nell; whoa there! Steady; gal; steaday! Ho; there! Ho! Whoa …whoa…hup! Whad dy y' about? Fool horse。 Whoa 。 。 。 whoa so; gal; soo…o。 Lion; I guess; or a tagger; or sumpum or other。〃
And talk about music。 You thought the band was grand。 You just wait。 Don't you hear it down the street? It'll be along in a minute now。
There it is。 That's the cally…ope。 That's what the show bills call: 〃The Steam Car of the Muses。〃 。 。 。 Mm…well; I don't know but it is just a leetle off the pitch; especially towards the end of a note; but you must remember that you can't haul a very big boiler on a wagon; and the whistles let out an awful lot of steam。 It's pretty hard to keep the pressure even。 But it's loud。 That's the main thing。 And the man that plays on it … no; not that fellow in the overalls with a wad of greasy waste in his hand。 He 's only the engineer。 I mean the artist; the man that plays on the keys。 Well; he knows what the people want。 He has his fingers on the public pulse。 Does he give them a Bach fugue; or Guillmant's 〃Grand Choeur?〃 'Deed; he doesn't。 He goes right to the heart; with 〃Patrick's Day in the Morning;〃 and 〃The Carnival of Venice;〃 and 〃Home; Sweet Home;〃 and 〃Oh; Where; Oh Where has my Little Dog Gone?〃 He knows his business。 A shade off the key; perhaps; but my! Ain't it grand? So loud and nice!
〃Well; that's all of it 。 。 。 。 Why; child; I can't make it any longer than it is。
What do you want me to drive round into the other street for? You've seen all there is to see。 Got all your trading done; mother? Well; then I expect we'd better put for home。 Now; Eddy; I told you 'No' once; and that's the end of it。 Hush up now! Look here; sir! Do you want me to take and 'tend to you right before everybody? Well; I will now; if I hear another whimper out o' ye。 Ck…ck…ck! Git ep there; Nelly。〃
Some day; when we get big; and have whole; whole lots of money we're going to the circus every time it comes to town; to the real circus; the one you have to pay to get into。 For if merely the street parade is so magnificent; what must the show itself be?
How people can sit at the table on circus day and stuff; and stuff the way they do is more than I can understand。 You'd think they hadn't any more chances to eat than they had to go to the show。 And they can find more things to do before they get started! And then; after the house is all locked up and everything; they've got to go back after a handkerchief! What does anybody want with a handkerchief at a circus?
It's exasperating enough to have to choose between going in the afternoon and not going at all。 Why; sure; it's finer at night。 Lots finer。 You know that kind of a light the peanut…roaster man has got down by the post…office。 Burns that kind of stuff they use to take out grease…spots。 Ye…ah。 Gasoline。 Well; at the circus at night; they don't have just one light like that; but bunches and bunches of them on the tentpoles。 No; silly! Of course not。 Of course they don't set the tent afire。 But say! What if they did; eh? The place would be all full of people; laughing at the country jake that comes out to ride the trick…mule; and you'd happen to loo