kwaidan-stories and studies of strange things(謎霧)-及20何蛍
梓囚徒貧圭�鮗� ○ 賜 ★ 辛酔堀貧和鍬匈��梓囚徒貧議 Enter 囚辛指欺云慕朕村匈��梓囚徒貧圭�鮗� ● 辛指欺云匈競何��
!!!!隆堋響頼��紗秘慕禰厮宴和肝写偬堋響��
grateful to those only who are fond of luxury and show。 And that is just the
reason why they are pleased by your fluttering wings and delicate shape�察�
that is why they are kind to you。
;Now�察�in this spring season�察�while you sportively dance through the
gardens of the wealthy�察�or hover among the beautiful alleys of cherry´trees
in blossom�察�you say to yourself�此�'Nobody in the world has such pleasure as
I�察�or such excellent friends。 And�察�in spite of all that people may say�察�I most
love the peony�察�and the golden yellow rose is my own darling�察�and I will
obey her every least behest�察�for that is my pride and my delight。'。。。 So you
say。 But the opulent and elegant season of flowers is very short�此�soon they
will fade and fall。 Then�察�in the time of summer heat�察�there will be green
leaves only�察�and presently the winds of autumn will blow�察�when even the
leaves themselves will shower down like rain�察�parari´parari。 And your fate
will then be as the fate of the unlucky in the proverb�察�Tanomi ki no shita ni
ame furu ��Even through the tree upon which I relied for shelter the rain
leaks down�А� For you will seek out your old friend�察�the root´cutting insect�察�
the grub�察�and beg him to let you return into your old´time hole�察�but now
having wings�察�you will not be able to enter the hole because of them�察�and
you will not be able to shelter your body anywhere between heaven and
earth�察 �and all the moor´grass will then have withered�察 �and you will not
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have even one drop of dew with which to moisten your tongue�察�and there
will be nothing left for you to do but to lie down and die。 all because of
your light and frivolous heart but�察�ah� �how lamentable an end� ─�。。
III
Most of the Japanese stories about butterflies appear�察�as I have said�察�to
be of Chinese origin。 But I have one which is probably indigenous�察�and it
seems to me worth telling for the benefit of persons who believe there is
no ;romantic love; in the Far East。
Behind the cemetery of the temple of Sozanji�察 �in the suburbs of the
capital�察�there long stood a solitary cottage�察�occupied by an old man named
Takahama。 He was liked in the neighborhood�察 �by reason of his amiable
ways�察�but almost everybody supposed him to be a little mad。 Unless a man
take the Buddhist vows�察�he is expected to marry�察�and to bring up a family。
But Takahama did not belong to the religious life�察 �and he could not be
persuaded to marry。 Neither had he ever been known to enter into a love´
relation with any woman。 For more than fifty years he had lived entirely
alone。
One summer he fell sick�察�and knew that he had not long to live。 He
then sent for his sister´in´law�察 �a widow�察 �and for her only son�察 �a lad of
about twenty years old�察 �to whom he was much attached。 Both promptly
came�察�and did whatever they could to soothe the old man's last hours。
One sultry afternoon�察�while the widow and her son were watching at
his bedside�察�Takahama fell asleep。 At the same moment a very large white
butterfly entered the room�察�and perched upon the sick man's pillow。 The
nephew drove it away with a fan�察�but it returned immediately to the pillow�察�
and was again driven away�察 �only to come back a third time。 Then the
nephew chased it into the garden�察�and across the garden�察�through an open
gate�察 �into the cemetery of the neighboring temple。 But it continued to
flutter before him as if unwilling to be driven further�察�and acted so queerly
that he began to wonder whether it was really a butterfly�察�or a ma ��16�А� He
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again chased it�察�and followed it far into the cemetery�察�until he saw it fly
against a tomb�察 �a woman's tomb。 There it unaccountably disappeared�察�
and he searched for it in vain。 He then examined the monument。 It bore the
personal name ;Akiko�察─。�3�� together with an unfamiliar family name�察�and
an inscription stating that Akiko had died at the age of eighteen。
Apparently the tomb had been erected about fifty years previously�此�moss
had begun to gather upon it。 But it had been well cared for�此 �there were
fresh flowers before it�察�and the water´tank had recently been filled。
On returning to the sick room�察 �the young man was shocked by the
announcement that his uncle had ceased to breathe。 Death had come to the
sleeper painlessly�察�and the dead face smiled。
The young man told his mother of what he had seen in the cemetery。
;Ah� ─�exclaimed the widow�察 �then it must have been Akiko� ─�。。
But who was Akiko�察�mother�拭─�the nephew asked。
The widow answered�此�
;When your good uncle was young he was betrothed to a charming
girl called Akiko�察�the daughter of a neighbor。 Akiko died of consumption�察�
only a little before the day appointed for the wedding�察�and her promised
husband sorrowed greatly。 After Akiko had been buried�察�he made a vow
never to marry�察�and he built this little house beside the cemetery�察�so that he
might be always near her grave。 All this happened more than fifty years
ago。 And every day of those fifty years winter and summer alike your
uncle went to the cemetery�察�and prayed at the grave�察�and swept the tomb�察�
and set offerings before it。 But he did not like to have any mention made
of the matter�察�and he never spoke of it。。。 So�察�at last�察�Akiko came for him�此�
the white butterfly was her soul。;
IV
I had almost forgotten to mention an ancient Japanese dance�察�called the
Butterfly Dance ��Kocho´Mai���察�which used to be performed in the Imperial
Palace�察 �by dancers costumed as butterflies。 Whether it is danced
occasionally nowadays I do not know。 It is said to be very difficult to learn。
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Six dancers are required for the proper performance of it�察�and they must
move in particular figures�察�obeying traditional rules for ever step�察�pose�察�
or gesture�察 �and circling about each other very slowly to the sound of
hand´drums and great drums�察 �small flutes and great flutes�察 �and pandean
pipes of a form unknown to Western Pan。
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MOSQUITOES
With a view to self´protection I have been reading Dr。 Howard's book�察�
;Mosquitoes。; I am persecuted by mosquitoes。 There are several species in
my neighborhood�察 �but only one of them is a serious torment�察 �a tiny
needly thing�察�all silver´speckled and silver´streaked。 The puncture of it is
sharp as an electric burn�察�and the mere hum of it has a lancinating quality
of tone which foretells the quality of the pain about to come�察�much in the
same way that a particular smell suggests a particular taste。 I find that this
mosquito much resembles the creature which Dr。 Howard calls Stegomyia
fasciata�察�or Culex fasciatus�此�and that its habits are the same as those of the
Stegomyia。 For example�察�it is diurnal rather than nocturnal and becomes
most troublesome in the afternoon。 And I have discovered that it comes
from the Buddhist cemetery�察 �a very old cemetery�察 �in the rear of my
garden。
Dr。 Howard's book declares that�察 �in order to rid a neighborhood of
mosquitoes�察�it is only necessary to pour a little petroleum�察�or kerosene oil�察�
into the stagnant water where they breed。 Once a week the oil should be
used�察 �at the rate of once ounce for every fifteen square feet of water´
surface�察�and a proportionate quantity for any less surface。; 。。。But please to
consider the conditions in my neighborhood� �
I have said that my tormentors come from the Buddhist cemetery。
Before nearly every tomb in that old cemetery there is a water´receptacle�察�
or cistern�察 �called mizutame。 In the majority of cases this mizutame is
simply an oblong cavity chiseled in the broad pedestal supporting the
monument�察�but before tombs of a costly kind�察�having no pedestal´tank�察�a
larger separate tank is placed�察 �cut out of a single block of stone�察 �and
decorated with a family crest�察 �or with symbolic carvings。 In front of a
tomb of the humblest class�察�having no mizutame�察�water is placed in cups
or other vessels�察 �for the dead must have water。 Flowers also must be
offered to them�察 �and before every tomb you will find a pair of bamboo
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cups�察�or other flower´vessels�察�and these�察�of course�察�contain water。 There is
a well in the cemetery to supply water for the graves。 Whenever the tombs
are visited by relatives and friends of the dead�察�fresh water is poured into
the tanks and cups。 But as an old cemetery of this kind contains thousands
of mizutame�察�and tens of thousands of flower´vessels the water in all of
these cannot be renewed every day。 It becomes stagnant and populous。 The
deep